The lights of the Court of Freedom blaze. A trumpet blast is heard and four heralds, Black and of gigantic stature, appear with silver trumpets and standing at the four corners of the temple of beauty cry:

Four banner bearers come forward and stand along the four walls of the temple. On their banners is written:

" The First Gift of the Negro to the world, being the Gift of Iron. This picture shall tell how, in the deep and beast-bred forests of Africa, mankind first learned the welding of iron, and thus defense against the living and the dead ."

What the banners tell the heralds solemnly proclaim .

The lights grow dim. The roar of beasts is heard and the crash of the storm. Lightnings flash. The dark figure of an African savage hurries across the foreground, frightened and cowering and dancing. Another follows defying the lightning and is struck down; others come until the space is filled with 100 huddling, crowding savages. Some brave the storm, some pray their Gods with incantation and imploring dance. Mothers shield their children, and husbands their wives. At last, dimly enhaloed in mysterious light, the Veiled Woman apears, commanding in stature and splendid in garment, her dark face faintly visible, and in her right hand Fire, and Iron in her left. As she passes slowly round the Court the rhythmic roll of tomtoms begins. Then music is heard; anvils ring at the four corners. The arts flourish, huts arise, beasts are brought in and there is joy, feasting and dancing .

A trumpet blast calls silence and the heralds proclaim

The banners of the banner bearers change and read :

" The Second Gift of the Negro to the world, being the Gift of the Nile. This picture tells how the meeting of Negro and Semite in ancient days made the civilization of Egypt the first in the world ."

There comes a strain of might music, dim in the distance and drawing nearer. The 100 savages thronged round the whole Court rise and stand listening. Slowly there come fifty veiled figures and with them come the Sphinx, Pyramid, the Obelisk and the empty Throne of the Pharaoh drawn by oxen. As the cavalcade passes, the savages, wondering, threatening, inquiring, file by it. Suddenly a Black chieftain appears in the entrance, with the Uraeus in one hand and the winged Beetle in the other. The Egyptians unveil and display Negroes and mulattoes clothed in the splendor of the Egyptian Court. The savages salaam; all greet him as Ra, the Negro. He mounts the throne and the cavalcade, led by posturing dancers and Ra, and followed by Egyptians and savages, pass in procession around to the right to the thunder of music and tomtoms. As they pass, Ra is crowned as Priest and King. While the Queen of Sheba and Candace of Ethiopia join the procession at intervals .

Slowly all pass out save fifty savages, who linger examining their gifts. The lights grow dim as Egyptian culture dies and the fifty savages compose themselves to sleep. As they sleep the light returns and the heralds proclaim

The banners change and read:

" The Third Gift of the Negro to the world, being a Gift of Faith. This episode tells how the Negro race spread the faith of Mohammed over half the world and built a new culture thereon ."

There is a sound of battle. The savages leap to their feet. Mohammed and fifty followers whirl in and rushing to the right beat the savages back. Fifty Songhay enter and attack the Mohammedans. Fifty other Mohammedans enter and attack the Songhay. Turning, the Songhay bear the last group of Mohammedans back to the left where they clash with the savages. Mohammedan priests strive and exhort among the warriors. At each of the four corners of the temple a priest falls on his face and cries: "God is God! God is God! There is no God but God, and Mohammed is his prophet!" Four more join, others join until gradually all is changed from battle to the one universal cry: "God is God! God is God! There is no God but God, and Mohammed is his prophet!" In each corner, however, some Mohammedans hold slaves in shackles, secretly .

Mansa Musa appears at the entrance with entourage on horseback, followed by Black Mohammedan priests and scholars. The procession passes around to the right with music and dancing, and passes out with Mohammedans and Songhay, leaving some Mohammedans and their slaves on the stage .

The herald proclaims

The banners change again and say:

" The Fourth Gift of the Negro to the world, being a Gift of Humiliation. This gift shows how men can bear even the Hell of Christian slavery and live ."

The Mohammedans force their slaves forward as European traders enter. Other Negroes, with captives, enter. The Mohammedans take gold in barter. The Negroes refuse gold, but are seduced by beads and drink. Chains rattle. Christian missionaries enter, but the slave trade increases. The wail of the missionary grows fainter and fainter until all is a scene of carnage and captivity with whip and chain and only a frantic priest, staggering beneath a cross and crowned with bloody thorns, wanders to and fro in dumb despair .

There is silence. Then a confused moaning. Out of the moaning comes the slave song, "Nobody Knows the Trouble I've Seen," and with it and through the chained and bowed forms of the slaves as they pass out is done the Dance of Death and Pain .

The stage is cleared of all its folk. There is a pause, in which comes the Dance of the Ocean, showing the transplantation of the Negro race over seas .

Then the heralds proclaim

The banners change again and read:

" The Fifth Gift of the Negro to the world, being a Gift of Struggle Toward Freedom. This picture tells of Alonzo, the Negro pilot of Columbus, of Stephen Dorantes who discovered New Mexico, of the brave Maroons and valiant Haytians, of Crispus Attucks, George Lisle and Nat Turner ."

Twenty-five Indians enter, circling the Court right and left, stealthily and watchfully. As they sense the coming of the whites, they gather to one side of the temple, watching .

Alonzo, the Negro, enters and after him Columbus and Spaniards, in mail, and one monk. They halt at the other side of the temple and look about searchingly, pointing at the Indians. Slaves follow. One of the slaves, Stephen Dorantes, and the monk seek the Indians. The monk is killed and Stephen returns, circling the Court, tells his tale and dies. The Spaniards march on the Indians. Their slaves — the Maroons — revolt and march to the left and meet the Indians on the opposite side. The French, some of the mulattoes and Negroes, enter with more slaves. They march after the Spanish. Their slaves, helped by mulattoes and Toussaint, revolt and start back. The French follow the Spaniards, but the returning Haytians meet oncoming British. The Haytians fight their way through and take their place next to the Maroons. Still more slaves and white Americans follow the British. The British and Americans dispute. Attucks leads the Americans and the British are put to flight. Spanish, French and British, separated by dancing Indians, file around the Court and out, while Maroons, Haytians and slaves file around in the opposite direction and meet the Americans. As they pass, the French, by guile, induce Toussaint to go with them. There is a period of hesitation. Some slaves are freed, some Haytians resist aggression. George Lisle, a freed Negro, preaches the true religion as the masters listen. Peace ensues and the slaves sing at their tasks. Suddenly King Cotton arrives, followed by Greed, Vice, Luxury and Cruelty. The slaveholders are seduced. The old whips and chains appear. Nat Turner rebels and is killed. The slaves drop into despair and work silently and sullenly. The faint roll of tomtoms is heard .

The heralds proclaim

The banners change and say:

" The sixth and last episode, showing how the freedom of Black slaves meant freedom for the world. In this episode shall be seen the work of Garrison and John Brown; of Abraham Lincoln and Frederick Douglass, the marching of Black soldiers to war and the hope that lies in little children ."

The slaves work more and more dejectedly and drivers force them. Slave music comes. The tomtoms grow louder. The Veiled Woman appears with fire and iron. The slaves arise and begin to escape, passing through each other to and fro, confusedly. Benezet, Walker and Garrison enter, scattering their writings, and pass slowly to the right, threatened by slave drivers. John Brown enters, gesticulating. A knot of Negroes follow him. The planters seize him and erect a gallows, but the slaves seize his body and begin singing "John Brown's Body ."

Frederick Douglass enters and passes to the right. Sojourner Truth enters and passes to the left. Sojourner Truth cries: "Frederick, is God dead?" Voices take up the cry, repeating: "Frederick, is God dead?" Douglass answers: "No, and therefore slavery must end in blood." The heralds repeat: "Slavery must end in blood ."

The roll of drums is heard and the soldiers enter. First, a company in blue with Colonel Shaw on horseback .

A single voice sings "O Freedom." A soprano chorus takes it up .

The Boy Scouts march in .

Full brasses take up "O Freedom ."

Little children enter, and among them symbolic figures of the laborer, the Artisan, the Servant of Men, the Merchant, the Inventor, the Musician, the Actor, the Teacher, Law, Medicine and Ministry, the All-Mother, formerly the Veiled Woman, now unveiled in her chariot with her dancing brood, and the bust of Lincoln at her side .

With burst of music and blast of trumpets, the pageant ends and the heralds sing:

Then shall the banners announce:

" The play is done! "