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Director, Folger Shakespeare Library
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Other editorial decisions involve choices about whether an unfamiliar word could be understood in light of other writings of the period or whether it should be changed; decisions about words that made it into Shakespeare’s text by accident through four hundred years of printings and misprinting; and even decisions based on cultural preference and taste. When the Moby™ Text was created, for example, it was deemed “improper” and “indecent” for Miranda to chastise Caliban for having attempted to rape her. (See The Tempest, 1.2: “Abhorred slave,/Which any print of goodness wilt not take,/Being capable of all ill! I pitied thee…”). All Shakespeare editors at the time took the speech away from her and gave it to her father, Prospero.
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If she in chains of magic were not bound,
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King Lear dramatizes the story of an aged king of ancient Britain, whose plan to divide his kingdom among his three daughters ends tragically. When he tests each by asking how much she loves him, the older daughters, Goneril and Regan, flatter him. The youngest, Cordelia, does not, and Lear disowns and banishes her. She marries the king of France. Goneril and Regan turn on Lear, leaving him to wander madly in a furious storm.
Meanwhile, the Earl of Gloucester’s illegitimate son Edmund turns Gloucester against his legitimate son, Edgar. Gloucester, appalled at the daughters’ treatment of Lear, gets news that a French army is coming to help Lear. Edmund betrays Gloucester to Regan and her husband, Cornwall, who puts out Gloucester’s eyes and makes Edmund the Earl of Gloucester.
Cordelia and the French army save Lear, but the army is defeated. Edmund imprisons Cordelia and Lear. Edgar then mortally wounds Edmund in a trial by combat. Dying, Edmund confesses that he has ordered the deaths of Cordelia and Lear. Before they can be rescued, Lear brings in Cordelia’s body and then he himself dies.
ACT 1
Scene 1
Enter Kent , Gloucester , and Edmund .
KENT
I thought the King had more affected the Duke
of Albany than Cornwall .
of Albany than Cornwall .
GLOUCESTER
It did always seem so to us , but now in
the division of the kingdom , it appears not which
of the dukes he values most , for equalities are so
weighed that curiosity in neither can make choice
of either’s moiety .
the division of the kingdom , it appears not which
of the dukes he values most , for equalities are so
weighed that curiosity in neither can make choice
of either’s moiety .
KENT
Is not this your son , my lord ?
GLOUCESTER
His breeding , sir , hath been at my
charge . I have so often blushed to acknowledge
him that now I am brazed to ’t .
charge . I have so often blushed to acknowledge
him that now I am brazed to ’t .
KENT
I cannot conceive you .
GLOUCESTER
Sir , this young fellow’s mother could ,
whereupon she grew round-wombed and had indeed ,
sir , a son for her cradle ere she had a husband
for her bed . Do you smell a fault ?
whereupon she grew round-wombed and had indeed ,
sir , a son for her cradle ere she had a husband
for her bed . Do you smell a fault ?
KENT
I cannot wish the fault undone , the issue of it
being so proper .
being so proper .
GLOUCESTER
But I have a son , sir , by order of law ,
some year elder than this , who yet is no dearer in
my account . Though this knave came something
saucily to the world before he was sent for , yet was
his mother fair , there was good sport at his making ,
[9] ACT 1. SC. 1 and the whoreson must be acknowledged . — Do you
know this noble gentleman , Edmund ?
some year elder than this , who yet is no dearer in
my account . Though this knave came something
saucily to the world before he was sent for , yet was
his mother fair , there was good sport at his making ,
[9] ACT 1. SC. 1 and the whoreson must be acknowledged . — Do you
know this noble gentleman , Edmund ?
EDMUND
No , my lord .
GLOUCESTER
My lord of Kent . Remember him hereafter
as my honorable friend .
as my honorable friend .
EDMUND
My services to your Lordship .
KENT
I must love you and sue to know you better .
EDMUND
Sir , I shall study deserving .
GLOUCESTER
He hath been out nine years , and away he
shall again . ( Sennet . ) The King is coming .
shall again . ( Sennet . ) The King is coming .
Enter King Lear , Cornwall , Albany , Goneril , Regan ,
Cordelia , and Attendants .
Cordelia , and Attendants .
LEAR
Attend the lords of France and Burgundy ,
Gloucester .
Gloucester .
GLOUCESTER
I shall , my lord .
He exits .
LEAR
Meantime we shall express our darker purpose . —
Give me the map there .
Know that we have divided
In three our kingdom , and ’tis our fast intent
To shake all cares and business from our age ,
Conferring them on younger strengths , while we
Unburdened crawl toward death . Our son of
Cornwall
And you , our no less loving son of Albany ,
We have this hour a constant will to publish
Our daughters’ several dowers , that future strife
May be prevented now .
The two great princes , France and Burgundy ,
Great rivals in our youngest daughter’s love ,
Long in our court have made their amorous sojourn
And here are to be answered . Tell me , my
daughters —
Since now we will divest us both of rule ,
[11] ACT 1. SC. 1 Interest of territory , cares of state —
Which of you shall we say doth love us most ,
That we our largest bounty may extend
Where nature doth with merit challenge . Goneril ,
Our eldest born , speak first .
Give me the map there .
He is handed a map .
Know that we have divided
In three our kingdom , and ’tis our fast intent
To shake all cares and business from our age ,
Conferring them on younger strengths , while we
Unburdened crawl toward death . Our son of
Cornwall
And you , our no less loving son of Albany ,
We have this hour a constant will to publish
Our daughters’ several dowers , that future strife
May be prevented now .
The two great princes , France and Burgundy ,
Great rivals in our youngest daughter’s love ,
Long in our court have made their amorous sojourn
And here are to be answered . Tell me , my
daughters —
Since now we will divest us both of rule ,
[11] ACT 1. SC. 1 Interest of territory , cares of state —
Which of you shall we say doth love us most ,
That we our largest bounty may extend
Where nature doth with merit challenge . Goneril ,
Our eldest born , speak first .
GONERIL
Sir , I love you more than word can wield the
matter ,
Dearer than eyesight , space , and liberty ,
Beyond what can be valued , rich or rare ,
No less than life , with grace , health , beauty , honor ;
As much as child e’er loved , or father found ;
A love that makes breath poor , and speech unable .
Beyond all manner of so much I love you .
matter ,
Dearer than eyesight , space , and liberty ,
Beyond what can be valued , rich or rare ,
No less than life , with grace , health , beauty , honor ;
As much as child e’er loved , or father found ;
A love that makes breath poor , and speech unable .
Beyond all manner of so much I love you .
CORDELIA
, aside
What shall Cordelia speak ? Love , and be silent .
LEAR
, pointing to the map
Of all these bounds , even from this line to this ,
With shadowy forests and with champains riched ,
With plenteous rivers and wide-skirted meads ,
We make thee lady . To thine and Albany’s issue
Be this perpetual . — What says our second
daughter ,
Our dearest Regan , wife of Cornwall ? Speak .
With shadowy forests and with champains riched ,
With plenteous rivers and wide-skirted meads ,
We make thee lady . To thine and Albany’s issue
Be this perpetual . — What says our second
daughter ,
Our dearest Regan , wife of Cornwall ? Speak .
REGAN
I am made of that self mettle as my sister
And prize me at her worth . In my true heart
I find she names my very deed of love ;
Only she comes too short , that I profess
Myself an enemy to all other joys
Which the most precious square of sense
possesses ,
And find I am alone felicitate
In your dear Highness’ love .
And prize me at her worth . In my true heart
I find she names my very deed of love ;
Only she comes too short , that I profess
Myself an enemy to all other joys
Which the most precious square of sense
possesses ,
And find I am alone felicitate
In your dear Highness’ love .
CORDELIA
, aside
Then poor Cordelia !
And yet not so , since I am sure my love’s
More ponderous than my tongue .
And yet not so , since I am sure my love’s
More ponderous than my tongue .
[13]ACT 1. SC. 1
LEAR
To thee and thine hereditary ever
Remain this ample third of our fair kingdom ,
No less in space , validity , and pleasure
Than that conferred on Goneril . — Now , our joy ,
Although our last and least , to whose young love
The vines of France and milk of Burgundy
Strive to be interessed , what can you say to draw
A third more opulent than your sisters’ ? Speak .
Remain this ample third of our fair kingdom ,
No less in space , validity , and pleasure
Than that conferred on Goneril . — Now , our joy ,
Although our last and least , to whose young love
The vines of France and milk of Burgundy
Strive to be interessed , what can you say to draw
A third more opulent than your sisters’ ? Speak .
CORDELIA
Nothing , my lord .
LEAR
Nothing ?
CORDELIA
Nothing .
LEAR
Nothing will come of nothing . Speak again .
CORDELIA
Unhappy that I am , I cannot heave
My heart into my mouth . I love your Majesty
According to my bond , no more nor less .
My heart into my mouth . I love your Majesty
According to my bond , no more nor less .
LEAR
How , how , Cordelia ? Mend your speech a little ,
Lest you may mar your fortunes .
Lest you may mar your fortunes .
CORDELIA
Good my lord ,
You have begot me , bred me , loved me .
I return those duties back as are right fit :
Obey you , love you , and most honor you .
Why have my sisters husbands if they say
They love you all ? Haply , when I shall wed ,
That lord whose hand must take my plight shall
carry
Half my love with him , half my care and duty .
Sure I shall never marry like my sisters ,
To love my father all .
You have begot me , bred me , loved me .
I return those duties back as are right fit :
Obey you , love you , and most honor you .
Why have my sisters husbands if they say
They love you all ? Haply , when I shall wed ,
That lord whose hand must take my plight shall
carry
Half my love with him , half my care and duty .
Sure I shall never marry like my sisters ,
To love my father all .
LEAR
But goes thy heart with this ?
CORDELIA
Ay , my good lord .
LEAR
So young and so untender ?
CORDELIA
So young , my lord , and true .
[15]ACT 1. SC. 1
LEAR
Let it be so . Thy truth , then , be thy dower ,
For by the sacred radiance of the sun ,
The mysteries of Hecate and the night ,
By all the operation of the orbs
From whom we do exist and cease to be ,
Here I disclaim all my paternal care ,
Propinquity , and property of blood ,
And as a stranger to my heart and me
Hold thee from this forever . The barbarous
Scythian ,
Or he that makes his generation messes
To gorge his appetite , shall to my bosom
Be as well neighbored , pitied , and relieved
As thou my sometime daughter .
For by the sacred radiance of the sun ,
The mysteries of Hecate and the night ,
By all the operation of the orbs
From whom we do exist and cease to be ,
Here I disclaim all my paternal care ,
Propinquity , and property of blood ,
And as a stranger to my heart and me
Hold thee from this forever . The barbarous
Scythian ,
Or he that makes his generation messes
To gorge his appetite , shall to my bosom
Be as well neighbored , pitied , and relieved
As thou my sometime daughter .
KENT
Good my liege —
LEAR
Peace , Kent .
Come not between the dragon and his wrath .
I loved her most and thought to set my rest
On her kind nursery .
my sight ! —
So be my grave my peace as here I give
Her father’s heart from her . — Call France . Who stirs ?
Call Burgundy . An Attendant exits . Cornwall and
Albany ,
With my two daughters’ dowers digest the third .
Let pride , which she calls plainness , marry her .
I do invest you jointly with my power ,
Preeminence , and all the large effects
That troop with majesty . Ourself by monthly course ,
With reservation of an hundred knights
By you to be sustained , shall our abode
Make with you by due turn . Only we shall retain
The name and all th’ addition to a king .
The sway , revenue , execution of the rest ,
[17] ACT 1. SC. 1 Belovèd sons , be yours , which to confirm ,
This coronet part between you .
Come not between the dragon and his wrath .
I loved her most and thought to set my rest
On her kind nursery .
To Cordelia .
Hence and avoid my sight ! —
So be my grave my peace as here I give
Her father’s heart from her . — Call France . Who stirs ?
Call Burgundy . An Attendant exits . Cornwall and
Albany ,
With my two daughters’ dowers digest the third .
Let pride , which she calls plainness , marry her .
I do invest you jointly with my power ,
Preeminence , and all the large effects
That troop with majesty . Ourself by monthly course ,
With reservation of an hundred knights
By you to be sustained , shall our abode
Make with you by due turn . Only we shall retain
The name and all th’ addition to a king .
The sway , revenue , execution of the rest ,
[17] ACT 1. SC. 1 Belovèd sons , be yours , which to confirm ,
This coronet part between you .
KENT
Royal Lear ,
Whom I have ever honored as my king ,
Loved as my father , as my master followed ,
As my great patron thought on in my prayers —
Whom I have ever honored as my king ,
Loved as my father , as my master followed ,
As my great patron thought on in my prayers —
LEAR
The bow is bent and drawn . Make from the shaft .
KENT
Let it fall rather , though the fork invade
The region of my heart . Be Kent unmannerly
When Lear is mad . What wouldst thou do , old man ?
Think’st thou that duty shall have dread to speak
When power to flattery bows ? To plainness honor’s
bound
When majesty falls to folly . Reserve thy state ,
And in thy best consideration check
This hideous rashness . Answer my life my
judgment ,
Thy youngest daughter does not love thee least ,
Nor are those empty-hearted whose low sounds
Reverb no hollowness .
The region of my heart . Be Kent unmannerly
When Lear is mad . What wouldst thou do , old man ?
Think’st thou that duty shall have dread to speak
When power to flattery bows ? To plainness honor’s
bound
When majesty falls to folly . Reserve thy state ,
And in thy best consideration check
This hideous rashness . Answer my life my
judgment ,
Thy youngest daughter does not love thee least ,
Nor are those empty-hearted whose low sounds
Reverb no hollowness .
LEAR
Kent , on thy life , no more .
KENT
My life I never held but as a pawn
To wage against thine enemies , nor fear to lose
it ,
Thy safety being motive .
To wage against thine enemies , nor fear to lose
it ,
Thy safety being motive .
LEAR
Out of my sight !
KENT
See better , Lear , and let me still remain
The true blank of thine eye .
The true blank of thine eye .
LEAR
Now , by Apollo —
KENT
Now , by Apollo , king ,
Thou swear’st thy gods in vain .
Thou swear’st thy gods in vain .
LEAR
O vassal ! Miscreant !
[19]ACT 1. SC. 1
ALBANY/CORNWALL
Dear sir , forbear .
KENT
Kill thy physician , and thy fee bestow
Upon the foul disease . Revoke thy gift ,
Or whilst I can vent clamor from my throat ,
I’ll tell thee thou dost evil .
Upon the foul disease . Revoke thy gift ,
Or whilst I can vent clamor from my throat ,
I’ll tell thee thou dost evil .
LEAR
Hear me , recreant ; on thine allegiance , hear me !
That thou hast sought to make us break our vows —
Which we durst never yet — and with strained pride
To come betwixt our sentence and our power ,
Which nor our nature nor our place can bear ,
Our potency made good , take thy reward :
Five days we do allot thee for provision
To shield thee from disasters of the world ,
And on the sixth to turn thy hated back
Upon our kingdom . If on the tenth day following
Thy banished trunk be found in our dominions ,
The moment is thy death . Away ! By Jupiter ,
This shall not be revoked .
That thou hast sought to make us break our vows —
Which we durst never yet — and with strained pride
To come betwixt our sentence and our power ,
Which nor our nature nor our place can bear ,
Our potency made good , take thy reward :
Five days we do allot thee for provision
To shield thee from disasters of the world ,
And on the sixth to turn thy hated back
Upon our kingdom . If on the tenth day following
Thy banished trunk be found in our dominions ,
The moment is thy death . Away ! By Jupiter ,
This shall not be revoked .
KENT
Fare thee well , king . Sith thus thou wilt appear ,
Freedom lives hence , and banishment is here .
thee , maid ,
That justly think’st and hast most rightly said .
may your deeds approve ,
That good effects may spring from words of love . —
Thus Kent , O princes , bids you all adieu .
He’ll shape his old course in a country new .
Freedom lives hence , and banishment is here .
To Cordelia .
The gods to their dear shelter take thee , maid ,
That justly think’st and hast most rightly said .
To Goneril and Regan .
And your large speeches may your deeds approve ,
That good effects may spring from words of love . —
Thus Kent , O princes , bids you all adieu .
He’ll shape his old course in a country new .
He exits .
Flourish . Enter Gloucester with France , and Burgundy ,
and Attendants .
and Attendants .
GLOUCESTER
Here’s France and Burgundy , my noble lord .
[21]ACT 1. SC. 1
LEAR
My lord of Burgundy ,
We first address toward you , who with this king
Hath rivaled for our daughter . What in the least
Will you require in present dower with her ,
Or cease your quest of love ?
We first address toward you , who with this king
Hath rivaled for our daughter . What in the least
Will you require in present dower with her ,
Or cease your quest of love ?
BURGUNDY
Most royal Majesty ,
I crave no more than hath your Highness offered ,
Nor will you tender less .
I crave no more than hath your Highness offered ,
Nor will you tender less .
LEAR
Right noble Burgundy ,
When she was dear to us , we did hold her so ,
But now her price is fallen . Sir , there she stands .
If aught within that little seeming substance ,
Or all of it , with our displeasure pieced
And nothing more , may fitly like your Grace ,
She’s there , and she is yours .
When she was dear to us , we did hold her so ,
But now her price is fallen . Sir , there she stands .
If aught within that little seeming substance ,
Or all of it , with our displeasure pieced
And nothing more , may fitly like your Grace ,
She’s there , and she is yours .
BURGUNDY
I know no answer .
LEAR
Will you , with those infirmities she owes ,
Unfriended , new-adopted to our hate ,
Dowered with our curse and strangered with our
oath ,
Take her or leave her ?
Unfriended , new-adopted to our hate ,
Dowered with our curse and strangered with our
oath ,
Take her or leave her ?
BURGUNDY
Pardon me , royal sir ,
Election makes not up in such conditions .
Election makes not up in such conditions .
LEAR
Then leave her , sir , for by the power that made me
I tell you all her wealth . — For you , great king ,
I would not from your love make such a stray
To match you where I hate . Therefore beseech you
T’ avert your liking a more worthier way
Than on a wretch whom Nature is ashamed
Almost t’ acknowledge hers .
I tell you all her wealth . — For you , great king ,
I would not from your love make such a stray
To match you where I hate . Therefore beseech you
T’ avert your liking a more worthier way
Than on a wretch whom Nature is ashamed
Almost t’ acknowledge hers .
FRANCE
This is most strange ,
That she whom even but now was your best
object ,
The argument of your praise , balm of your age ,
[23] ACT 1. SC. 1 The best , the dearest , should in this trice of time
Commit a thing so monstrous to dismantle
So many folds of favor . Sure her offense
Must be of such unnatural degree
That monsters it , or your forevouched affection
Fall into taint ; which to believe of her
Must be a faith that reason without miracle
Should never plant in me .
That she whom even but now was your best
object ,
The argument of your praise , balm of your age ,
[23] ACT 1. SC. 1 The best , the dearest , should in this trice of time
Commit a thing so monstrous to dismantle
So many folds of favor . Sure her offense
Must be of such unnatural degree
That monsters it , or your forevouched affection
Fall into taint ; which to believe of her
Must be a faith that reason without miracle
Should never plant in me .
CORDELIA
, to Lear
I yet beseech your Majesty —
If for I want that glib and oily art
To speak and purpose not , since what I well
intend
I’ll do ’t before I speak — that you make known
It is no vicious blot , murder , or foulness ,
No unchaste action or dishonored step
That hath deprived me of your grace and favor ,
But even for want of that for which I am richer :
A still-soliciting eye and such a tongue
That I am glad I have not , though not to have it
Hath lost me in your liking .
If for I want that glib and oily art
To speak and purpose not , since what I well
intend
I’ll do ’t before I speak — that you make known
It is no vicious blot , murder , or foulness ,
No unchaste action or dishonored step
That hath deprived me of your grace and favor ,
But even for want of that for which I am richer :
A still-soliciting eye and such a tongue
That I am glad I have not , though not to have it
Hath lost me in your liking .
LEAR
Better thou
Hadst not been born than not t’ have pleased me
better .
Hadst not been born than not t’ have pleased me
better .
FRANCE
Is it but this — a tardiness in nature
Which often leaves the history unspoke
That it intends to do ? — My lord of Burgundy ,
What say you to the lady ? Love’s not love
When it is mingled with regards that stands
Aloof from th’ entire point . Will you have her ?
She is herself a dowry .
Which often leaves the history unspoke
That it intends to do ? — My lord of Burgundy ,
What say you to the lady ? Love’s not love
When it is mingled with regards that stands
Aloof from th’ entire point . Will you have her ?
She is herself a dowry .
BURGUNDY
, to Lear
Royal king ,
Give but that portion which yourself proposed ,
And here I take Cordelia by the hand ,
Duchess of Burgundy .
Give but that portion which yourself proposed ,
And here I take Cordelia by the hand ,
Duchess of Burgundy .
LEAR
Nothing . I have sworn . I am firm .
[25]ACT 1. SC. 1
BURGUNDY
, to Cordelia
I am sorry , then , you have so lost a father
That you must lose a husband .
That you must lose a husband .
CORDELIA
Peace be with
Burgundy .
Since that respect and fortunes are his love ,
I shall not be his wife .
Burgundy .
Since that respect and fortunes are his love ,
I shall not be his wife .
FRANCE
Fairest Cordelia , that art most rich being poor ;
Most choice , forsaken ; and most loved , despised ,
Thee and thy virtues here I seize upon ,
Be it lawful I take up what’s cast away .
Gods , gods ! ’Tis strange that from their cold’st
neglect
My love should kindle to enflamed respect . —
Thy dowerless daughter , king , thrown to my
chance ,
Is queen of us , of ours , and our fair France .
Not all the dukes of wat’rish Burgundy
Can buy this unprized precious maid of me . —
Bid them farewell , Cordelia , though unkind .
Thou losest here a better where to find .
Most choice , forsaken ; and most loved , despised ,
Thee and thy virtues here I seize upon ,
Be it lawful I take up what’s cast away .
Gods , gods ! ’Tis strange that from their cold’st
neglect
My love should kindle to enflamed respect . —
Thy dowerless daughter , king , thrown to my
chance ,
Is queen of us , of ours , and our fair France .
Not all the dukes of wat’rish Burgundy
Can buy this unprized precious maid of me . —
Bid them farewell , Cordelia , though unkind .
Thou losest here a better where to find .
LEAR
Thou hast her , France . Let her be thine , for we
Have no such daughter , nor shall ever see
That face of hers again .
begone
Without our grace , our love , our benison . —
Come , noble Burgundy .
Have no such daughter , nor shall ever see
That face of hers again .
To Cordelia .
Therefore begone
Without our grace , our love , our benison . —
Come , noble Burgundy .
Flourish . All but France , Cordelia ,
Goneril , and Regan exit .
Goneril , and Regan exit .
FRANCE
Bid farewell to your sisters .
CORDELIA
The jewels of our father , with washed eyes
Cordelia leaves you . I know you what you are ,
And like a sister am most loath to call
[27] ACT 1. SC. 1 Your faults as they are named . Love well our
father .
To your professèd bosoms I commit him ;
But yet , alas , stood I within his grace ,
I would prefer him to a better place .
So farewell to you both .
Cordelia leaves you . I know you what you are ,
And like a sister am most loath to call
[27] ACT 1. SC. 1 Your faults as they are named . Love well our
father .
To your professèd bosoms I commit him ;
But yet , alas , stood I within his grace ,
I would prefer him to a better place .
So farewell to you both .
REGAN
Prescribe not us our duty .
GONERIL
Let your study
Be to content your lord , who hath received you
At Fortune’s alms . You have obedience scanted
And well are worth the want that you have wanted .
Be to content your lord , who hath received you
At Fortune’s alms . You have obedience scanted
And well are worth the want that you have wanted .
CORDELIA
Time shall unfold what plighted cunning hides ,
Who covers faults at last with shame derides .
Well may you prosper .
Who covers faults at last with shame derides .
Well may you prosper .
FRANCE
Come , my fair Cordelia .
France and Cordelia exit .
GONERIL
Sister , it is not little I have to say of what
most nearly appertains to us both . I think our
father will hence tonight .
most nearly appertains to us both . I think our
father will hence tonight .
REGAN
That’s most certain , and with you ; next month
with us .
with us .
GONERIL
You see how full of changes his age is ; the
observation we have made of it hath not been
little . He always loved our sister most , and with
what poor judgment he hath now cast her off
appears too grossly .
observation we have made of it hath not been
little . He always loved our sister most , and with
what poor judgment he hath now cast her off
appears too grossly .
REGAN
’Tis the infirmity of his age . Yet he hath ever
but slenderly known himself .
but slenderly known himself .
GONERIL
The best and soundest of his time hath been
but rash . Then must we look from his age to
receive not alone the imperfections of long-engraffed
condition , but therewithal the unruly waywardness
that infirm and choleric years bring with
them .
but rash . Then must we look from his age to
receive not alone the imperfections of long-engraffed
condition , but therewithal the unruly waywardness
that infirm and choleric years bring with
them .
[29]ACT 1. SC. 2
REGAN
Such unconstant starts are we like to have
from him as this of Kent’s banishment .
from him as this of Kent’s banishment .
GONERIL
There is further compliment of leave-taking
between France and him . Pray you , let us sit
together . If our father carry authority with such
disposition as he bears , this last surrender of his will
but offend us .
between France and him . Pray you , let us sit
together . If our father carry authority with such
disposition as he bears , this last surrender of his will
but offend us .
REGAN
We shall further think of it .
GONERIL
We must do something , and i’ th’ heat .
They exit .
Scene 2
Enter Edmund , the Bastard .
EDMUND
Thou , Nature , art my goddess . To thy law
My services are bound . Wherefore should I
Stand in the plague of custom , and permit
The curiosity of nations to deprive me
For that I am some twelve or fourteen moonshines
Lag of a brother ? why ‘bastard’ ? Wherefore ‘base ,’
When my dimensions are as well compact ,
My mind as generous and my shape as true
As honest madam’s issue ? Why brand they us
With ‘base ,’ with ‘baseness ,’ ‘bastardy ,’ ‘base ,’
‘base ,’
Who , in the lusty stealth of nature , take
More composition and fierce quality
Than doth within a dull , stale , tired bed
Go to th’ creating a whole tribe of fops
Got ’tween asleep and wake ? Well then ,
Legitimate Edgar , I must have your land .
Our father’s love is to the bastard Edmund
As to th’ legitimate . Fine word , ‘legitimate .’
Well , my legitimate , if this letter speed
[31] ACT 1. SC. 2 And my invention thrive , Edmund the base
Shall top th’ legitimate . I grow , I prosper .
Now , gods , stand up for bastards !
My services are bound . Wherefore should I
Stand in the plague of custom , and permit
The curiosity of nations to deprive me
For that I am some twelve or fourteen moonshines
Lag of a brother ? why ‘bastard’ ? Wherefore ‘base ,’
When my dimensions are as well compact ,
My mind as generous and my shape as true
As honest madam’s issue ? Why brand they us
With ‘base ,’ with ‘baseness ,’ ‘bastardy ,’ ‘base ,’
‘base ,’
Who , in the lusty stealth of nature , take
More composition and fierce quality
Than doth within a dull , stale , tired bed
Go to th’ creating a whole tribe of fops
Got ’tween asleep and wake ? Well then ,
Legitimate Edgar , I must have your land .
Our father’s love is to the bastard Edmund
As to th’ legitimate . Fine word , ‘legitimate .’
Well , my legitimate , if this letter speed
[31] ACT 1. SC. 2 And my invention thrive , Edmund the base
Shall top th’ legitimate . I grow , I prosper .
Now , gods , stand up for bastards !
Enter Gloucester .
GLOUCESTER
Kent banished thus ? And France in choler parted ?
And the King gone tonight , prescribed his power ,
Confined to exhibition ? All this done
Upon the gad ? — Edmund , how now ? What news ?
And the King gone tonight , prescribed his power ,
Confined to exhibition ? All this done
Upon the gad ? — Edmund , how now ? What news ?
EDMUND
So please your Lordship , none . He puts a
paper in his pocket .
paper in his pocket .
GLOUCESTER
Why so earnestly seek you to put up that
letter ?
letter ?
EDMUND
I know no news , my lord .
GLOUCESTER
What paper were you reading ?
EDMUND
Nothing , my lord .
GLOUCESTER
No ? What needed then that terrible dispatch
of it into your pocket ? The quality of nothing
hath not such need to hide itself . Let’s see . Come , if
it be nothing , I shall not need spectacles .
of it into your pocket ? The quality of nothing
hath not such need to hide itself . Let’s see . Come , if
it be nothing , I shall not need spectacles .
EDMUND
I beseech you , sir , pardon me . It is a letter
from my brother that I have not all o’erread ; and
for so much as I have perused , I find it not fit for
your o’erlooking .
from my brother that I have not all o’erread ; and
for so much as I have perused , I find it not fit for
your o’erlooking .
GLOUCESTER
Give me the letter , sir .
EDMUND
I shall offend either to detain or give it . The
contents , as in part I understand them , are to
blame .
contents , as in part I understand them , are to
blame .
GLOUCESTER
Let’s see , let’s see .
Edmund gives him the paper .
EDMUND
I hope , for my brother’s justification , he
wrote this but as an essay or taste of my virtue .
wrote this but as an essay or taste of my virtue .
GLOUCESTER
( reads )
This policy and reverence of age
makes the world bitter to the best of our times , keeps
our fortunes from us till our oldness cannot relish
[33] ACT 1. SC. 2 them . I begin to find an idle and fond bondage in the
oppression of aged tyranny , who sways not as it hath
power but as it is suffered . Come to me , that of this I
may speak more . If our father would sleep till I waked
him , you should enjoy half his revenue forever and
live the beloved of your brother . Edgar .
Hum ? Conspiracy ? ‘Sleep till I wake him , you
should enjoy half his revenue .’ My son Edgar ! Had
he a hand to write this ? A heart and brain to breed it
in ? — When came you to this ? Who brought it ?
makes the world bitter to the best of our times , keeps
our fortunes from us till our oldness cannot relish
[33] ACT 1. SC. 2 them . I begin to find an idle and fond bondage in the
oppression of aged tyranny , who sways not as it hath
power but as it is suffered . Come to me , that of this I
may speak more . If our father would sleep till I waked
him , you should enjoy half his revenue forever and
live the beloved of your brother . Edgar .
Hum ? Conspiracy ? ‘Sleep till I wake him , you
should enjoy half his revenue .’ My son Edgar ! Had
he a hand to write this ? A heart and brain to breed it
in ? — When came you to this ? Who brought it ?
EDMUND
It was not brought me , my lord ; there’s the
cunning of it . I found it thrown in at the casement
of my closet .
cunning of it . I found it thrown in at the casement
of my closet .
GLOUCESTER
You know the character to be your
brother’s ?
brother’s ?
EDMUND
If the matter were good , my lord , I durst
swear it were his ; but in respect of that , I would
fain think it were not .
swear it were his ; but in respect of that , I would
fain think it were not .
GLOUCESTER
It is his .
EDMUND
It is his hand , my lord , but I hope his heart is
not in the contents .
not in the contents .
GLOUCESTER
Has he never before sounded you in this
business ?
business ?
EDMUND
Never , my lord . But I have heard him oft
maintain it to be fit that , sons at perfect age and
fathers declined , the father should be as ward to the
son , and the son manage his revenue .
maintain it to be fit that , sons at perfect age and
fathers declined , the father should be as ward to the
son , and the son manage his revenue .
GLOUCESTER
O villain , villain ! His very opinion in the
letter . Abhorred villain ! Unnatural , detested , brutish
villain ! Worse than brutish ! — Go , sirrah , seek
him . I’ll apprehend him . — Abominable villain ! —
Where is he ?
letter . Abhorred villain ! Unnatural , detested , brutish
villain ! Worse than brutish ! — Go , sirrah , seek
him . I’ll apprehend him . — Abominable villain ! —
Where is he ?
EDMUND
I do not well know , my lord . If it shall please
you to suspend your indignation against my brother
till you can derive from him better testimony of his
intent , you should run a certain course ; where , if
[35] ACT 1. SC. 2 you violently proceed against him , mistaking his
purpose , it would make a great gap in your own
honor and shake in pieces the heart of his obedience .
I dare pawn down my life for him that he hath
writ this to feel my affection to your Honor , and to
no other pretense of danger .
you to suspend your indignation against my brother
till you can derive from him better testimony of his
intent , you should run a certain course ; where , if
[35] ACT 1. SC. 2 you violently proceed against him , mistaking his
purpose , it would make a great gap in your own
honor and shake in pieces the heart of his obedience .
I dare pawn down my life for him that he hath
writ this to feel my affection to your Honor , and to
no other pretense of danger .
GLOUCESTER
Think you so ?
EDMUND
If your Honor judge it meet , I will place you
where you shall hear us confer of this , and by an
auricular assurance have your satisfaction , and that
without any further delay than this very evening .
where you shall hear us confer of this , and by an
auricular assurance have your satisfaction , and that
without any further delay than this very evening .
GLOUCESTER
He cannot be such a monster .
EDMUND
Nor is not , sure .
GLOUCESTER
To his father , that so tenderly and entirely
loves him ! Heaven and Earth ! Edmund , seek him
out ; wind me into him , I pray you . Frame the
business after your own wisdom . I would unstate
myself to be in a due resolution .
loves him ! Heaven and Earth ! Edmund , seek him
out ; wind me into him , I pray you . Frame the
business after your own wisdom . I would unstate
myself to be in a due resolution .
EDMUND
I will seek him , sir , presently , convey the
business as I shall find means , and acquaint you
withal .
business as I shall find means , and acquaint you
withal .
GLOUCESTER
These late eclipses in the sun and moon
portend no good to us . Though the wisdom of
nature can reason it thus and thus , yet nature finds
itself scourged by the sequent effects . Love cools ,
friendship falls off , brothers divide ; in cities , mutinies ;
in countries , discord ; in palaces , treason ; and
the bond cracked ’twixt son and father . This villain
of mine comes under the prediction : there’s son
against father . The King falls from bias of nature :
there’s father against child . We have seen the best of
our time . Machinations , hollowness , treachery , and
all ruinous disorders follow us disquietly to our
graves . — Find out this villain , Edmund . It shall
lose thee nothing . Do it carefully . — And the noble
and true-hearted Kent banished ! His offense , honesty !
’Tis strange .
portend no good to us . Though the wisdom of
nature can reason it thus and thus , yet nature finds
itself scourged by the sequent effects . Love cools ,
friendship falls off , brothers divide ; in cities , mutinies ;
in countries , discord ; in palaces , treason ; and
the bond cracked ’twixt son and father . This villain
of mine comes under the prediction : there’s son
against father . The King falls from bias of nature :
there’s father against child . We have seen the best of
our time . Machinations , hollowness , treachery , and
all ruinous disorders follow us disquietly to our
graves . — Find out this villain , Edmund . It shall
lose thee nothing . Do it carefully . — And the noble
and true-hearted Kent banished ! His offense , honesty !
’Tis strange .
He exits .
[37]ACT 1. SC. 2
EDMUND
This is the excellent foppery of the world , that
when we are sick in fortune ( often the surfeits of
our own behavior ) we make guilty of our disasters
the sun , the moon , and stars , as if we were villains
on necessity ; fools by heavenly compulsion ; knaves ,
thieves , and treachers by spherical predominance ;
drunkards , liars , and adulterers by an enforced
obedience of planetary influence ; and all that we
are evil in , by a divine thrusting on . An admirable
evasion of whoremaster man , to lay his goatish
disposition on the charge of a star ! My father
compounded with my mother under the Dragon’s
tail , and my nativity was under Ursa Major , so that it
follows I am rough and lecherous . Fut , I should
have been that I am , had the maidenliest star in the
firmament twinkled on my bastardizing . Edgar —
and pat he comes like the catastrophe of the old
comedy . My cue is villainous melancholy , with a
sigh like Tom o’ Bedlam . — O , these eclipses do
portend these divisions . Fa , sol , la , mi .
when we are sick in fortune ( often the surfeits of
our own behavior ) we make guilty of our disasters
the sun , the moon , and stars , as if we were villains
on necessity ; fools by heavenly compulsion ; knaves ,
thieves , and treachers by spherical predominance ;
drunkards , liars , and adulterers by an enforced
obedience of planetary influence ; and all that we
are evil in , by a divine thrusting on . An admirable
evasion of whoremaster man , to lay his goatish
disposition on the charge of a star ! My father
compounded with my mother under the Dragon’s
tail , and my nativity was under Ursa Major , so that it
follows I am rough and lecherous . Fut , I should
have been that I am , had the maidenliest star in the
firmament twinkled on my bastardizing . Edgar —
Enter Edgar .
and pat he comes like the catastrophe of the old
comedy . My cue is villainous melancholy , with a
sigh like Tom o’ Bedlam . — O , these eclipses do
portend these divisions . Fa , sol , la , mi .
EDGAR
How now , brother Edmund , what serious contemplation
are you in ?
are you in ?
EDMUND
I am thinking , brother , of a prediction I read
this other day , what should follow these eclipses .
this other day , what should follow these eclipses .
EDGAR
Do you busy yourself with that ?
EDMUND
I promise you , the effects he writes of succeed
unhappily , as of unnaturalness between the
child and the parent , death , dearth , dissolutions of
ancient amities , divisions in state , menaces and
maledictions against king and nobles , needless diffidences ,
banishment of friends , dissipation of cohorts ,
nuptial breaches , and I know not what .
unhappily , as of unnaturalness between the
child and the parent , death , dearth , dissolutions of
ancient amities , divisions in state , menaces and
maledictions against king and nobles , needless diffidences ,
banishment of friends , dissipation of cohorts ,
nuptial breaches , and I know not what .
EDGAR
How long have you been a sectary
astronomical ?
astronomical ?
[39]ACT 1. SC. 2
EDMUND
Come , come , when saw you my father last ?
EDGAR
The night gone by .
EDMUND
Spake you with him ?
EDGAR
Ay , two hours together .
EDMUND
Parted you in good terms ? Found you no
displeasure in him by word nor countenance ?
displeasure in him by word nor countenance ?
EDGAR
None at all .
EDMUND
Bethink yourself wherein you may have offended
him , and at my entreaty forbear his presence
until some little time hath qualified the heat
of his displeasure , which at this instant so rageth in
him that with the mischief of your person it would
scarcely allay .
him , and at my entreaty forbear his presence
until some little time hath qualified the heat
of his displeasure , which at this instant so rageth in
him that with the mischief of your person it would
scarcely allay .
EDGAR
Some villain hath done me wrong .
EDMUND
That’s my fear . I pray you have a continent
forbearance till the speed of his rage goes slower ;
and , as I say , retire with me to my lodging , from
whence I will fitly bring you to hear my lord speak .
Pray you go . There’s my key . If you do stir abroad ,
go armed .
forbearance till the speed of his rage goes slower ;
and , as I say , retire with me to my lodging , from
whence I will fitly bring you to hear my lord speak .
Pray you go . There’s my key . If you do stir abroad ,
go armed .
EDGAR
Armed , brother ?
EDMUND
Brother , I advise you to the best . I am no
honest man if there be any good meaning toward
you . I have told you what I have seen and heard , but
faintly , nothing like the image and horror of it . Pray
you , away .
honest man if there be any good meaning toward
you . I have told you what I have seen and heard , but
faintly , nothing like the image and horror of it . Pray
you , away .
EDGAR
Shall I hear from you anon ?
EDMUND
I do serve you in this business .
A credulous father and a brother noble ,
Whose nature is so far from doing harms
That he suspects none ; on whose foolish honesty
My practices ride easy . I see the business .
Let me , if not by birth , have lands by wit .
All with me’s meet that I can fashion fit .
Edgar exits .
A credulous father and a brother noble ,
Whose nature is so far from doing harms
That he suspects none ; on whose foolish honesty
My practices ride easy . I see the business .
Let me , if not by birth , have lands by wit .
All with me’s meet that I can fashion fit .
He exits .
[41]ACT 1. SC. 3
Scene 3
Enter Goneril and Oswald , her Steward .
GONERIL
Did my father strike my gentleman for chiding
of his Fool ?
of his Fool ?
OSWALD
Ay , madam .
GONERIL
By day and night he wrongs me . Every hour
He flashes into one gross crime or other
That sets us all at odds . I’ll not endure it .
His knights grow riotous , and himself upbraids us
On every trifle . When he returns from hunting ,
I will not speak with him . Say I am sick .
If you come slack of former services ,
You shall do well . The fault of it I’ll answer .
He flashes into one gross crime or other
That sets us all at odds . I’ll not endure it .
His knights grow riotous , and himself upbraids us
On every trifle . When he returns from hunting ,
I will not speak with him . Say I am sick .
If you come slack of former services ,
You shall do well . The fault of it I’ll answer .
OSWALD
He’s coming , madam . I hear him .
GONERIL
Put on what weary negligence you please ,
You and your fellows . I’d have it come to question .
If he distaste it , let him to my sister ,
Whose mind and mine I know in that are one ,
Not to be overruled . Idle old man
That still would manage those authorities
That he hath given away . Now , by my life ,
Old fools are babes again and must be used
With checks as flatteries , when they are seen
abused .
Remember what I have said .
You and your fellows . I’d have it come to question .
If he distaste it , let him to my sister ,
Whose mind and mine I know in that are one ,
Not to be overruled . Idle old man
That still would manage those authorities
That he hath given away . Now , by my life ,
Old fools are babes again and must be used
With checks as flatteries , when they are seen
abused .
Remember what I have said .
OSWALD
Well , madam .
GONERIL
And let his knights have colder looks among you .
What grows of it , no matter . Advise your fellows so .
I would breed from hence occasions , and I shall ,
That I may speak . I’ll write straight to my sister
To hold my very course . Prepare for dinner .
What grows of it , no matter . Advise your fellows so .
I would breed from hence occasions , and I shall ,
That I may speak . I’ll write straight to my sister
To hold my very course . Prepare for dinner .
They exit in different directions .
[43]ACT 1. SC. 4
Scene 4
Enter Kent in disguise .
KENT
If but as well I other accents borrow
That can my speech diffuse , my good intent
May carry through itself to that full issue
For which I razed my likeness . Now , banished Kent ,
If thou canst serve where thou dost stand
condemned ,
So may it come thy master , whom thou lov’st ,
Shall find thee full of labors .
That can my speech diffuse , my good intent
May carry through itself to that full issue
For which I razed my likeness . Now , banished Kent ,
If thou canst serve where thou dost stand
condemned ,
So may it come thy master , whom thou lov’st ,
Shall find thee full of labors .
Horns within . Enter Lear , Knights , and Attendants .
LEAR
Let me not stay a jot for dinner . Go get it ready .
How now , what art thou ?
An Attendant exits .
How now , what art thou ?
KENT
A man , sir .
LEAR
What dost thou profess ? What wouldst thou with
us ?
us ?
KENT
I do profess to be no less than I seem , to serve
him truly that will put me in trust , to love him that
is honest , to converse with him that is wise and says
little , to fear judgment , to fight when I cannot
choose , and to eat no fish .
him truly that will put me in trust , to love him that
is honest , to converse with him that is wise and says
little , to fear judgment , to fight when I cannot
choose , and to eat no fish .
LEAR
What art thou ?
KENT
A very honest-hearted fellow , and as poor as the
King .
King .
LEAR
If thou be’st as poor for a subject as he’s for a
king , thou art poor enough . What wouldst thou ?
king , thou art poor enough . What wouldst thou ?
KENT
Service .
LEAR
Who wouldst thou serve ?
KENT
You .
LEAR
Dost thou know me , fellow ?
KENT
No , sir , but you have that in your countenance
which I would fain call master .
which I would fain call master .
[45]ACT 1. SC. 4
LEAR
What’s that ?
KENT
Authority .
LEAR
What services canst do ?
KENT
I can keep honest counsel , ride , run , mar a
curious tale in telling it , and deliver a plain message
bluntly . That which ordinary men are fit for I
am qualified in , and the best of me is diligence .
curious tale in telling it , and deliver a plain message
bluntly . That which ordinary men are fit for I
am qualified in , and the best of me is diligence .
LEAR
How old art thou ?
KENT
Not so young , sir , to love a woman for singing ,
nor so old to dote on her for anything . I have years
on my back forty-eight .
nor so old to dote on her for anything . I have years
on my back forty-eight .
LEAR
Follow me . Thou shalt serve me — if I like thee
no worse after dinner . I will not part from thee
yet . — Dinner , ho , dinner ! — Where’s my knave , my
Fool ? Go you and call my Fool hither .
You , you , sirrah , where’s my daughter ?
no worse after dinner . I will not part from thee
yet . — Dinner , ho , dinner ! — Where’s my knave , my
Fool ? Go you and call my Fool hither .
An Attendant exits .
Enter Oswald , the Steward .
You , you , sirrah , where’s my daughter ?
OSWALD
So please you —
He exits .
LEAR
What says the fellow there ? Call the clotpole
back . A Knight exits . Where’s my Fool ? Ho ! I think
the world’s asleep .
How now ? Where’s that mongrel ?
back . A Knight exits . Where’s my Fool ? Ho ! I think
the world’s asleep .
Enter Knight again .
How now ? Where’s that mongrel ?
KNIGHT
He says , my lord , your daughter is not well .
LEAR
Why came not the slave back to me when I
called him ?
called him ?
KNIGHT
Sir , he answered me in the roundest manner ,
he would not .
he would not .
LEAR
He would not ?
KNIGHT
My lord , I know not what the matter is , but to
my judgment your Highness is not entertained
with that ceremonious affection as you were wont .
There’s a great abatement of kindness appears as
[47] ACT 1. SC. 4 well in the general dependents as in the Duke
himself also , and your daughter .
my judgment your Highness is not entertained
with that ceremonious affection as you were wont .
There’s a great abatement of kindness appears as
[47] ACT 1. SC. 4 well in the general dependents as in the Duke
himself also , and your daughter .
LEAR
Ha ? Sayst thou so ?
KNIGHT
I beseech you pardon me , my lord , if I be
mistaken , for my duty cannot be silent when I think
your Highness wronged .
mistaken , for my duty cannot be silent when I think
your Highness wronged .
LEAR
Thou but remembrest me of mine own conception .
I have perceived a most faint neglect of late ,
which I have rather blamed as mine own jealous
curiosity than as a very pretense and purpose of
unkindness . I will look further into ’t . But where’s
my Fool ? I have not seen him this two days .
I have perceived a most faint neglect of late ,
which I have rather blamed as mine own jealous
curiosity than as a very pretense and purpose of
unkindness . I will look further into ’t . But where’s
my Fool ? I have not seen him this two days .
KNIGHT
Since my young lady’s going into France , sir ,
the Fool hath much pined away .
the Fool hath much pined away .
LEAR
No more of that . I have noted it well . — Go you
and tell my daughter I would speak with her . An
Attendant exits . Go you call hither my Fool .
O you , sir , you , come you hither , sir . Who am I , sir ?
and tell my daughter I would speak with her . An
Attendant exits . Go you call hither my Fool .
Another exits .
Enter Oswald , the Steward .
O you , sir , you , come you hither , sir . Who am I , sir ?
OSWALD
My lady’s father .
LEAR
‘My lady’s father’ ? My lord’s knave ! You whoreson
dog , you slave , you cur !
dog , you slave , you cur !
OSWALD
I am none of these , my lord , I beseech your
pardon .
pardon .
LEAR
Do you bandy looks with me , you rascal ?
Lear strikes him .
OSWALD
I’ll not be strucken , my lord .
KENT
, tripping him
Nor tripped neither , you base
football player ?
football player ?
LEAR
I thank thee , fellow . Thou serv’st me , and I’ll
love thee .
love thee .
KENT
, to Oswald
Come , sir , arise . Away . I’ll teach you
differences . Away , away . If you will measure your
lubber’s length again , tarry . But away . Go to . Have
you wisdom ? So .
differences . Away , away . If you will measure your
lubber’s length again , tarry . But away . Go to . Have
you wisdom ? So .
Oswald exits .
[49]ACT 1. SC. 4
LEAR
Now , my friendly knave , I thank thee . There’s
earnest of thy service .
earnest of thy service .
He gives Kent a purse .
Enter Fool .
FOOL
Let me hire him too .
coxcomb .
To Kent .
Here’s my coxcomb .
He offers Kent his cap .
LEAR
How now , my pretty knave , how dost thou ?
FOOL
, to Kent
Sirrah , you were best take my
coxcomb .
coxcomb .
LEAR
Why , my boy ?
FOOL
Why ? For taking one’s part that’s out of favor .
wind sits , thou ’lt catch cold shortly . There , take my
coxcomb . Why , this fellow has banished two on ’s
daughters and did the third a blessing against his
will . If thou follow him , thou must needs wear my
coxcomb . — How now , nuncle ? Would I had two
coxcombs and two daughters .
To Kent .
Nay , an thou canst not smile as the wind sits , thou ’lt catch cold shortly . There , take my
coxcomb . Why , this fellow has banished two on ’s
daughters and did the third a blessing against his
will . If thou follow him , thou must needs wear my
coxcomb . — How now , nuncle ? Would I had two
coxcombs and two daughters .
LEAR
Why , my boy ?
FOOL
If I gave them all my living , I’d keep my coxcombs
myself . There’s mine . Beg another of thy
daughters .
myself . There’s mine . Beg another of thy
daughters .
LEAR
Take heed , sirrah — the whip .
FOOL
Truth’s a dog must to kennel ; he must be
whipped out , when the Lady Brach may stand by th’
fire and stink .
whipped out , when the Lady Brach may stand by th’
fire and stink .
LEAR
A pestilent gall to me !
FOOL
Sirrah , I’ll teach thee a speech .
LEAR
Do .
FOOL
Mark it , nuncle :
Have more than thou showest .
Speak less than thou knowest ,
Lend less than thou owest ,
Ride more than thou goest ,
Learn more than thou trowest ,
Set less than thou throwest ;
[51] ACT 1. SC. 4 Leave thy drink and thy whore
And keep in-a-door ,
And thou shalt have more
Than two tens to a score .
Have more than thou showest .
Speak less than thou knowest ,
Lend less than thou owest ,
Ride more than thou goest ,
Learn more than thou trowest ,
Set less than thou throwest ;
[51] ACT 1. SC. 4 Leave thy drink and thy whore
And keep in-a-door ,
And thou shalt have more
Than two tens to a score .
KENT
This is nothing , Fool .
FOOL
Then ’tis like the breath of an unfee’d lawyer .
You gave me nothing for ’t . — Can you make no use
of nothing , nuncle ?
You gave me nothing for ’t . — Can you make no use
of nothing , nuncle ?
LEAR
Why no , boy . Nothing can be made out of
nothing .
nothing .
FOOL
, to Kent
Prithee tell him , so much the rent of his
land comes to . He will not believe a Fool .
land comes to . He will not believe a Fool .
LEAR
A bitter Fool !
FOOL
Dost know the difference , my boy , between a
bitter fool and a sweet one ?
bitter fool and a sweet one ?
LEAR
No , lad , teach me .
FOOL
That lord that counseled thee
To give away thy land ,
Come place him here by me ;
Do thou for him stand .
The sweet and bitter fool
Will presently appear :
The one in motley here ,
The other found out there .
To give away thy land ,
Come place him here by me ;
Do thou for him stand .
The sweet and bitter fool
Will presently appear :
The one in motley here ,
The other found out there .
LEAR
Dost thou call me ‘fool ,’ boy ?
FOOL
All thy other titles thou hast given away . That
thou wast born with .
thou wast born with .
KENT
This is not altogether fool , my lord .
FOOL
No , faith , lords and great men will not let me . If
I had a monopoly out , they would have part on ’t .
And ladies too , they will not let me have all the fool
to myself ; they’ll be snatching . — Nuncle , give me
an egg , and I’ll give thee two crowns .
I had a monopoly out , they would have part on ’t .
And ladies too , they will not let me have all the fool
to myself ; they’ll be snatching . — Nuncle , give me
an egg , and I’ll give thee two crowns .
LEAR
What two crowns shall they be ?
FOOL
Why , after I have cut the egg i’ th’ middle and eat
up the meat , the two crowns of the egg . When thou
[53] ACT 1. SC. 4 clovest thy crown i’ th’ middle and gav’st away
both parts , thou bor’st thine ass on thy back o’er
the dirt . Thou hadst little wit in thy bald crown
when thou gav’st thy golden one away . If I speak
like myself in this , let him be whipped that first
finds it so .
Fools had ne’er less grace in a year ,
For wise men are grown foppish
And know not how their wits to wear ,
Their manners are so apish .
up the meat , the two crowns of the egg . When thou
[53] ACT 1. SC. 4 clovest thy crown i’ th’ middle and gav’st away
both parts , thou bor’st thine ass on thy back o’er
the dirt . Thou hadst little wit in thy bald crown
when thou gav’st thy golden one away . If I speak
like myself in this , let him be whipped that first
finds it so .
Sings .
Fools had ne’er less grace in a year ,
For wise men are grown foppish
And know not how their wits to wear ,
Their manners are so apish .
LEAR
When were you wont to be so full of songs ,
sirrah ?
sirrah ?
FOOL
I have used it , nuncle , e’er since thou mad’st thy
daughters thy mothers . For when thou gav’st them
the rod and put’st down thine own breeches ,
Then they for sudden joy did weep ,
And I for sorrow sung ,
That such a king should play bo-peep
And go the fools among .
Prithee , nuncle , keep a schoolmaster that can teach
thy Fool to lie . I would fain learn to lie .
daughters thy mothers . For when thou gav’st them
the rod and put’st down thine own breeches ,
Sings .
Then they for sudden joy did weep ,
And I for sorrow sung ,
That such a king should play bo-peep
And go the fools among .
Prithee , nuncle , keep a schoolmaster that can teach
thy Fool to lie . I would fain learn to lie .
LEAR
An you lie , sirrah , we’ll have you whipped .
FOOL
I marvel what kin thou and thy daughters are .
They’ll have me whipped for speaking true , thou ’lt
have me whipped for lying , and sometimes I am
whipped for holding my peace . I had rather be any
kind o’ thing than a Fool . And yet I would not be
thee , nuncle . Thou hast pared thy wit o’ both sides
and left nothing i’ th’ middle . Here comes one o’ the
parings .
They’ll have me whipped for speaking true , thou ’lt
have me whipped for lying , and sometimes I am
whipped for holding my peace . I had rather be any
kind o’ thing than a Fool . And yet I would not be
thee , nuncle . Thou hast pared thy wit o’ both sides
and left nothing i’ th’ middle . Here comes one o’ the
parings .
Enter Goneril .
LEAR
How now , daughter ? What makes that frontlet on ?
Methinks you are too much of late i’ th’ frown .
Methinks you are too much of late i’ th’ frown .
[55]ACT 1. SC. 4
FOOL
Thou wast a pretty fellow when thou hadst no
need to care for her frowning . Now thou art an O
without a figure . I am better than thou art now . I
am a Fool . Thou art nothing .
forsooth , I will hold my tongue . So your face bids
me , though you say nothing .
Mum , mum ,
He that keeps nor crust nor crumb ,
Weary of all , shall want some .
That’s a shelled peascod .
need to care for her frowning . Now thou art an O
without a figure . I am better than thou art now . I
am a Fool . Thou art nothing .
To Goneril .
Yes , forsooth , I will hold my tongue . So your face bids
me , though you say nothing .
Mum , mum ,
He that keeps nor crust nor crumb ,
Weary of all , shall want some .
He points at Lear .
That’s a shelled peascod .
GONERIL
Not only , sir , this your all-licensed Fool ,
But other of your insolent retinue
Do hourly carp and quarrel , breaking forth
In rank and not-to-be-endurèd riots . Sir ,
I had thought by making this well known unto you
To have found a safe redress , but now grow fearful ,
By what yourself too late have spoke and done ,
That you protect this course and put it on
By your allowance ; which if you should , the fault
Would not ’scape censure , nor the redresses sleep
Which in the tender of a wholesome weal
Might in their working do you that offense ,
Which else were shame , that then necessity
Will call discreet proceeding .
But other of your insolent retinue
Do hourly carp and quarrel , breaking forth
In rank and not-to-be-endurèd riots . Sir ,
I had thought by making this well known unto you
To have found a safe redress , but now grow fearful ,
By what yourself too late have spoke and done ,
That you protect this course and put it on
By your allowance ; which if you should , the fault
Would not ’scape censure , nor the redresses sleep
Which in the tender of a wholesome weal
Might in their working do you that offense ,
Which else were shame , that then necessity
Will call discreet proceeding .
FOOL
For you know , nuncle ,
The hedge-sparrow fed the cuckoo so long ,
That it’s had it head bit off by it young .
So out went the candle , and we were left darkling .
The hedge-sparrow fed the cuckoo so long ,
That it’s had it head bit off by it young .
So out went the candle , and we were left darkling .
LEAR
Are you our daughter ?
GONERIL
I would you would make use of your good wisdom ,
Whereof I know you are fraught , and put away
These dispositions which of late transport you
From what you rightly are .
Whereof I know you are fraught , and put away
These dispositions which of late transport you
From what you rightly are .
[57]ACT 1. SC. 4
FOOL
May not an ass know when the cart draws the
horse ? Whoop , Jug , I love thee !
horse ? Whoop , Jug , I love thee !
LEAR
Does any here know me ? This is not Lear .
Does Lear walk thus , speak thus ? Where are his
eyes ?
Either his notion weakens , his discernings
Are lethargied — Ha ! Waking ? ’Tis not so .
Who is it that can tell me who I am ?
Does Lear walk thus , speak thus ? Where are his
eyes ?
Either his notion weakens , his discernings
Are lethargied — Ha ! Waking ? ’Tis not so .
Who is it that can tell me who I am ?
FOOL
Lear’s shadow .
LEAR
I would learn that , for , by the marks of
sovereignty ,
Knowledge , and reason , I should be false persuaded
I had daughters .
sovereignty ,
Knowledge , and reason , I should be false persuaded
I had daughters .
FOOL
Which they will make an obedient father .
LEAR
Your name , fair gentlewoman ?
GONERIL
This admiration , sir , is much o’ th’ savor
Of other your new pranks . I do beseech you
To understand my purposes aright .
As you are old and reverend , should be wise .
Here do you keep a hundred knights and squires ,
Men so disordered , so debauched and bold ,
That this our court , infected with their manners ,
Shows like a riotous inn . Epicurism and lust
Makes it more like a tavern or a brothel
Than a graced palace . The shame itself doth speak
For instant remedy . Be then desired ,
By her that else will take the thing she begs ,
A little to disquantity your train ,
And the remainders that shall still depend
To be such men as may besort your age ,
Which know themselves and you .
Of other your new pranks . I do beseech you
To understand my purposes aright .
As you are old and reverend , should be wise .
Here do you keep a hundred knights and squires ,
Men so disordered , so debauched and bold ,
That this our court , infected with their manners ,
Shows like a riotous inn . Epicurism and lust
Makes it more like a tavern or a brothel
Than a graced palace . The shame itself doth speak
For instant remedy . Be then desired ,
By her that else will take the thing she begs ,
A little to disquantity your train ,
And the remainders that shall still depend
To be such men as may besort your age ,
Which know themselves and you .
LEAR
Darkness and
devils ! —
Saddle my horses . Call my train together .
[59] ACT 1. SC. 4 Degenerate bastard , I’ll not trouble thee .
Yet have I left a daughter .
devils ! —
Saddle my horses . Call my train together .
Some exit .
[59] ACT 1. SC. 4 Degenerate bastard , I’ll not trouble thee .
Yet have I left a daughter .
GONERIL
You strike my people , and your disordered rabble
Make servants of their betters .
Make servants of their betters .
Enter Albany .
LEAR
Woe that too late repents ! — O , sir , are you
come ?
Is it your will ? Speak , sir . — Prepare my horses .
Ingratitude , thou marble-hearted fiend ,
More hideous when thou show’st thee in a child
Than the sea monster !
come ?
Is it your will ? Speak , sir . — Prepare my horses .
Some exit .
Ingratitude , thou marble-hearted fiend ,
More hideous when thou show’st thee in a child
Than the sea monster !
ALBANY
Pray , sir , be patient .
LEAR
, to Goneril
Detested kite , thou liest .
My train are men of choice and rarest parts ,
That all particulars of duty know
And in the most exact regard support
The worships of their name . O most small fault ,
How ugly didst thou in Cordelia show ,
Which , like an engine , wrenched my frame of
nature
From the fixed place , drew from my heart all love
And added to the gall ! O Lear , Lear , Lear !
Beat at this gate that let thy folly in
And thy dear judgment out . Go , go , my people .
My train are men of choice and rarest parts ,
That all particulars of duty know
And in the most exact regard support
The worships of their name . O most small fault ,
How ugly didst thou in Cordelia show ,
Which , like an engine , wrenched my frame of
nature
From the fixed place , drew from my heart all love
And added to the gall ! O Lear , Lear , Lear !
He strikes his head .
Beat at this gate that let thy folly in
And thy dear judgment out . Go , go , my people .
Some exit .
ALBANY
My lord , I am guiltless as I am ignorant
Of what hath moved you .
Of what hath moved you .
LEAR
It may be so , my lord . —
Hear , Nature , hear , dear goddess , hear !
Suspend thy purpose if thou didst intend
[61] ACT 1. SC. 4 To make this creature fruitful .
Into her womb convey sterility .
Dry up in her the organs of increase ,
And from her derogate body never spring
A babe to honor her . If she must teem ,
Create her child of spleen , that it may live
And be a thwart disnatured torment to her .
Let it stamp wrinkles in her brow of youth ,
With cadent tears fret channels in her cheeks ,
Turn all her mother’s pains and benefits
To laughter and contempt , that she may feel
How sharper than a serpent’s tooth it is
To have a thankless child . — Away , away !
Hear , Nature , hear , dear goddess , hear !
Suspend thy purpose if thou didst intend
[61] ACT 1. SC. 4 To make this creature fruitful .
Into her womb convey sterility .
Dry up in her the organs of increase ,
And from her derogate body never spring
A babe to honor her . If she must teem ,
Create her child of spleen , that it may live
And be a thwart disnatured torment to her .
Let it stamp wrinkles in her brow of youth ,
With cadent tears fret channels in her cheeks ,
Turn all her mother’s pains and benefits
To laughter and contempt , that she may feel
How sharper than a serpent’s tooth it is
To have a thankless child . — Away , away !
Lear and the rest of his train exit .
ALBANY
Now , gods that we adore , whereof comes this ?
GONERIL
Never afflict yourself to know more of it ,
But let his disposition have that scope
As dotage gives it .
But let his disposition have that scope
As dotage gives it .
Enter Lear and the Fool .
LEAR
What , fifty of my followers at a clap ?
Within a fortnight ?
Within a fortnight ?
ALBANY
What’s the matter , sir ?
LEAR
I’ll tell thee .
ashamed
That thou hast power to shake my manhood thus ,
That these hot tears , which break from me perforce ,
Should make thee worth them . Blasts and fogs upon
thee !
Th’ untented woundings of a father’s curse
Pierce every sense about thee ! Old fond eyes ,
Beweep this cause again , I’ll pluck you out
[63] ACT 1. SC. 4 And cast you , with the waters that you loose ,
To temper clay . Yea , is ’t come to this ?
Ha ! Let it be so . I have another daughter
Who , I am sure , is kind and comfortable .
When she shall hear this of thee , with her nails
She’ll flay thy wolvish visage . Thou shalt find
That I’ll resume the shape which thou dost think
I have cast off forever .
To Goneril .
Life and death ! I am ashamed
That thou hast power to shake my manhood thus ,
That these hot tears , which break from me perforce ,
Should make thee worth them . Blasts and fogs upon
thee !
Th’ untented woundings of a father’s curse
Pierce every sense about thee ! Old fond eyes ,
Beweep this cause again , I’ll pluck you out
[63] ACT 1. SC. 4 And cast you , with the waters that you loose ,
To temper clay . Yea , is ’t come to this ?
Ha ! Let it be so . I have another daughter
Who , I am sure , is kind and comfortable .
When she shall hear this of thee , with her nails
She’ll flay thy wolvish visage . Thou shalt find
That I’ll resume the shape which thou dost think
I have cast off forever .
He exits .
GONERIL
Do you mark that ?
ALBANY
I cannot be so partial , Goneril ,
To the great love I bear you —
To the great love I bear you —
GONERIL
Pray you , content . — What , Oswald , ho ! —
You , sir , more knave than Fool , after your master .
You , sir , more knave than Fool , after your master .
FOOL
Nuncle Lear , Nuncle Lear , tarry . Take the Fool
with thee .
A fox , when one has caught her ,
And such a daughter ,
Should sure to the slaughter ,
If my cap would buy a halter .
So the Fool follows after .
with thee .
A fox , when one has caught her ,
And such a daughter ,
Should sure to the slaughter ,
If my cap would buy a halter .
So the Fool follows after .
He exits .
GONERIL
This man hath had good counsel . A hundred
knights !
’Tis politic and safe to let him keep
At point a hundred knights ! Yes , that on every
dream ,
Each buzz , each fancy , each complaint , dislike ,
He may enguard his dotage with their powers
And hold our lives in mercy . — Oswald , I say !
knights !
’Tis politic and safe to let him keep
At point a hundred knights ! Yes , that on every
dream ,
Each buzz , each fancy , each complaint , dislike ,
He may enguard his dotage with their powers
And hold our lives in mercy . — Oswald , I say !
ALBANY
Well , you may fear too far .
GONERIL
Safer than trust too far .
Let me still take away the harms I fear ,
Not fear still to be taken . I know his heart .
What he hath uttered I have writ my sister .
If she sustain him and his hundred knights
When I have showed th’ unfitness —
[65] ACT 1. SC. 5
How now , Oswald ?
What , have you writ that letter to my sister ?
Let me still take away the harms I fear ,
Not fear still to be taken . I know his heart .
What he hath uttered I have writ my sister .
If she sustain him and his hundred knights
When I have showed th’ unfitness —
[65] ACT 1. SC. 5
Enter Oswald , the Steward .
How now , Oswald ?
What , have you writ that letter to my sister ?
OSWALD
Ay , madam .
GONERIL
Take you some company and away to horse .
Inform her full of my particular fear ,
And thereto add such reasons of your own
As may compact it more . Get you gone ,
And hasten your return . Oswald exits . No , no , my
lord ,
This milky gentleness and course of yours ,
Though I condemn not , yet , under pardon ,
You are much more at task for want of wisdom
Than praised for harmful mildness .
Inform her full of my particular fear ,
And thereto add such reasons of your own
As may compact it more . Get you gone ,
And hasten your return . Oswald exits . No , no , my
lord ,
This milky gentleness and course of yours ,
Though I condemn not , yet , under pardon ,
You are much more at task for want of wisdom
Than praised for harmful mildness .
ALBANY
How far your eyes may pierce I cannot tell .
Striving to better , oft we mar what’s well .
Striving to better , oft we mar what’s well .
GONERIL
Nay , then —
ALBANY
Well , well , th’ event .
They exit .
Scene 5
Enter Lear , Kent in disguise , Gentleman , and Fool .
LEAR
, to Kent
Go you before to Gloucester with these
letters . Acquaint my daughter no further with anything
you know than comes from her demand out of
the letter . If your diligence be not speedy , I shall be
there afore you .
letters . Acquaint my daughter no further with anything
you know than comes from her demand out of
the letter . If your diligence be not speedy , I shall be
there afore you .
KENT
I will not sleep , my lord , till I have delivered
your letter .
your letter .
He exits .
FOOL
If a man’s brains were in ’s heels , were ’t not in
danger of kibes ?
danger of kibes ?
LEAR
Ay , boy .
[67]ACT 1. SC. 5
FOOL
Then , I prithee , be merry ; thy wit shall not go
slipshod .
slipshod .
LEAR
Ha , ha , ha !
FOOL
Shalt see thy other daughter will use thee kindly ,
for , though she’s as like this as a crab’s like an
apple , yet I can tell what I can tell .
for , though she’s as like this as a crab’s like an
apple , yet I can tell what I can tell .
LEAR
What canst tell , boy ?
FOOL
She will taste as like this as a crab does to a crab .
Thou canst tell why one’s nose stands i’ th’ middle
on ’s face ?
Thou canst tell why one’s nose stands i’ th’ middle
on ’s face ?
LEAR
No .
FOOL
Why , to keep one’s eyes of either side ’s nose ,
that what a man cannot smell out he may spy into .
that what a man cannot smell out he may spy into .
LEAR
I did her wrong .
FOOL
Canst tell how an oyster makes his shell ?
LEAR
No .
FOOL
Nor I neither . But I can tell why a snail has a
house .
house .
LEAR
Why ?
FOOL
Why , to put ’s head in , not to give it away to his
daughters and leave his horns without a case .
daughters and leave his horns without a case .
LEAR
I will forget my nature . So kind a father ! — Be
my horses ready ?
my horses ready ?
Gentleman exits .
FOOL
Thy asses are gone about ’em . The reason why
the seven stars are no more than seven is a pretty
reason .
the seven stars are no more than seven is a pretty
reason .
LEAR
Because they are not eight .
FOOL
Yes , indeed . Thou wouldst make a good Fool .
LEAR
To take ’t again perforce ! Monster ingratitude !
FOOL
If thou wert my Fool , nuncle , I’d have thee
beaten for being old before thy time .
beaten for being old before thy time .
LEAR
How’s that ?
FOOL
Thou shouldst not have been old till thou hadst
been wise .
been wise .
LEAR
O , let me not be mad , not mad , sweet heaven !
Keep me in temper . I would not be mad !
[69] ACT 1. SC. 5
How now , are the horses ready ?
Keep me in temper . I would not be mad !
[69] ACT 1. SC. 5
Enter Gentleman .
How now , are the horses ready ?
GENTLEMAN
Ready , my lord .
LEAR
Come , boy .
FOOL
She that’s a maid now and laughs at my departure ,
Shall not be a maid long , unless things be cut
shorter .
Shall not be a maid long , unless things be cut
shorter .
They exit .
[73]
ACT 2
Scene 1
Enter Edmund , the Bastard and Curan , severally .
EDMUND
Save thee , Curan .
CURAN
And you , sir . I have been with your father and
given him notice that the Duke of Cornwall and
Regan his duchess will be here with him this night .
given him notice that the Duke of Cornwall and
Regan his duchess will be here with him this night .
EDMUND
How comes that ?
CURAN
Nay , I know not . You have heard of the news
abroad ? — I mean the whispered ones , for they are
yet but ear-kissing arguments .
abroad ? — I mean the whispered ones , for they are
yet but ear-kissing arguments .
EDMUND
Not I . Pray you , what are they ?
CURAN
Have you heard of no likely wars toward ’twixt
the dukes of Cornwall and Albany ?
the dukes of Cornwall and Albany ?
EDMUND
Not a word .
CURAN
You may do , then , in time . Fare you well , sir .
He exits .
EDMUND
The Duke be here tonight ? The better , best .
This weaves itself perforce into my business .
My father hath set guard to take my brother ,
And I have one thing of a queasy question
Which I must act . Briefness and fortune work ! —
Brother , a word . Descend . Brother , I say !
My father watches . O sir , fly this place !
[75] ACT 2. SC. 1 Intelligence is given where you are hid .
You have now the good advantage of the night .
Have you not spoken ’gainst the Duke of Cornwall ?
He’s coming hither , now , i’ th’ night , i’ th’ haste ,
And Regan with him . Have you nothing said
Upon his party ’gainst the Duke of Albany ?
Advise yourself .
This weaves itself perforce into my business .
My father hath set guard to take my brother ,
And I have one thing of a queasy question
Which I must act . Briefness and fortune work ! —
Brother , a word . Descend . Brother , I say !
Enter Edgar .
My father watches . O sir , fly this place !
[75] ACT 2. SC. 1 Intelligence is given where you are hid .
You have now the good advantage of the night .
Have you not spoken ’gainst the Duke of Cornwall ?
He’s coming hither , now , i’ th’ night , i’ th’ haste ,
And Regan with him . Have you nothing said
Upon his party ’gainst the Duke of Albany ?
Advise yourself .
EDGAR
I am sure on ’t , not a word .
EDMUND
I hear my father coming . Pardon me .
In cunning I must draw my sword upon you .
Draw . Seem to defend yourself . Now , quit you
well .
Yield ! Come before my father ! Light , hoa , here !
— So , farewell .
Some blood drawn on me would beget opinion
Of my more fierce endeavor . I have seen drunkards
Do more than this in sport .
Father , father !
Stop , stop ! No help ?
In cunning I must draw my sword upon you .
Draw . Seem to defend yourself . Now , quit you
well .
They draw .
Yield ! Come before my father ! Light , hoa , here !
Aside to Edgar .
Fly , brother . — Torches , torches ! — So , farewell .
Edgar exits .
Some blood drawn on me would beget opinion
Of my more fierce endeavor . I have seen drunkards
Do more than this in sport .
He wounds his arm .
Father , father !
Stop , stop ! No help ?
Enter Gloucester , and Servants with torches .
GLOUCESTER
Now , Edmund , where’s the
villain ?
villain ?
EDMUND
Here stood he in the dark , his sharp sword out ,
Mumbling of wicked charms , conjuring the moon
To stand auspicious mistress .
Mumbling of wicked charms , conjuring the moon
To stand auspicious mistress .
GLOUCESTER
But where is he ?
EDMUND
Look , sir , I bleed .
GLOUCESTER
Where is the villain ,
Edmund ?
Edmund ?
EDMUND
Fled this way , sir , when by no means he could —
[77]ACT 2. SC. 1
GLOUCESTER
Pursue him , ho ! Go after . Servants exit . By no
means what ?
means what ?
EDMUND
Persuade me to the murder of your Lordship ,
But that I told him the revenging gods
’Gainst parricides did all the thunder bend ,
Spoke with how manifold and strong a bond
The child was bound to th’ father — sir , in fine ,
Seeing how loathly opposite I stood
To his unnatural purpose , in fell motion
With his preparèd sword he charges home
My unprovided body , lanced mine arm ;
And when he saw my best alarumed spirits ,
Bold in the quarrel’s right , roused to th’ encounter ,
Or whether ghasted by the noise I made ,
Full suddenly he fled .
But that I told him the revenging gods
’Gainst parricides did all the thunder bend ,
Spoke with how manifold and strong a bond
The child was bound to th’ father — sir , in fine ,
Seeing how loathly opposite I stood
To his unnatural purpose , in fell motion
With his preparèd sword he charges home
My unprovided body , lanced mine arm ;
And when he saw my best alarumed spirits ,
Bold in the quarrel’s right , roused to th’ encounter ,
Or whether ghasted by the noise I made ,
Full suddenly he fled .
GLOUCESTER
Let him fly far !
Not in this land shall he remain uncaught ,
And found — dispatch . The noble duke my master ,
My worthy arch and patron , comes tonight .
By his authority I will proclaim it
That he which finds him shall deserve our thanks ,
Bringing the murderous coward to the stake ;
He that conceals him , death .
Not in this land shall he remain uncaught ,
And found — dispatch . The noble duke my master ,
My worthy arch and patron , comes tonight .
By his authority I will proclaim it
That he which finds him shall deserve our thanks ,
Bringing the murderous coward to the stake ;
He that conceals him , death .
EDMUND
When I dissuaded him from his intent
And found him pight to do it , with curst speech
I threatened to discover him . He replied
‘Thou unpossessing bastard , dost thou think
If I would stand against thee , would the reposal
Of any trust , virtue , or worth in thee
Make thy words faithed ? No . What I should
deny —
As this I would , though thou didst produce
[79] ACT 2. SC. 1 My very character — I’d turn it all
To thy suggestion , plot , and damnèd practice .
And thou must make a dullard of the world
If they not thought the profits of my death
Were very pregnant and potential spurs
To make thee seek it .’
And found him pight to do it , with curst speech
I threatened to discover him . He replied
‘Thou unpossessing bastard , dost thou think
If I would stand against thee , would the reposal
Of any trust , virtue , or worth in thee
Make thy words faithed ? No . What I should
deny —
As this I would , though thou didst produce
[79] ACT 2. SC. 1 My very character — I’d turn it all
To thy suggestion , plot , and damnèd practice .
And thou must make a dullard of the world
If they not thought the profits of my death
Were very pregnant and potential spurs
To make thee seek it .’
GLOUCESTER
O strange and fastened villain !
Would he deny his letter , said he ?
I never got him .
Hark , the Duke’s trumpets . I know not why he
comes .
All ports I’ll bar . The villain shall not ’scape .
The Duke must grant me that . Besides , his picture
I will send far and near , that all the kingdom
May have due note of him . And of my land ,
Loyal and natural boy , I’ll work the means
To make thee capable .
Would he deny his letter , said he ?
I never got him .
Tucket within .
Hark , the Duke’s trumpets . I know not why he
comes .
All ports I’ll bar . The villain shall not ’scape .
The Duke must grant me that . Besides , his picture
I will send far and near , that all the kingdom
May have due note of him . And of my land ,
Loyal and natural boy , I’ll work the means
To make thee capable .
Enter Cornwall , Regan , and Attendants .
CORNWALL
How now , my noble friend ? Since I came hither ,
Which I can call but now , I have heard strange
news .
Which I can call but now , I have heard strange
news .
REGAN
If it be true , all vengeance comes too short
Which can pursue th’ offender . How dost , my
lord ?
Which can pursue th’ offender . How dost , my
lord ?
GLOUCESTER
O madam , my old heart is cracked ; it’s cracked .
REGAN
What , did my father’s godson seek your life ?
He whom my father named , your Edgar ?
He whom my father named , your Edgar ?
GLOUCESTER
O lady , lady , shame would have it hid !
REGAN
Was he not companion with the riotous knights
That tended upon my father ?
That tended upon my father ?
[81]ACT 2. SC. 1
GLOUCESTER
I know not , madam . ’Tis too bad , too bad .
EDMUND
Yes , madam , he was of that consort .
REGAN
No marvel , then , though he were ill affected .
’Tis they have put him on the old man’s death ,
To have th’ expense and waste of his revenues .
I have this present evening from my sister
Been well informed of them , and with such cautions
That if they come to sojourn at my house
I’ll not be there .
’Tis they have put him on the old man’s death ,
To have th’ expense and waste of his revenues .
I have this present evening from my sister
Been well informed of them , and with such cautions
That if they come to sojourn at my house
I’ll not be there .
CORNWALL
Nor I , assure thee , Regan . —
Edmund , I hear that you have shown your father
A childlike office .
Edmund , I hear that you have shown your father
A childlike office .
EDMUND
It was my duty , sir .
GLOUCESTER
He did bewray his practice , and received
This hurt you see striving to apprehend him .
This hurt you see striving to apprehend him .
CORNWALL
Is he pursued ?
GLOUCESTER
Ay , my good lord .
CORNWALL
If he be taken , he shall never more
Be feared of doing harm . Make your own purpose ,
How in my strength you please . — For you , Edmund ,
Whose virtue and obedience doth this instant
So much commend itself , you shall be ours .
Natures of such deep trust we shall much need .
You we first seize on .
Be feared of doing harm . Make your own purpose ,
How in my strength you please . — For you , Edmund ,
Whose virtue and obedience doth this instant
So much commend itself , you shall be ours .
Natures of such deep trust we shall much need .
You we first seize on .
EDMUND
I shall serve you , sir ,
Truly , however else .
Truly , however else .
GLOUCESTER
For him I thank your Grace .
CORNWALL
You know not why we came to visit you —
REGAN
Thus out of season , threading dark-eyed night .
[83] ACT 2. SC. 2 Occasions , noble Gloucester , of some poise ,
Wherein we must have use of your advice .
Our father he hath writ , so hath our sister ,
Of differences , which I best thought it fit
To answer from our home . The several messengers
From hence attend dispatch . Our good old friend ,
Lay comforts to your bosom and bestow
Your needful counsel to our businesses ,
Which craves the instant use .
[83] ACT 2. SC. 2 Occasions , noble Gloucester , of some poise ,
Wherein we must have use of your advice .
Our father he hath writ , so hath our sister ,
Of differences , which I best thought it fit
To answer from our home . The several messengers
From hence attend dispatch . Our good old friend ,
Lay comforts to your bosom and bestow
Your needful counsel to our businesses ,
Which craves the instant use .
GLOUCESTER
I serve you , madam .
Your Graces are right welcome .
Your Graces are right welcome .
Flourish . They exit .
Scene 2
Enter Kent in disguise and Oswald , the Steward ,
severally .
severally .
OSWALD
Good dawning to thee , friend . Art of this
house ?
house ?
KENT
Ay .
OSWALD
Where may we set our horses ?
KENT
I’ th’ mire .
OSWALD
Prithee , if thou lov’st me , tell me .
KENT
I love thee not .
OSWALD
Why then , I care not for thee .
KENT
If I had thee in Lipsbury pinfold , I would make
thee care for me .
thee care for me .
OSWALD
Why dost thou use me thus ? I know thee not .
KENT
Fellow , I know thee .
OSWALD
What dost thou know me for ?
KENT
A knave , a rascal , an eater of broken meats ; a
base , proud , shallow , beggarly , three-suited , hundred-pound ,
filthy worsted-stocking knave ; a lily-livered ,
action-taking , whoreson , glass-gazing , superserviceable ,
finical rogue ; one-trunk-inheriting
[85] ACT 2. SC. 2 slave ; one that wouldst be a bawd in way of good
service , and art nothing but the composition of a
knave , beggar , coward , pander , and the son and heir
of a mongrel bitch ; one whom I will beat into
clamorous whining if thou deny’st the least syllable
of thy addition .
base , proud , shallow , beggarly , three-suited , hundred-pound ,
filthy worsted-stocking knave ; a lily-livered ,
action-taking , whoreson , glass-gazing , superserviceable ,
finical rogue ; one-trunk-inheriting
[85] ACT 2. SC. 2 slave ; one that wouldst be a bawd in way of good
service , and art nothing but the composition of a
knave , beggar , coward , pander , and the son and heir
of a mongrel bitch ; one whom I will beat into
clamorous whining if thou deny’st the least syllable
of thy addition .
OSWALD
Why , what a monstrous fellow art thou thus
to rail on one that is neither known of thee nor
knows thee !
to rail on one that is neither known of thee nor
knows thee !
KENT
What a brazen-faced varlet art thou to deny thou
knowest me ! Is it two days ago since I tripped up
thy heels and beat thee before the King ? He draws
his sword . Draw , you rogue , for though it be night ,
yet the moon shines . I’ll make a sop o’ th’ moonshine
of you , you whoreson , cullionly barbermonger .
Draw !
knowest me ! Is it two days ago since I tripped up
thy heels and beat thee before the King ? He draws
his sword . Draw , you rogue , for though it be night ,
yet the moon shines . I’ll make a sop o’ th’ moonshine
of you , you whoreson , cullionly barbermonger .
Draw !
OSWALD
Away ! I have nothing to do with thee .
KENT
Draw , you rascal ! You come with letters against
the King and take Vanity the puppet’s part against
the royalty of her father . Draw , you rogue , or I’ll so
carbonado your shanks ! Draw , you rascal ! Come
your ways .
the King and take Vanity the puppet’s part against
the royalty of her father . Draw , you rogue , or I’ll so
carbonado your shanks ! Draw , you rascal ! Come
your ways .
OSWALD
Help , ho ! Murder ! Help !
KENT
Strike , you slave ! Stand , rogue ! Stand , you neat
slave ! Strike !
slave ! Strike !
He beats Oswald .
OSWALD
Help , ho ! Murder , murder !
Enter Bastard Edmund , with his rapier drawn ,
Cornwall , Regan , Gloucester , Servants .
Cornwall , Regan , Gloucester , Servants .
EDMUND
How now , what’s the matter ? Part !
KENT
With you , goodman boy , if you please . Come , I’ll
flesh you . Come on , young master .
flesh you . Come on , young master .
GLOUCESTER
Weapons ? Arms ? What’s the matter here ?
CORNWALL
Keep peace , upon your lives ! He dies that
strikes again . What is the matter ?
strikes again . What is the matter ?
[87]ACT 2. SC. 2
REGAN
The messengers from our sister and the King .
CORNWALL
What is your difference ? Speak .
OSWALD
I am scarce in breath , my lord .
KENT
No marvel , you have so bestirred your valor .
You cowardly rascal , nature disclaims in thee ; a
tailor made thee .
You cowardly rascal , nature disclaims in thee ; a
tailor made thee .
CORNWALL
Thou art a strange fellow . A tailor make a
man ?
man ?
KENT
A tailor , sir . A stonecutter or a painter could not
have made him so ill , though they had been but two
years o’ th’ trade .
have made him so ill , though they had been but two
years o’ th’ trade .
CORNWALL
Speak yet , how grew your quarrel ?
OSWALD
This ancient ruffian , sir , whose life I have
spared at suit of his gray beard —
spared at suit of his gray beard —
KENT
Thou whoreson zed , thou unnecessary letter !
— My lord , if you will give me leave , I will tread
this unbolted villain into mortar and daub the wall
of a jakes with him . — Spare my gray beard , you
wagtail ?
— My lord , if you will give me leave , I will tread
this unbolted villain into mortar and daub the wall
of a jakes with him . — Spare my gray beard , you
wagtail ?
CORNWALL
Peace , sirrah !
You beastly knave , know you no reverence ?
You beastly knave , know you no reverence ?
KENT
Yes , sir , but anger hath a privilege .
CORNWALL
Why art thou angry ?
KENT
That such a slave as this should wear a sword ,
Who wears no honesty . Such smiling rogues as
these ,
Like rats , oft bite the holy cords atwain
Which are too intrinse t’ unloose ; smooth every
passion
That in the natures of their lords rebel —
Being oil to fire , snow to the colder moods —
Renege , affirm , and turn their halcyon beaks
With every gale and vary of their masters ,
[89] ACT 2. SC. 2 Knowing naught , like dogs , but following . —
A plague upon your epileptic visage !
Smile you my speeches , as I were a fool ?
Goose , if I had you upon Sarum plain ,
I’d drive you cackling home to Camelot .
Who wears no honesty . Such smiling rogues as
these ,
Like rats , oft bite the holy cords atwain
Which are too intrinse t’ unloose ; smooth every
passion
That in the natures of their lords rebel —
Being oil to fire , snow to the colder moods —
Renege , affirm , and turn their halcyon beaks
With every gale and vary of their masters ,
[89] ACT 2. SC. 2 Knowing naught , like dogs , but following . —
A plague upon your epileptic visage !
Smile you my speeches , as I were a fool ?
Goose , if I had you upon Sarum plain ,
I’d drive you cackling home to Camelot .
CORNWALL
What , art thou mad , old fellow ?
GLOUCESTER
How fell you out ? Say that .
KENT
No contraries hold more antipathy
Than I and such a knave .
Than I and such a knave .
CORNWALL
Why dost thou call him ‘knave’ ? What is his fault ?
KENT
His countenance likes me not .
CORNWALL
No more , perchance , does mine , nor his , nor hers .
KENT
Sir , ’tis my occupation to be plain :
I have seen better faces in my time
Than stands on any shoulder that I see
Before me at this instant .
I have seen better faces in my time
Than stands on any shoulder that I see
Before me at this instant .
CORNWALL
This is some fellow
Who , having been praised for bluntness , doth affect
A saucy roughness and constrains the garb
Quite from his nature . He cannot flatter , he .
An honest mind and plain , he must speak truth !
An they will take it , so ; if not , he’s plain .
These kind of knaves I know , which in this
plainness
Harbor more craft and more corrupter ends
Than twenty silly-ducking observants
That stretch their duties nicely .
Who , having been praised for bluntness , doth affect
A saucy roughness and constrains the garb
Quite from his nature . He cannot flatter , he .
An honest mind and plain , he must speak truth !
An they will take it , so ; if not , he’s plain .
These kind of knaves I know , which in this
plainness
Harbor more craft and more corrupter ends
Than twenty silly-ducking observants
That stretch their duties nicely .
KENT
Sir , in good faith , in sincere verity ,
Under th’ allowance of your great aspect ,
Whose influence , like the wreath of radiant fire
On flick’ring Phoebus’ front —
Under th’ allowance of your great aspect ,
Whose influence , like the wreath of radiant fire
On flick’ring Phoebus’ front —
[91]ACT 2. SC. 2
CORNWALL
What mean’st by this ?
KENT
To go out of my dialect , which you discommend
so much . I know , sir , I am no flatterer . He that
beguiled you in a plain accent was a plain knave ,
which for my part I will not be , though I should
win your displeasure to entreat me to ’t .
so much . I know , sir , I am no flatterer . He that
beguiled you in a plain accent was a plain knave ,
which for my part I will not be , though I should
win your displeasure to entreat me to ’t .
CORNWALL
, to Oswald
What was th’ offense you gave
him ?
him ?
OSWALD
I never gave him any .
It pleased the King his master very late
To strike at me , upon his misconstruction ;
When he , compact , and flattering his displeasure ,
Tripped me behind ; being down , insulted , railed ,
And put upon him such a deal of man
That worthied him , got praises of the King
For him attempting who was self-subdued ;
And in the fleshment of this dread exploit ,
Drew on me here again .
It pleased the King his master very late
To strike at me , upon his misconstruction ;
When he , compact , and flattering his displeasure ,
Tripped me behind ; being down , insulted , railed ,
And put upon him such a deal of man
That worthied him , got praises of the King
For him attempting who was self-subdued ;
And in the fleshment of this dread exploit ,
Drew on me here again .
KENT
None of these rogues and cowards
But Ajax is their fool .
But Ajax is their fool .
CORNWALL
Fetch forth the stocks . —
You stubborn ancient knave , you reverent braggart ,
We’ll teach you .
You stubborn ancient knave , you reverent braggart ,
We’ll teach you .
KENT
Sir , I am too old to learn .
Call not your stocks for me . I serve the King ,
On whose employment I was sent to you .
You shall do small respect , show too bold
malice
Against the grace and person of my master ,
Stocking his messenger .
Call not your stocks for me . I serve the King ,
On whose employment I was sent to you .
You shall do small respect , show too bold
malice
Against the grace and person of my master ,
Stocking his messenger .
CORNWALL
Fetch forth the stocks . — As I have life and honor ,
There shall he sit till noon .
There shall he sit till noon .
REGAN
Till noon ? Till night , my lord , and all night , too .
[93]ACT 2. SC. 2
KENT
Why , madam , if I were your father’s dog ,
You should not use me so .
You should not use me so .
REGAN
Sir , being his knave , I will .
CORNWALL
This is a fellow of the selfsame color
Our sister speaks of . — Come , bring away the stocks .
Our sister speaks of . — Come , bring away the stocks .
Stocks brought out .
GLOUCESTER
Let me beseech your Grace not to do so .
His fault is much , and the good king his master
Will check him for ’t . Your purposed low correction
Is such as basest and contemned’st wretches
For pilf’rings and most common trespasses
Are punished with . The King must take it ill
That he , so slightly valued in his messenger ,
Should have him thus restrained .
His fault is much , and the good king his master
Will check him for ’t . Your purposed low correction
Is such as basest and contemned’st wretches
For pilf’rings and most common trespasses
Are punished with . The King must take it ill
That he , so slightly valued in his messenger ,
Should have him thus restrained .
CORNWALL
I’ll answer that .
REGAN
My sister may receive it much more worse
To have her gentleman abused , assaulted
For following her affairs . — Put in his legs .
To have her gentleman abused , assaulted
For following her affairs . — Put in his legs .
Kent is put in the stocks .
CORNWALL
Come , my good lord , away .
All but Gloucester and Kent exit .
GLOUCESTER
I am sorry for thee , friend . ’Tis the Duke’s
pleasure ,
Whose disposition all the world well knows
Will not be rubbed nor stopped . I’ll entreat for thee .
pleasure ,
Whose disposition all the world well knows
Will not be rubbed nor stopped . I’ll entreat for thee .
KENT
Pray , do not , sir . I have watched and traveled hard .
Some time I shall sleep out ; the rest I’ll whistle .
A good man’s fortune may grow out at heels .
Give you good morrow .
Some time I shall sleep out ; the rest I’ll whistle .
A good man’s fortune may grow out at heels .
Give you good morrow .
[95]ACT 2. SC. 3
GLOUCESTER
The Duke’s to blame in this . ’Twill be ill taken .
He exits .
KENT
Good king , that must approve the common saw ,
Thou out of heaven’s benediction com’st
To the warm sun .
Approach , thou beacon to this under globe ,
That by thy comfortable beams I may
Peruse this letter . Nothing almost sees miracles
But misery . I know ’tis from Cordelia ,
Who hath most fortunately been informed
Of my obscurèd course , and shall find time
From this enormous state , seeking to give
Losses their remedies . All weary and o’erwatched ,
Take vantage , heavy eyes , not to behold
This shameful lodging .
Fortune , good night . Smile once more ; turn thy
wheel .
Thou out of heaven’s benediction com’st
To the warm sun .
He takes out a paper .
Approach , thou beacon to this under globe ,
That by thy comfortable beams I may
Peruse this letter . Nothing almost sees miracles
But misery . I know ’tis from Cordelia ,
Who hath most fortunately been informed
Of my obscurèd course , and shall find time
From this enormous state , seeking to give
Losses their remedies . All weary and o’erwatched ,
Take vantage , heavy eyes , not to behold
This shameful lodging .
Fortune , good night . Smile once more ; turn thy
wheel .
Sleeps .
Scene 3
Enter Edgar .
EDGAR
I heard myself proclaimed ,
And by the happy hollow of a tree
Escaped the hunt . No port is free ; no place
That guard and most unusual vigilance
Does not attend my taking . Whiles I may ’scape ,
I will preserve myself , and am bethought
To take the basest and most poorest shape
That ever penury in contempt of man
Brought near to beast . My face I’ll grime with filth ,
Blanket my loins , elf all my hairs in knots ,
And with presented nakedness outface
[97] ACT 2. SC. 4 The winds and persecutions of the sky .
The country gives me proof and precedent
Of Bedlam beggars who with roaring voices
Strike in their numbed and mortifièd arms
Pins , wooden pricks , nails , sprigs of rosemary ,
And , with this horrible object , from low farms ,
Poor pelting villages , sheepcotes , and mills ,
Sometime with lunatic bans , sometime with prayers ,
Enforce their charity . ‘Poor Turlygod ! Poor Tom !’
That’s something yet . ‘Edgar’ I nothing am .
And by the happy hollow of a tree
Escaped the hunt . No port is free ; no place
That guard and most unusual vigilance
Does not attend my taking . Whiles I may ’scape ,
I will preserve myself , and am bethought
To take the basest and most poorest shape
That ever penury in contempt of man
Brought near to beast . My face I’ll grime with filth ,
Blanket my loins , elf all my hairs in knots ,
And with presented nakedness outface
[97] ACT 2. SC. 4 The winds and persecutions of the sky .
The country gives me proof and precedent
Of Bedlam beggars who with roaring voices
Strike in their numbed and mortifièd arms
Pins , wooden pricks , nails , sprigs of rosemary ,
And , with this horrible object , from low farms ,
Poor pelting villages , sheepcotes , and mills ,
Sometime with lunatic bans , sometime with prayers ,
Enforce their charity . ‘Poor Turlygod ! Poor Tom !’
That’s something yet . ‘Edgar’ I nothing am .
He exits .
Scene 4
Enter Lear , Fool , and Gentleman .
LEAR
’Tis strange that they should so depart from home
And not send back my messenger .
And not send back my messenger .
GENTLEMAN
As I learned ,
The night before there was no purpose in them
Of this remove .
The night before there was no purpose in them
Of this remove .
KENT
, waking
Hail to thee , noble master .
LEAR
Ha ?
Mak’st thou this shame thy pastime ?
Mak’st thou this shame thy pastime ?
KENT
No , my lord .
FOOL
Ha , ha , he wears cruel garters . Horses are tied
by the heads , dogs and bears by th’ neck , monkeys
by th’ loins , and men by th’ legs . When a man’s
overlusty at legs , then he wears wooden
netherstocks .
by the heads , dogs and bears by th’ neck , monkeys
by th’ loins , and men by th’ legs . When a man’s
overlusty at legs , then he wears wooden
netherstocks .
LEAR
What’s he that hath so much thy place mistook
To set thee here ?
To set thee here ?
KENT
It is both he and she ,
Your son and daughter .
Your son and daughter .
[99]ACT 2. SC. 4
LEAR
No .
KENT
Yes .
LEAR
No , I say .
KENT
I say yea .
LEAR
By Jupiter , I swear no .
KENT
By Juno , I swear ay .
LEAR
They durst not do ’t .
They could not , would not do ’t . ’Tis worse than
murder
To do upon respect such violent outrage .
Resolve me with all modest haste which way
Thou might’st deserve or they impose this usage ,
Coming from us .
They could not , would not do ’t . ’Tis worse than
murder
To do upon respect such violent outrage .
Resolve me with all modest haste which way
Thou might’st deserve or they impose this usage ,
Coming from us .
KENT
My lord , when at their home
I did commend your Highness’ letters to them ,
Ere I was risen from the place that showed
My duty kneeling , came there a reeking post ,
Stewed in his haste , half breathless , panting forth
From Goneril his mistress salutations ;
Delivered letters , spite of intermission ,
Which presently they read ; on whose contents
They summoned up their meiny , straight took
horse ,
Commanded me to follow and attend
The leisure of their answer , gave me cold looks ;
And meeting here the other messenger ,
Whose welcome , I perceived , had poisoned mine ,
Being the very fellow which of late
Displayed so saucily against your Highness ,
Having more man than wit about me , drew .
He raised the house with loud and coward cries .
Your son and daughter found this trespass worth
The shame which here it suffers .
I did commend your Highness’ letters to them ,
Ere I was risen from the place that showed
My duty kneeling , came there a reeking post ,
Stewed in his haste , half breathless , panting forth
From Goneril his mistress salutations ;
Delivered letters , spite of intermission ,
Which presently they read ; on whose contents
They summoned up their meiny , straight took
horse ,
Commanded me to follow and attend
The leisure of their answer , gave me cold looks ;
And meeting here the other messenger ,
Whose welcome , I perceived , had poisoned mine ,
Being the very fellow which of late
Displayed so saucily against your Highness ,
Having more man than wit about me , drew .
He raised the house with loud and coward cries .
Your son and daughter found this trespass worth
The shame which here it suffers .
FOOL
Winter’s not gone yet if the wild geese fly that
way .
[101] ACT 2. SC. 4 Fathers that wear rags
Do make their children blind ,
But fathers that bear bags
Shall see their children kind .
Fortune , that arrant whore ,
Ne’er turns the key to th’ poor .
But , for all this , thou shalt have as many dolors for
thy daughters as thou canst tell in a year .
way .
[101] ACT 2. SC. 4 Fathers that wear rags
Do make their children blind ,
But fathers that bear bags
Shall see their children kind .
Fortune , that arrant whore ,
Ne’er turns the key to th’ poor .
But , for all this , thou shalt have as many dolors for
thy daughters as thou canst tell in a year .
LEAR
O , how this mother swells up toward my heart !
Hysterica passio , down , thou climbing sorrow !
Thy element’s below . — Where is this daughter ?
Hysterica passio , down , thou climbing sorrow !
Thy element’s below . — Where is this daughter ?
KENT
With the Earl , sir , here within .
LEAR
, to Fool and Gentleman
Follow me not . Stay
here .
here .
He exits .
GENTLEMAN
Made you no more offense but what you speak of ?
KENT
None .
How chance the King comes with so small a number ?
How chance the King comes with so small a number ?
FOOL
An thou hadst been set i’ th’ stocks for that
question , thou ’dst well deserved it .
question , thou ’dst well deserved it .
KENT
Why , Fool ?
FOOL
We’ll set thee to school to an ant to teach thee
there’s no laboring i’ th’ winter . All that follow
their noses are led by their eyes but blind men , and
there’s not a nose among twenty but can smell him
that’s stinking . Let go thy hold when a great wheel
runs down a hill lest it break thy neck with following ;
but the great one that goes upward , let him
draw thee after . When a wise man gives thee better
counsel , give me mine again . I would have none but
knaves follow it , since a Fool gives it .
That sir which serves
and seeks for gain ,
And follows but for form ,
Will pack when it begins to rain
[103] ACT 2. SC. 4 And leave thee in the storm .
But I will tarry ; the Fool will stay ,
And let the wise man fly .
The knave turns fool that runs away ;
The Fool no knave , perdie .
there’s no laboring i’ th’ winter . All that follow
their noses are led by their eyes but blind men , and
there’s not a nose among twenty but can smell him
that’s stinking . Let go thy hold when a great wheel
runs down a hill lest it break thy neck with following ;
but the great one that goes upward , let him
draw thee after . When a wise man gives thee better
counsel , give me mine again . I would have none but
knaves follow it , since a Fool gives it .
That sir which serves
and seeks for gain ,
And follows but for form ,
Will pack when it begins to rain
[103] ACT 2. SC. 4 And leave thee in the storm .
But I will tarry ; the Fool will stay ,
And let the wise man fly .
The knave turns fool that runs away ;
The Fool no knave , perdie .
KENT
Where learned you this , Fool ?
FOOL
Not i’ th’ stocks , fool .
Enter Lear and Gloucester .
LEAR
Deny to speak with me ? They are sick ? They are
weary ?
They have traveled all the night ? Mere fetches ,
The images of revolt and flying off .
Fetch me a better answer .
weary ?
They have traveled all the night ? Mere fetches ,
The images of revolt and flying off .
Fetch me a better answer .
GLOUCESTER
My dear lord ,
You know the fiery quality of the Duke ,
How unremovable and fixed he is
In his own course .
You know the fiery quality of the Duke ,
How unremovable and fixed he is
In his own course .
LEAR
Vengeance , plague , death , confusion !
‘Fiery’ ? What ‘quality’ ? Why Gloucester ,
Gloucester ,
I’d speak with the Duke of Cornwall and his wife .
‘Fiery’ ? What ‘quality’ ? Why Gloucester ,
Gloucester ,
I’d speak with the Duke of Cornwall and his wife .
GLOUCESTER
Well , my good lord , I have informed them so .
LEAR
‘Informed them’ ? Dost thou understand me ,
man ?
man ?
GLOUCESTER
Ay , my good lord .
LEAR
The King would speak with Cornwall . The dear
father
Would with his daughter speak , commands , tends
service .
Are they ‘informed’ of this ? My breath and
blood !
[105] ACT 2. SC. 4 ‘Fiery’ ? The ‘fiery’ duke ? Tell the hot duke that —
No , but not yet . Maybe he is not well .
Infirmity doth still neglect all office
Whereto our health is bound . We are not ourselves
When nature , being oppressed , commands the mind
To suffer with the body . I’ll forbear ,
And am fallen out with my more headier will ,
To take the indisposed and sickly fit
For the sound man . Noticing Kent again . Death on
my state ! Wherefore
Should he sit here ? This act persuades me
That this remotion of the Duke and her
Is practice only . Give me my servant forth .
Go tell the Duke and ’s wife I’d speak with them .
Now , presently , bid them come forth and hear me ,
Or at their chamber door I’ll beat the drum
Till it cry sleep to death .
father
Would with his daughter speak , commands , tends
service .
Are they ‘informed’ of this ? My breath and
blood !
[105] ACT 2. SC. 4 ‘Fiery’ ? The ‘fiery’ duke ? Tell the hot duke that —
No , but not yet . Maybe he is not well .
Infirmity doth still neglect all office
Whereto our health is bound . We are not ourselves
When nature , being oppressed , commands the mind
To suffer with the body . I’ll forbear ,
And am fallen out with my more headier will ,
To take the indisposed and sickly fit
For the sound man . Noticing Kent again . Death on
my state ! Wherefore
Should he sit here ? This act persuades me
That this remotion of the Duke and her
Is practice only . Give me my servant forth .
Go tell the Duke and ’s wife I’d speak with them .
Now , presently , bid them come forth and hear me ,
Or at their chamber door I’ll beat the drum
Till it cry sleep to death .
GLOUCESTER
I would have all well betwixt you .
He exits .
LEAR
O me , my heart , my rising heart ! But down !
FOOL
Cry to it , nuncle , as the cockney did to the eels
when she put ’em i’ th’ paste alive . She knapped
’em o’ th’ coxcombs with a stick and cried ‘Down ,
wantons , down !’ ’Twas her brother that in pure
kindness to his horse buttered his hay .
when she put ’em i’ th’ paste alive . She knapped
’em o’ th’ coxcombs with a stick and cried ‘Down ,
wantons , down !’ ’Twas her brother that in pure
kindness to his horse buttered his hay .
Enter Cornwall , Regan , Gloucester , Servants .
LEAR
Good morrow to you both .
CORNWALL
Hail to your Grace .
Kent here set at liberty .
REGAN
I am glad to see your Highness .
LEAR
Regan , I think you are . I know what reason
I have to think so : if thou shouldst not be glad ,
I would divorce me from thy mother’s tomb ,
[107] ACT 2. SC. 4 Sepulch’ring an adult’ress .
free ?
Some other time for that . — Belovèd Regan ,
Thy sister’s naught . O Regan , she hath tied
Sharp-toothed unkindness , like a vulture , here .
I can scarce speak to thee . Thou ’lt not believe
With how depraved a quality — O Regan !
I have to think so : if thou shouldst not be glad ,
I would divorce me from thy mother’s tomb ,
[107] ACT 2. SC. 4 Sepulch’ring an adult’ress .
To Kent .
O , are you free ?
Some other time for that . — Belovèd Regan ,
Thy sister’s naught . O Regan , she hath tied
Sharp-toothed unkindness , like a vulture , here .
I can scarce speak to thee . Thou ’lt not believe
With how depraved a quality — O Regan !
REGAN
I pray you , sir , take patience . I have hope
You less know how to value her desert
Than she to scant her duty .
You less know how to value her desert
Than she to scant her duty .
LEAR
Say ? How is that ?
REGAN
I cannot think my sister in the least
Would fail her obligation . If , sir , perchance
She have restrained the riots of your followers ,
’Tis on such ground and to such wholesome end
As clears her from all blame .
Would fail her obligation . If , sir , perchance
She have restrained the riots of your followers ,
’Tis on such ground and to such wholesome end
As clears her from all blame .
LEAR
My curses on her .
REGAN
O sir , you are old .
Nature in you stands on the very verge
Of his confine . You should be ruled and led
By some discretion that discerns your state
Better than you yourself . Therefore , I pray you
That to our sister you do make return .
Say you have wronged her .
Nature in you stands on the very verge
Of his confine . You should be ruled and led
By some discretion that discerns your state
Better than you yourself . Therefore , I pray you
That to our sister you do make return .
Say you have wronged her .
LEAR
Ask her forgiveness ?
Do you but mark how this becomes the house :
‘Dear daughter , I confess that I am old .
Age is unnecessary . On my knees I beg
That you’ll vouchsafe me raiment , bed , and food .’
Do you but mark how this becomes the house :
He kneels .
‘Dear daughter , I confess that I am old .
Age is unnecessary . On my knees I beg
That you’ll vouchsafe me raiment , bed , and food .’
REGAN
Good sir , no more . These are unsightly tricks .
Return you to my sister .
Return you to my sister .
[109]ACT 2. SC. 4
LEAR
, rising
Never , Regan .
She hath abated me of half my train ,
Looked black upon me , struck me with her tongue
Most serpentlike upon the very heart .
All the stored vengeances of heaven fall
On her ingrateful top ! Strike her young bones ,
You taking airs , with lameness !
She hath abated me of half my train ,
Looked black upon me , struck me with her tongue
Most serpentlike upon the very heart .
All the stored vengeances of heaven fall
On her ingrateful top ! Strike her young bones ,
You taking airs , with lameness !
CORNWALL
Fie , sir , fie !
LEAR
You nimble lightnings , dart your blinding flames
Into her scornful eyes ! Infect her beauty ,
You fen-sucked fogs drawn by the powerful sun
To fall and blister !
Into her scornful eyes ! Infect her beauty ,
You fen-sucked fogs drawn by the powerful sun
To fall and blister !
REGAN
O , the blest gods ! So will you wish on me
When the rash mood is on .
When the rash mood is on .
LEAR
No , Regan , thou shalt never have my curse .
Thy tender-hefted nature shall not give
Thee o’er to harshness . Her eyes are fierce , but
thine
Do comfort and not burn . ’Tis not in thee
To grudge my pleasures , to cut off my train ,
To bandy hasty words , to scant my sizes ,
And , in conclusion , to oppose the bolt
Against my coming in . Thou better know’st
The offices of nature , bond of childhood ,
Effects of courtesy , dues of gratitude .
Thy half o’ th’ kingdom hast thou not forgot ,
Wherein I thee endowed .
Thy tender-hefted nature shall not give
Thee o’er to harshness . Her eyes are fierce , but
thine
Do comfort and not burn . ’Tis not in thee
To grudge my pleasures , to cut off my train ,
To bandy hasty words , to scant my sizes ,
And , in conclusion , to oppose the bolt
Against my coming in . Thou better know’st
The offices of nature , bond of childhood ,
Effects of courtesy , dues of gratitude .
Thy half o’ th’ kingdom hast thou not forgot ,
Wherein I thee endowed .
REGAN
Good sir , to th’ purpose .
Tucket within .
LEAR
Who put my man i’ th’ stocks ?
CORNWALL
What trumpet’s that ?
[111]ACT 2. SC. 4
REGAN
I know ’t — my sister’s . This approves her letter ,
That she would soon be here .
Is your lady come ?
That she would soon be here .
Enter Oswald , the Steward .
Is your lady come ?
LEAR
This is a slave whose easy-borrowed pride
Dwells in the fickle grace of her he follows . —
Out , varlet , from my sight !
Dwells in the fickle grace of her he follows . —
Out , varlet , from my sight !
CORNWALL
What means your Grace ?
LEAR
Who stocked my servant ? Regan , I have good hope
Thou didst not know on ’t .
Who comes here ? O heavens ,
If you do love old men , if your sweet sway
Allow obedience , if you yourselves are old ,
Make it your cause . Send down and take my part .
beard ?
O Regan , will you take her by the hand ?
Thou didst not know on ’t .
Enter Goneril .
Who comes here ? O heavens ,
If you do love old men , if your sweet sway
Allow obedience , if you yourselves are old ,
Make it your cause . Send down and take my part .
To Goneril .
Art not ashamed to look upon this beard ?
Regan takes Goneril’s hand .
O Regan , will you take her by the hand ?
GONERIL
Why not by th’ hand , sir ? How have I offended ?
All’s not offense that indiscretion finds
And dotage terms so .
All’s not offense that indiscretion finds
And dotage terms so .
LEAR
O sides , you are too tough !
Will you yet hold ? — How came my man i’ th’
stocks ?
Will you yet hold ? — How came my man i’ th’
stocks ?
CORNWALL
I set him there , sir , but his own disorders
Deserved much less advancement .
Deserved much less advancement .
LEAR
You ? Did you ?
REGAN
I pray you , father , being weak , seem so .
If till the expiration of your month
[113] ACT 2. SC. 4 You will return and sojourn with my sister ,
Dismissing half your train , come then to me .
I am now from home and out of that provision
Which shall be needful for your entertainment .
If till the expiration of your month
[113] ACT 2. SC. 4 You will return and sojourn with my sister ,
Dismissing half your train , come then to me .
I am now from home and out of that provision
Which shall be needful for your entertainment .
LEAR
Return to her ? And fifty men dismissed ?
No ! Rather I abjure all roofs , and choose
To wage against the enmity o’ th’ air ,
To be a comrade with the wolf and owl ,
Necessity’s sharp pinch . Return with her ?
Why the hot-blooded France , that dowerless took
Our youngest born — I could as well be brought
To knee his throne and , squire-like , pension beg
To keep base life afoot . Return with her ?
Persuade me rather to be slave and sumpter
To this detested groom .
No ! Rather I abjure all roofs , and choose
To wage against the enmity o’ th’ air ,
To be a comrade with the wolf and owl ,
Necessity’s sharp pinch . Return with her ?
Why the hot-blooded France , that dowerless took
Our youngest born — I could as well be brought
To knee his throne and , squire-like , pension beg
To keep base life afoot . Return with her ?
Persuade me rather to be slave and sumpter
To this detested groom .
He indicates Oswald .
GONERIL
At your choice , sir .
LEAR
I prithee , daughter , do not make me mad .
I will not trouble thee , my child . Farewell .
We’ll no more meet , no more see one another .
But yet thou art my flesh , my blood , my daughter ,
Or , rather , a disease that’s in my flesh ,
Which I must needs call mine . Thou art a boil ,
A plague-sore or embossèd carbuncle
In my corrupted blood . But I’ll not chide thee .
Let shame come when it will ; I do not call it .
I do not bid the thunder-bearer shoot ,
Nor tell tales of thee to high-judging Jove .
Mend when thou canst . Be better at thy leisure .
I can be patient . I can stay with Regan ,
I and my hundred knights .
I will not trouble thee , my child . Farewell .
We’ll no more meet , no more see one another .
But yet thou art my flesh , my blood , my daughter ,
Or , rather , a disease that’s in my flesh ,
Which I must needs call mine . Thou art a boil ,
A plague-sore or embossèd carbuncle
In my corrupted blood . But I’ll not chide thee .
Let shame come when it will ; I do not call it .
I do not bid the thunder-bearer shoot ,
Nor tell tales of thee to high-judging Jove .
Mend when thou canst . Be better at thy leisure .
I can be patient . I can stay with Regan ,
I and my hundred knights .
REGAN
Not altogether so .
I looked not for you yet , nor am provided
For your fit welcome . Give ear , sir , to my sister ,
For those that mingle reason with your passion
[115] ACT 2. SC. 4 Must be content to think you old , and so —
But she knows what she does .
I looked not for you yet , nor am provided
For your fit welcome . Give ear , sir , to my sister ,
For those that mingle reason with your passion
[115] ACT 2. SC. 4 Must be content to think you old , and so —
But she knows what she does .
LEAR
Is this well spoken ?
REGAN
I dare avouch it , sir . What , fifty followers ?
Is it not well ? What should you need of more ?
Yea , or so many , sith that both charge and danger
Speak ’gainst so great a number ? How in one house
Should many people under two commands
Hold amity ? ’Tis hard , almost impossible .
Is it not well ? What should you need of more ?
Yea , or so many , sith that both charge and danger
Speak ’gainst so great a number ? How in one house
Should many people under two commands
Hold amity ? ’Tis hard , almost impossible .
GONERIL
Why might not you , my lord , receive attendance
From those that she calls servants , or from mine ?
From those that she calls servants , or from mine ?
REGAN
Why not , my lord ? If then they chanced to slack
you ,
We could control them . If you will come to me
( For now I spy a danger ) , I entreat you
To bring but five-and-twenty . To no more
Will I give place or notice .
you ,
We could control them . If you will come to me
( For now I spy a danger ) , I entreat you
To bring but five-and-twenty . To no more
Will I give place or notice .
LEAR
I gave you all —
REGAN
And in good time you gave it .
LEAR
Made you my guardians , my depositaries ,
But kept a reservation to be followed
With such a number . What , must I come to you
With five-and-twenty ? Regan , said you so ?
But kept a reservation to be followed
With such a number . What , must I come to you
With five-and-twenty ? Regan , said you so ?
REGAN
And speak ’t again , my lord . No more with me .
LEAR
Those wicked creatures yet do look well-favored
When others are more wicked . Not being the worst
Stands in some rank of praise .
with thee .
Thy fifty yet doth double five-and-twenty ,
And thou art twice her love .
When others are more wicked . Not being the worst
Stands in some rank of praise .
To Goneril .
I’ll go with thee .
Thy fifty yet doth double five-and-twenty ,
And thou art twice her love .
GONERIL
Hear me , my lord .
[117] ACT 2. SC. 4 What need you five-and-twenty , ten , or five ,
To follow in a house where twice so many
Have a command to tend you ?
[117] ACT 2. SC. 4 What need you five-and-twenty , ten , or five ,
To follow in a house where twice so many
Have a command to tend you ?
REGAN
What need one ?
LEAR
O , reason not the need ! Our basest beggars
Are in the poorest thing superfluous .
Allow not nature more than nature needs ,
Man’s life is cheap as beast’s . Thou art a lady ;
If only to go warm were gorgeous ,
Why , nature needs not what thou gorgeous wear’st ,
Which scarcely keeps thee warm . But , for true
need —
You heavens , give me that patience , patience I need !
You see me here , you gods , a poor old man
As full of grief as age , wretched in both .
If it be you that stirs these daughters’ hearts
Against their father , fool me not so much
To bear it tamely . Touch me with noble anger ,
And let not women’s weapons , water drops ,
Stain my man’s cheeks . — No , you unnatural hags ,
I will have such revenges on you both
That all the world shall — I will do such things —
What they are yet I know not , but they shall be
The terrors of the Earth ! You think I’ll weep .
No , I’ll not weep .
I have full cause of weeping , but this heart
Shall break into a hundred thousand flaws
Or ere I’ll weep . — O Fool , I shall go mad !
Are in the poorest thing superfluous .
Allow not nature more than nature needs ,
Man’s life is cheap as beast’s . Thou art a lady ;
If only to go warm were gorgeous ,
Why , nature needs not what thou gorgeous wear’st ,
Which scarcely keeps thee warm . But , for true
need —
You heavens , give me that patience , patience I need !
You see me here , you gods , a poor old man
As full of grief as age , wretched in both .
If it be you that stirs these daughters’ hearts
Against their father , fool me not so much
To bear it tamely . Touch me with noble anger ,
And let not women’s weapons , water drops ,
Stain my man’s cheeks . — No , you unnatural hags ,
I will have such revenges on you both
That all the world shall — I will do such things —
What they are yet I know not , but they shall be
The terrors of the Earth ! You think I’ll weep .
No , I’ll not weep .
I have full cause of weeping , but this heart
Storm and tempest .
Shall break into a hundred thousand flaws
Or ere I’ll weep . — O Fool , I shall go mad !
Lear , Kent , and Fool exit
with Gloucester and the Gentleman .
with Gloucester and the Gentleman .
CORNWALL
Let us withdraw . ’Twill be a storm .
REGAN
This house is little . The old man and ’s people
Cannot be well bestowed .
Cannot be well bestowed .
[119]ACT 2. SC. 4
GONERIL
’Tis his own blame hath put himself from rest ,
And must needs taste his folly .
And must needs taste his folly .
REGAN
For his particular , I’ll receive him gladly ,
But not one follower .
But not one follower .
GONERIL
So am I purposed . Where is my lord of Gloucester ?
CORNWALL
Followed the old man forth .
He is returned .
Enter Gloucester .
He is returned .
GLOUCESTER
The King is in high rage .
CORNWALL
Whither is he going ?
GLOUCESTER
He calls to horse , but will I know not whither .
CORNWALL
’Tis best to give him way . He leads himself .
GONERIL
, to Gloucester
My lord , entreat him by no means to stay .
GLOUCESTER
Alack , the night comes on , and the high winds
Do sorely ruffle . For many miles about
There’s scarce a bush .
Do sorely ruffle . For many miles about
There’s scarce a bush .
REGAN
O sir , to willful men
The injuries that they themselves procure
Must be their schoolmasters . Shut up your doors .
He is attended with a desperate train ,
And what they may incense him to , being apt
To have his ear abused , wisdom bids fear .
The injuries that they themselves procure
Must be their schoolmasters . Shut up your doors .
He is attended with a desperate train ,
And what they may incense him to , being apt
To have his ear abused , wisdom bids fear .
CORNWALL
Shut up your doors , my lord . ’Tis a wild night .
My Regan counsels well . Come out o’ th’ storm .
My Regan counsels well . Come out o’ th’ storm .
They exit .
[123]
ACT 3
Scene 1
Storm still . Enter Kent in disguise , and a Gentleman ,
severally .
severally .
KENT
Who’s there , besides foul weather ?
GENTLEMAN
One minded like the weather , most unquietly .
KENT
I know you . Where’s the King ?
GENTLEMAN
Contending with the fretful elements ;
Bids the wind blow the earth into the sea
Or swell the curlèd waters ’bove the main ,
That things might change or cease ; tears his white
hair ,
Which the impetuous blasts with eyeless rage
Catch in their fury and make nothing of ;
Strives in his little world of man to outscorn
The to-and-fro conflicting wind and rain .
This night , wherein the cub-drawn bear would
couch ,
The lion and the belly-pinchèd wolf
Keep their fur dry , unbonneted he runs
And bids what will take all .
Bids the wind blow the earth into the sea
Or swell the curlèd waters ’bove the main ,
That things might change or cease ; tears his white
hair ,
Which the impetuous blasts with eyeless rage
Catch in their fury and make nothing of ;
Strives in his little world of man to outscorn
The to-and-fro conflicting wind and rain .
This night , wherein the cub-drawn bear would
couch ,
The lion and the belly-pinchèd wolf
Keep their fur dry , unbonneted he runs
And bids what will take all .
KENT
But who is with him ?
GENTLEMAN
None but the Fool , who labors to outjest
His heart-struck injuries .
His heart-struck injuries .
[125]ACT 3. SC. 1
KENT
Sir , I do know you
And dare upon the warrant of my note
Commend a dear thing to you . There is division ,
Although as yet the face of it is covered
With mutual cunning , ’twixt Albany and Cornwall ,
Who have — as who have not , that their great stars
Throned and set high ? — servants , who seem no less ,
Which are to France the spies and speculations
Intelligent of our state . From France there comes
a power
Into this scattered kingdom , who already ,
Wise in our negligence , have secret feet
In some of our best ports and are at point
To show their open banner . Now to you :
If on my credit you dare build so far
To make your speed to Dover , you shall find
Some that will thank you , making just report
Of how unnatural and bemadding sorrow
The King hath cause to plain : what hath been seen ,
Either in snuffs and packings of the dukes ,
Or the hard rein which both of them hath borne
Against the old kind king , or something deeper ,
Whereof perchance these are but furnishings .
I am a gentleman of blood and breeding ,
And from some knowledge and assurance offer
This office to you .
And dare upon the warrant of my note
Commend a dear thing to you . There is division ,
Although as yet the face of it is covered
With mutual cunning , ’twixt Albany and Cornwall ,
Who have — as who have not , that their great stars
Throned and set high ? — servants , who seem no less ,
Which are to France the spies and speculations
Intelligent of our state . From France there comes
a power
Into this scattered kingdom , who already ,
Wise in our negligence , have secret feet
In some of our best ports and are at point
To show their open banner . Now to you :
If on my credit you dare build so far
To make your speed to Dover , you shall find
Some that will thank you , making just report
Of how unnatural and bemadding sorrow
The King hath cause to plain : what hath been seen ,
Either in snuffs and packings of the dukes ,
Or the hard rein which both of them hath borne
Against the old kind king , or something deeper ,
Whereof perchance these are but furnishings .
I am a gentleman of blood and breeding ,
And from some knowledge and assurance offer
This office to you .
GENTLEMAN
I will talk further with you .
KENT
No , do not .
For confirmation that I am much more
Than my outwall , open this purse and take
What it contains .
If you shall see Cordelia
( As fear not but you shall ) , show her this ring ,
And she will tell you who that fellow is
[127] ACT 3. SC. 2 That yet you do not know . Fie on this storm !
I will go seek the King .
For confirmation that I am much more
Than my outwall , open this purse and take
What it contains .
Kent hands him a purse and a ring .
If you shall see Cordelia
( As fear not but you shall ) , show her this ring ,
And she will tell you who that fellow is
[127] ACT 3. SC. 2 That yet you do not know . Fie on this storm !
I will go seek the King .
GENTLEMAN
Give me your hand . Have you no more to say ?
KENT
Few words , but , to effect , more than all yet :
That when we have found the King — in which your
pain
That way , I’ll this — he that first lights on him
Holla the other .
That when we have found the King — in which your
pain
That way , I’ll this — he that first lights on him
Holla the other .
They exit separately .
Scene 2
Storm still . Enter Lear and Fool .
LEAR
Blow winds , and crack your cheeks ! Rage , blow !
You cataracts and hurricanoes , spout
Till you have drenched our steeples , drowned the
cocks .
You sulph’rous and thought-executing fires ,
Vaunt-couriers of oak-cleaving thunderbolts ,
Singe my white head . And thou , all-shaking
thunder ,
Strike flat the thick rotundity o’ th’ world .
Crack nature’s molds , all germens spill at once
That makes ingrateful man .
You cataracts and hurricanoes , spout
Till you have drenched our steeples , drowned the
cocks .
You sulph’rous and thought-executing fires ,
Vaunt-couriers of oak-cleaving thunderbolts ,
Singe my white head . And thou , all-shaking
thunder ,
Strike flat the thick rotundity o’ th’ world .
Crack nature’s molds , all germens spill at once
That makes ingrateful man .
FOOL
O nuncle , court holy water in a dry house is
better than this rainwater out o’ door . Good nuncle ,
in . Ask thy daughters’ blessing . Here’s a night
pities neither wise men nor fools .
better than this rainwater out o’ door . Good nuncle ,
in . Ask thy daughters’ blessing . Here’s a night
pities neither wise men nor fools .
LEAR
Rumble thy bellyful ! Spit , fire ! Spout , rain !
Nor rain , wind , thunder , fire are my daughters .
I tax not you , you elements , with unkindness .
[129] ACT 3. SC. 2 I never gave you kingdom , called you children ;
You owe me no subscription . Then let fall
Your horrible pleasure . Here I stand your slave ,
A poor , infirm , weak , and despised old man .
But yet I call you servile ministers ,
That will with two pernicious daughters join
Your high-engendered battles ’gainst a head
So old and white as this . O , ho , ’tis foul !
Nor rain , wind , thunder , fire are my daughters .
I tax not you , you elements , with unkindness .
[129] ACT 3. SC. 2 I never gave you kingdom , called you children ;
You owe me no subscription . Then let fall
Your horrible pleasure . Here I stand your slave ,
A poor , infirm , weak , and despised old man .
But yet I call you servile ministers ,
That will with two pernicious daughters join
Your high-engendered battles ’gainst a head
So old and white as this . O , ho , ’tis foul !
FOOL
He that has a house to put ’s head in has a good
headpiece .
The codpiece that will house
Before the head has any ,
The head and he shall louse ;
So beggars marry many .
The man that makes his toe
What he his heart should make ,
Shall of a corn cry woe ,
And turn his sleep to wake .
For there was never yet fair woman but she made
mouths in a glass .
headpiece .
The codpiece that will house
Before the head has any ,
The head and he shall louse ;
So beggars marry many .
The man that makes his toe
What he his heart should make ,
Shall of a corn cry woe ,
And turn his sleep to wake .
For there was never yet fair woman but she made
mouths in a glass .
LEAR
No , I will be the pattern of all patience .
I will say nothing .
I will say nothing .
Enter Kent in disguise .
KENT
Who’s there ?
FOOL
Marry , here’s grace and a codpiece ; that’s a
wise man and a fool .
wise man and a fool .
KENT
Alas , sir , are you here ? Things that love night
Love not such nights as these . The wrathful skies
Gallow the very wanderers of the dark
And make them keep their caves . Since I was man ,
Such sheets of fire , such bursts of horrid thunder ,
Such groans of roaring wind and rain I never
Remember to have heard . Man’s nature cannot carry
Th’ affliction nor the fear .
Love not such nights as these . The wrathful skies
Gallow the very wanderers of the dark
And make them keep their caves . Since I was man ,
Such sheets of fire , such bursts of horrid thunder ,
Such groans of roaring wind and rain I never
Remember to have heard . Man’s nature cannot carry
Th’ affliction nor the fear .
[131]ACT 3. SC. 2
LEAR
Let the great gods
That keep this dreadful pudder o’er our heads
Find out their enemies now . Tremble , thou wretch ,
That hast within thee undivulgèd crimes
Unwhipped of justice . Hide thee , thou bloody hand ,
Thou perjured , and thou simular of virtue
That art incestuous . Caitiff , to pieces shake ,
That under covert and convenient seeming
Has practiced on man’s life . Close pent-up guilts ,
Rive your concealing continents and cry
These dreadful summoners grace . I am a man
More sinned against than sinning .
That keep this dreadful pudder o’er our heads
Find out their enemies now . Tremble , thou wretch ,
That hast within thee undivulgèd crimes
Unwhipped of justice . Hide thee , thou bloody hand ,
Thou perjured , and thou simular of virtue
That art incestuous . Caitiff , to pieces shake ,
That under covert and convenient seeming
Has practiced on man’s life . Close pent-up guilts ,
Rive your concealing continents and cry
These dreadful summoners grace . I am a man
More sinned against than sinning .
KENT
Alack ,
bareheaded ?
Gracious my lord , hard by here is a hovel .
Some friendship will it lend you ’gainst the tempest .
Repose you there while I to this hard house —
More harder than the stones whereof ’tis raised ,
Which even but now , demanding after you ,
Denied me to come in — return and force
Their scanted courtesy .
bareheaded ?
Gracious my lord , hard by here is a hovel .
Some friendship will it lend you ’gainst the tempest .
Repose you there while I to this hard house —
More harder than the stones whereof ’tis raised ,
Which even but now , demanding after you ,
Denied me to come in — return and force
Their scanted courtesy .
LEAR
My wits begin to turn . —
Come on , my boy . How dost , my boy ? Art cold ?
I am cold myself . — Where is this straw , my fellow ?
The art of our necessities is strange
And can make vile things precious . Come , your
hovel . —
Poor Fool and knave , I have one part in my heart
That’s sorry yet for thee .
Come on , my boy . How dost , my boy ? Art cold ?
I am cold myself . — Where is this straw , my fellow ?
The art of our necessities is strange
And can make vile things precious . Come , your
hovel . —
Poor Fool and knave , I have one part in my heart
That’s sorry yet for thee .
FOOL
sings
He that has and a little tiny wit ,
With hey , ho , the wind and the rain ,
Must make content with his fortunes fit ,
Though the rain it raineth every day .
LEAR
True , my good boy . — Come , bring us to this hovel .
Lear and Kent exit .
[133]ACT 3. SC. 3
FOOL
This is a brave night to cool a courtesan . I’ll
speak a prophecy ere I go :
When priests are more in word than matter ,
When brewers mar their malt with water ,
When nobles are their tailors’ tutors ,
No heretics burned but wenches’ suitors ,
When every case in law is right ,
No squire in debt , nor no poor knight ;
When slanders do not live in tongues ,
Nor cutpurses come not to throngs ,
When usurers tell their gold i’ th’ field ,
And bawds and whores do churches build ,
Then shall the realm of Albion
Come to great confusion ;
Then comes the time , who lives to see ’t ,
That going shall be used with feet .
This prophecy Merlin shall make , for I live before
his time .
speak a prophecy ere I go :
When priests are more in word than matter ,
When brewers mar their malt with water ,
When nobles are their tailors’ tutors ,
No heretics burned but wenches’ suitors ,
When every case in law is right ,
No squire in debt , nor no poor knight ;
When slanders do not live in tongues ,
Nor cutpurses come not to throngs ,
When usurers tell their gold i’ th’ field ,
And bawds and whores do churches build ,
Then shall the realm of Albion
Come to great confusion ;
Then comes the time , who lives to see ’t ,
That going shall be used with feet .
This prophecy Merlin shall make , for I live before
his time .
He exits .
Scene 3
Enter Gloucester and Edmund .
GLOUCESTER
Alack , alack , Edmund , I like not this
unnatural dealing . When I desired their leave that I
might pity him , they took from me the use of mine
own house , charged me on pain of perpetual
displeasure neither to speak of him , entreat for
him , or any way sustain him .
unnatural dealing . When I desired their leave that I
might pity him , they took from me the use of mine
own house , charged me on pain of perpetual
displeasure neither to speak of him , entreat for
him , or any way sustain him .
EDMUND
Most savage and unnatural .
GLOUCESTER
Go to ; say you nothing . There is division
between the dukes , and a worse matter than that . I
have received a letter this night ; ’tis dangerous to
be spoken ; I have locked the letter in my closet .
These injuries the King now bears will be revenged
[135] ACT 3. SC. 4 home ; there is part of a power already footed . We
must incline to the King . I will look him and privily
relieve him . Go you and maintain talk with the
Duke , that my charity be not of him perceived . If he
ask for me , I am ill and gone to bed . If I die for it , as
no less is threatened me , the King my old master
must be relieved . There is strange things toward ,
Edmund . Pray you , be careful .
between the dukes , and a worse matter than that . I
have received a letter this night ; ’tis dangerous to
be spoken ; I have locked the letter in my closet .
These injuries the King now bears will be revenged
[135] ACT 3. SC. 4 home ; there is part of a power already footed . We
must incline to the King . I will look him and privily
relieve him . Go you and maintain talk with the
Duke , that my charity be not of him perceived . If he
ask for me , I am ill and gone to bed . If I die for it , as
no less is threatened me , the King my old master
must be relieved . There is strange things toward ,
Edmund . Pray you , be careful .
He exits .
EDMUND
This courtesy forbid thee shall the Duke
Instantly know , and of that letter too .
This seems a fair deserving , and must draw me
That which my father loses — no less than all .
The younger rises when the old doth fall .
Instantly know , and of that letter too .
This seems a fair deserving , and must draw me
That which my father loses — no less than all .
The younger rises when the old doth fall .
He exits .
Scene 4
Enter Lear , Kent in disguise , and Fool .
KENT
Here is the place , my lord . Good my lord , enter .
The tyranny of the open night ’s too rough
For nature to endure .
The tyranny of the open night ’s too rough
For nature to endure .
Storm still .
LEAR
Let me alone .
KENT
Good my lord , enter here .
LEAR
Wilt break my heart ?
KENT
I had rather break mine own . Good my lord , enter .
LEAR
Thou think’st ’tis much that this contentious storm
Invades us to the skin . So ’tis to thee .
But where the greater malady is fixed ,
The lesser is scarce felt . Thou ’dst shun a bear ,
But if thy flight lay toward the roaring sea ,
[137] ACT 3. SC. 4 Thou ’dst meet the bear i’ th’ mouth . When the
mind’s free ,
The body’s delicate . This tempest in my mind
Doth from my senses take all feeling else
Save what beats there . Filial ingratitude !
Is it not as this mouth should tear this hand
For lifting food to ’t ? But I will punish home .
No , I will weep no more . In such a night
To shut me out ? Pour on . I will endure .
In such a night as this ? O Regan , Goneril ,
Your old kind father whose frank heart gave all !
O , that way madness lies . Let me shun that ;
No more of that .
Invades us to the skin . So ’tis to thee .
But where the greater malady is fixed ,
The lesser is scarce felt . Thou ’dst shun a bear ,
But if thy flight lay toward the roaring sea ,
[137] ACT 3. SC. 4 Thou ’dst meet the bear i’ th’ mouth . When the
mind’s free ,
The body’s delicate . This tempest in my mind
Doth from my senses take all feeling else
Save what beats there . Filial ingratitude !
Is it not as this mouth should tear this hand
For lifting food to ’t ? But I will punish home .
No , I will weep no more . In such a night
To shut me out ? Pour on . I will endure .
In such a night as this ? O Regan , Goneril ,
Your old kind father whose frank heart gave all !
O , that way madness lies . Let me shun that ;
No more of that .
KENT
Good my lord , enter here .
LEAR
Prithee , go in thyself . Seek thine own ease .
This tempest will not give me leave to ponder
On things would hurt me more . But I’ll go in . —
In , boy ; go first . — You houseless poverty —
Nay , get thee in . I’ll pray , and then I’ll sleep .
Poor naked wretches , wheresoe’er you are ,
That bide the pelting of this pitiless storm ,
How shall your houseless heads and unfed sides ,
Your looped and windowed raggedness defend
you
From seasons such as these ? O , I have ta’en
Too little care of this . Take physic , pomp .
Expose thyself to feel what wretches feel ,
That thou may’st shake the superflux to them
And show the heavens more just .
This tempest will not give me leave to ponder
On things would hurt me more . But I’ll go in . —
In , boy ; go first . — You houseless poverty —
Nay , get thee in . I’ll pray , and then I’ll sleep .
Fool exits .
Poor naked wretches , wheresoe’er you are ,
That bide the pelting of this pitiless storm ,
How shall your houseless heads and unfed sides ,
Your looped and windowed raggedness defend
you
From seasons such as these ? O , I have ta’en
Too little care of this . Take physic , pomp .
Expose thyself to feel what wretches feel ,
That thou may’st shake the superflux to them
And show the heavens more just .
EDGAR
within
Fathom and half , fathom and half !
Poor Tom !
Poor Tom !
Enter Fool .
FOOL
Come not in here , nuncle ; here’s a spirit . Help
me , help me !
me , help me !
[139]ACT 3. SC. 4
KENT
Give me thy hand . Who’s there ?
FOOL
A spirit , a spirit ! He says his name’s Poor Tom .
KENT
What art thou that dost grumble there i’ th’
straw ? Come forth .
straw ? Come forth .
Enter Edgar in disguise .
EDGAR
Away . The foul fiend follows me . Through the
sharp hawthorn blows the cold wind . Hum ! Go to
thy cold bed and warm thee .
sharp hawthorn blows the cold wind . Hum ! Go to
thy cold bed and warm thee .
LEAR
Didst thou give all to thy daughters ? And art thou
come to this ?
come to this ?
EDGAR
Who gives anything to Poor Tom , whom the
foul fiend hath led through fire and through flame ,
through ford and whirlpool , o’er bog and quagmire ;
that hath laid knives under his pillow and
halters in his pew , set ratsbane by his porridge ,
made him proud of heart to ride on a bay trotting
horse over four-inched bridges to course his own
shadow for a traitor ? Bless thy five wits ! Tom’s
a-cold . O , do de , do de , do de . Bless thee from
whirlwinds , star-blasting , and taking ! Do Poor Tom
some charity , whom the foul fiend vexes . There
could I have him now , and there — and there again
— and there .
foul fiend hath led through fire and through flame ,
through ford and whirlpool , o’er bog and quagmire ;
that hath laid knives under his pillow and
halters in his pew , set ratsbane by his porridge ,
made him proud of heart to ride on a bay trotting
horse over four-inched bridges to course his own
shadow for a traitor ? Bless thy five wits ! Tom’s
a-cold . O , do de , do de , do de . Bless thee from
whirlwinds , star-blasting , and taking ! Do Poor Tom
some charity , whom the foul fiend vexes . There
could I have him now , and there — and there again
— and there .
Storm still .
LEAR
Has his daughters brought him to this pass ? —
Couldst thou save nothing ? Wouldst thou give ’em
all ?
Couldst thou save nothing ? Wouldst thou give ’em
all ?
FOOL
Nay , he reserved a blanket , else we had been all
shamed .
shamed .
LEAR
Now all the plagues that in the pendulous air
Hang fated o’er men’s faults light on thy daughters !
Hang fated o’er men’s faults light on thy daughters !
KENT
He hath no daughters , sir .
LEAR
Death , traitor ! Nothing could have subdued nature
To such a lowness but his unkind daughters .
[141] ACT 3. SC. 4 Is it the fashion that discarded fathers
Should have thus little mercy on their flesh ?
Judicious punishment ! ’Twas this flesh begot
Those pelican daughters .
To such a lowness but his unkind daughters .
[141] ACT 3. SC. 4 Is it the fashion that discarded fathers
Should have thus little mercy on their flesh ?
Judicious punishment ! ’Twas this flesh begot
Those pelican daughters .
EDGAR
Pillicock sat on Pillicock Hill . Alow , alow , loo ,
loo .
loo .
FOOL
This cold night will turn us all to fools and
madmen .
madmen .
EDGAR
Take heed o’ th’ foul fiend . Obey thy parents ,
keep thy word’s justice , swear not , commit not with
man’s sworn spouse , set not thy sweet heart on
proud array . Tom’s a-cold .
keep thy word’s justice , swear not , commit not with
man’s sworn spouse , set not thy sweet heart on
proud array . Tom’s a-cold .
LEAR
What hast thou been ?
EDGAR
A servingman , proud in heart and mind , that
curled my hair , wore gloves in my cap , served the
lust of my mistress’ heart and did the act of
darkness with her , swore as many oaths as I spake
words and broke them in the sweet face of heaven ;
one that slept in the contriving of lust and waked to
do it . Wine loved I deeply , dice dearly , and in
woman out-paramoured the Turk . False of heart ,
light of ear , bloody of hand ; hog in sloth , fox in
stealth , wolf in greediness , dog in madness , lion in
prey . Let not the creaking of shoes nor the rustling
of silks betray thy poor heart to woman . Keep thy
foot out of brothels , thy hand out of plackets , thy
pen from lenders’ books , and defy the foul fiend .
Still through the hawthorn blows the cold wind ;
says suum , mun , nonny . Dolphin my boy , boy , sessa !
Let him trot by .
curled my hair , wore gloves in my cap , served the
lust of my mistress’ heart and did the act of
darkness with her , swore as many oaths as I spake
words and broke them in the sweet face of heaven ;
one that slept in the contriving of lust and waked to
do it . Wine loved I deeply , dice dearly , and in
woman out-paramoured the Turk . False of heart ,
light of ear , bloody of hand ; hog in sloth , fox in
stealth , wolf in greediness , dog in madness , lion in
prey . Let not the creaking of shoes nor the rustling
of silks betray thy poor heart to woman . Keep thy
foot out of brothels , thy hand out of plackets , thy
pen from lenders’ books , and defy the foul fiend .
Still through the hawthorn blows the cold wind ;
says suum , mun , nonny . Dolphin my boy , boy , sessa !
Let him trot by .
Storm still .
LEAR
Thou wert better in a grave than to answer with
thy uncovered body this extremity of the skies . — Is
man no more than this ? Consider him well . — Thou
ow’st the worm no silk , the beast no hide , the sheep
no wool , the cat no perfume . Ha , here’s three on ’s
are sophisticated . Thou art the thing itself ; unaccommodated
man is no more but such a poor , bare ,
[143] ACT 3. SC. 4 forked animal as thou art . Off , off , you lendings !
Come , unbutton here .
thy uncovered body this extremity of the skies . — Is
man no more than this ? Consider him well . — Thou
ow’st the worm no silk , the beast no hide , the sheep
no wool , the cat no perfume . Ha , here’s three on ’s
are sophisticated . Thou art the thing itself ; unaccommodated
man is no more but such a poor , bare ,
[143] ACT 3. SC. 4 forked animal as thou art . Off , off , you lendings !
Come , unbutton here .
Tearing off his clothes .
FOOL
Prithee , nuncle , be contented . ’Tis a naughty
night to swim in . Now , a little fire in a wild field
were like an old lecher’s heart — a small spark , all
the rest on ’s body cold .
Look , here comes a walking fire .
night to swim in . Now , a little fire in a wild field
were like an old lecher’s heart — a small spark , all
the rest on ’s body cold .
Enter Gloucester , with a torch .
Look , here comes a walking fire .
EDGAR
This is the foul fiend Flibbertigibbet . He begins
at curfew and walks till the first cock . He
gives the web and the pin , squints the eye , and
makes the harelip , mildews the white wheat , and
hurts the poor creature of earth .
Swithold footed thrice the ’old ,
He met the nightmare and her ninefold ,
Bid her alight ,
And her troth plight ,
And aroint thee , witch , aroint thee .
at curfew and walks till the first cock . He
gives the web and the pin , squints the eye , and
makes the harelip , mildews the white wheat , and
hurts the poor creature of earth .
Swithold footed thrice the ’old ,
He met the nightmare and her ninefold ,
Bid her alight ,
And her troth plight ,
And aroint thee , witch , aroint thee .
KENT
How fares your Grace ?
LEAR
What’s he ?
KENT
Who’s there ? What is ’t you seek ?
GLOUCESTER
What are you there ? Your names ?
EDGAR
Poor Tom , that eats the swimming frog , the
toad , the tadpole , the wall newt , and the water ;
that , in the fury of his heart , when the foul fiend
rages , eats cow dung for sallets , swallows the old
rat and the ditch-dog , drinks the green mantle of
the standing pool ; who is whipped from tithing to
tithing , and stocked , punished , and imprisoned ;
who hath had three suits to his back , six shirts to
his body ,
Horse to ride , and weapon to wear ;
But mice and rats and such small deer
Have been Tom’s food for seven long year .
[145] ACT 3. SC. 4 Beware my follower . Peace , Smulkin ! Peace , thou
fiend !
toad , the tadpole , the wall newt , and the water ;
that , in the fury of his heart , when the foul fiend
rages , eats cow dung for sallets , swallows the old
rat and the ditch-dog , drinks the green mantle of
the standing pool ; who is whipped from tithing to
tithing , and stocked , punished , and imprisoned ;
who hath had three suits to his back , six shirts to
his body ,
Horse to ride , and weapon to wear ;
But mice and rats and such small deer
Have been Tom’s food for seven long year .
[145] ACT 3. SC. 4 Beware my follower . Peace , Smulkin ! Peace , thou
fiend !
GLOUCESTER
, to Lear
What , hath your Grace no better company ?
EDGAR
The Prince of Darkness is a gentleman . Modo
he’s called , and Mahu .
he’s called , and Mahu .
GLOUCESTER
, to Lear
Our flesh and blood , my lord , is grown so vile
That it doth hate what gets it .
That it doth hate what gets it .
EDGAR
Poor Tom’s a-cold .
GLOUCESTER
, to Lear
Go in with me . My duty cannot suffer
T’ obey in all your daughters’ hard commands .
Though their injunction be to bar my doors
And let this tyrannous night take hold upon you ,
Yet have I ventured to come seek you out
And bring you where both fire and food is ready .
T’ obey in all your daughters’ hard commands .
Though their injunction be to bar my doors
And let this tyrannous night take hold upon you ,
Yet have I ventured to come seek you out
And bring you where both fire and food is ready .
LEAR
First let me talk with this philosopher .
To Edgar .
What is the cause of thunder ?KENT
Good my lord , take his offer ; go into th’ house .
LEAR
I’ll talk a word with this same learnèd Theban . —
What is your study ?
What is your study ?
EDGAR
How to prevent the fiend and to kill vermin .
LEAR
Let me ask you one word in private .
They talk aside .
KENT
, to Gloucester
Importune him once more to go , my lord .
His wits begin t’ unsettle .
His wits begin t’ unsettle .
GLOUCESTER
Canst thou blame him ?
His daughters seek his death . Ah , that good Kent !
He said it would be thus , poor banished man .
Thou sayest the King grows mad ; I’ll tell thee ,
friend ,
[147] ACT 3. SC. 5 I am almost mad myself . I had a son ,
Now outlawed from my blood . He sought my life
But lately , very late . I loved him , friend ,
No father his son dearer . True to tell thee ,
The grief hath crazed my wits . What a night’s this !
— I do beseech your Grace —
Storm still .
His daughters seek his death . Ah , that good Kent !
He said it would be thus , poor banished man .
Thou sayest the King grows mad ; I’ll tell thee ,
friend ,
[147] ACT 3. SC. 5 I am almost mad myself . I had a son ,
Now outlawed from my blood . He sought my life
But lately , very late . I loved him , friend ,
No father his son dearer . True to tell thee ,
The grief hath crazed my wits . What a night’s this !
— I do beseech your Grace —
LEAR
O , cry you mercy , sir .
To Edgar .
Noble philosopher , your company .EDGAR
Tom’s a-cold .
GLOUCESTER
, to Edgar
In fellow , there , into th’ hovel . Keep thee warm .
LEAR
Come , let’s in all .
KENT
This way , my lord .
LEAR
, indicating Edgar
With him .
I will keep still with my philosopher .
I will keep still with my philosopher .
KENT
, to Gloucester
Good my lord , soothe him . Let him take the fellow .
GLOUCESTER
, to Kent
Take him you on .
KENT
, to Edgar
Sirrah , come on : go along with us .
LEAR
Come , good Athenian .
GLOUCESTER
No words , no words . Hush .
EDGAR
Child Rowland to the dark tower came .
His word was still ‘Fie , foh , and fum ,
I smell the blood of a British man .’
They exit .
Scene 5
Enter Cornwall , and Edmund with a paper .
CORNWALL
I will have my revenge ere I depart his
house .
house .
EDMUND
How , my lord , I may be censured , that nature
thus gives way to loyalty , something fears me to
think of .
thus gives way to loyalty , something fears me to
think of .
[149]ACT 3. SC. 6
CORNWALL
I now perceive it was not altogether your
brother’s evil disposition made him seek his death ,
but a provoking merit set awork by a reprovable
badness in himself .
brother’s evil disposition made him seek his death ,
but a provoking merit set awork by a reprovable
badness in himself .
EDMUND
How malicious is my fortune that I must
repent to be just ! This is the letter he spoke of ,
which approves him an intelligent party to the
advantages of France . O heavens , that this treason
were not , or not I the detector .
repent to be just ! This is the letter he spoke of ,
which approves him an intelligent party to the
advantages of France . O heavens , that this treason
were not , or not I the detector .
CORNWALL
Go with me to the Duchess .
EDMUND
If the matter of this paper be certain , you
have mighty business in hand .
have mighty business in hand .
CORNWALL
True or false , it hath made thee Earl of
Gloucester . Seek out where thy father is , that he
may be ready for our apprehension .
Gloucester . Seek out where thy father is , that he
may be ready for our apprehension .
EDMUND
, aside
If I find him comforting the King , it
will stuff his suspicion more fully . — I will persevere
in my course of loyalty , though the conflict be sore
between that and my blood .
will stuff his suspicion more fully . — I will persevere
in my course of loyalty , though the conflict be sore
between that and my blood .
CORNWALL
I will lay trust upon thee , and thou shalt
find a dearer father in my love .
find a dearer father in my love .
They exit .
Scene 6
Enter Kent in disguise , and Gloucester .
GLOUCESTER
Here is better than the open air . Take it
thankfully . I will piece out the comfort with what
addition I can . I will not be long from you .
thankfully . I will piece out the comfort with what
addition I can . I will not be long from you .
KENT
All the power of his wits have given way to his
impatience . The gods reward your kindness !
impatience . The gods reward your kindness !
Gloucester exits .
Enter Lear , Edgar in disguise , and Fool .
EDGAR
Frateretto calls me and tells me Nero is an
[151] ACT 3. SC. 6 angler in the lake of darkness . Pray , innocent , and
beware the foul fiend .
[151] ACT 3. SC. 6 angler in the lake of darkness . Pray , innocent , and
beware the foul fiend .
FOOL
Prithee , nuncle , tell me whether a madman be a
gentleman or a yeoman .
gentleman or a yeoman .
LEAR
A king , a king !
FOOL
No , he’s a yeoman that has a gentleman to his
son , for he’s a mad yeoman that sees his son a
gentleman before him .
son , for he’s a mad yeoman that sees his son a
gentleman before him .
LEAR
To have a thousand with red burning spits
Come hissing in upon ’em !
Come hissing in upon ’em !
EDGAR
The foul fiend bites my back .
FOOL
He’s mad that trusts in the tameness of a wolf , a
horse’s health , a boy’s love , or a whore’s oath .
horse’s health , a boy’s love , or a whore’s oath .
LEAR
It shall be done . I will arraign them straight .
justice .
she-foxes —
To Edgar .
Come , sit thou here , most learnèd justice .
To Fool .
Thou sapient sir , sit here . Now , you she-foxes —
EDGAR
Look where he stands and glares ! — Want’st
thou eyes at trial , madam ?
thou eyes at trial , madam ?
Sings .
Come o’er the burn , Bessy , to me —FOOL
sings
Her boat hath a leak ,
And she must not speak
Why she dares not come over to thee .
EDGAR
The foul fiend haunts Poor Tom in the voice of
a nightingale . Hoppedance cries in Tom’s belly for
two white herring . — Croak not , black angel . I have
no food for thee .
a nightingale . Hoppedance cries in Tom’s belly for
two white herring . — Croak not , black angel . I have
no food for thee .
KENT
, to Lear
How do you , sir ? Stand you not so amazed .
Will you lie down and rest upon the cushions ?
Will you lie down and rest upon the cushions ?
LEAR
I’ll see their trial first . Bring in their evidence .
[153] ACT 3. SC. 6
place ,
Bench by his side .
commission ;
Sit you , too .
[153] ACT 3. SC. 6
To Edgar .
Thou robèd man of justice , take thy place ,
To Fool .
And thou , his yokefellow of equity , Bench by his side .
To Kent .
You are o’ th’ commission ;
Sit you , too .
EDGAR
Let us deal justly .
Thy sheep be in the corn .
And for one blast of thy minikin mouth ,
Thy sheep shall take no harm .
Purr the cat is gray .
Sings .
Sleepest or wakest , thou jolly shepherd ? Thy sheep be in the corn .
And for one blast of thy minikin mouth ,
Thy sheep shall take no harm .
Purr the cat is gray .
LEAR
Arraign her first ; ’tis Goneril . I here take my oath
before this honorable assembly , kicked the poor
king her father .
before this honorable assembly , kicked the poor
king her father .
FOOL
Come hither , mistress . Is your name Goneril ?
LEAR
She cannot deny it .
FOOL
Cry you mercy , I took you for a joint stool .
LEAR
And here’s another whose warped looks proclaim
What store her heart is made on . Stop her there !
Arms , arms , sword , fire ! Corruption in the place !
False justicer , why hast thou let her ’scape ?
What store her heart is made on . Stop her there !
Arms , arms , sword , fire ! Corruption in the place !
False justicer , why hast thou let her ’scape ?
EDGAR
Bless thy five wits !
KENT
, to Lear
O pity ! Sir , where is the patience now
That you so oft have boasted to retain ?
That you so oft have boasted to retain ?
EDGAR
, aside
My tears begin to take his part so much
They mar my counterfeiting .
They mar my counterfeiting .
LEAR
The little dogs and all ,
Tray , Blanch , and Sweetheart , see , they bark at me .
Tray , Blanch , and Sweetheart , see , they bark at me .
EDGAR
Tom will throw his head at them . — Avaunt , you
curs !
Be thy mouth or black or white ,
Tooth that poisons if it bite ,
[155] ACT 3. SC. 6 Mastiff , greyhound , mongrel grim ,
Hound or spaniel , brach , or lym ,
Bobtail tike , or trundle-tail ,
Tom will make him weep and wail ;
For , with throwing thus my head ,
Dogs leapt the hatch , and all are fled .
Do de , de , de . Sessa ! Come , march to wakes
and fairs and market towns . Poor Tom , thy horn
is dry .
curs !
Be thy mouth or black or white ,
Tooth that poisons if it bite ,
[155] ACT 3. SC. 6 Mastiff , greyhound , mongrel grim ,
Hound or spaniel , brach , or lym ,
Bobtail tike , or trundle-tail ,
Tom will make him weep and wail ;
For , with throwing thus my head ,
Dogs leapt the hatch , and all are fled .
Do de , de , de . Sessa ! Come , march to wakes
and fairs and market towns . Poor Tom , thy horn
is dry .
LEAR
Then let them anatomize Regan ; see what breeds
about her heart . Is there any cause in nature that
make these hard hearts ?
entertain for one of my hundred ; only I do not like
the fashion of your garments . You will say they are
Persian , but let them be changed .
about her heart . Is there any cause in nature that
make these hard hearts ?
To Edgar .
You , sir , I entertain for one of my hundred ; only I do not like
the fashion of your garments . You will say they are
Persian , but let them be changed .
KENT
Now , good my lord , lie here and rest awhile .
LEAR
, lying down
Make no noise , make no noise .
Draw the curtains . So , so , we’ll go to supper i’ th’
morning .
Draw the curtains . So , so , we’ll go to supper i’ th’
morning .
FOOL
And I’ll go to bed at noon .
Enter Gloucester .
GLOUCESTER
, to Kent
Come hither , friend . Where is the King my master ?
KENT
Here , sir , but trouble him not ; his wits are gone .
GLOUCESTER
Good friend , I prithee , take him in thy arms .
I have o’erheard a plot of death upon him .
There is a litter ready ; lay him in ’t ,
And drive toward Dover , friend , where thou shalt
meet
Both welcome and protection . Take up thy master .
If thou shouldst dally half an hour , his life ,
With thine and all that offer to defend him ,
Stand in assurèd loss . Take up , take up ,
[157] ACT 3. SC. 7 And follow me , that will to some provision
Give thee quick conduct .
I have o’erheard a plot of death upon him .
There is a litter ready ; lay him in ’t ,
And drive toward Dover , friend , where thou shalt
meet
Both welcome and protection . Take up thy master .
If thou shouldst dally half an hour , his life ,
With thine and all that offer to defend him ,
Stand in assurèd loss . Take up , take up ,
[157] ACT 3. SC. 7 And follow me , that will to some provision
Give thee quick conduct .
KENT
Oppressèd nature sleeps .
This rest might yet have balmed thy broken sinews ,
Which , if convenience will not allow ,
Stand in hard cure .
bear thy master .
Thou must not stay behind .
This rest might yet have balmed thy broken sinews ,
Which , if convenience will not allow ,
Stand in hard cure .
To the Fool .
Come , help to bear thy master .
Thou must not stay behind .
GLOUCESTER
Come , come away .
All but Edgar exit , carrying Lear .
EDGAR
When we our betters see bearing our woes ,
We scarcely think our miseries our foes .
Who alone suffers suffers most i’ th’ mind ,
Leaving free things and happy shows behind .
But then the mind much sufferance doth o’erskip
When grief hath mates and bearing fellowship .
How light and portable my pain seems now
When that which makes me bend makes the King
bow !
He childed as I fathered . Tom , away .
Mark the high noises , and thyself bewray
When false opinion , whose wrong thoughts defile
thee ,
In thy just proof repeals and reconciles thee .
What will hap more tonight , safe ’scape the King !
Lurk , lurk .
We scarcely think our miseries our foes .
Who alone suffers suffers most i’ th’ mind ,
Leaving free things and happy shows behind .
But then the mind much sufferance doth o’erskip
When grief hath mates and bearing fellowship .
How light and portable my pain seems now
When that which makes me bend makes the King
bow !
He childed as I fathered . Tom , away .
Mark the high noises , and thyself bewray
When false opinion , whose wrong thoughts defile
thee ,
In thy just proof repeals and reconciles thee .
What will hap more tonight , safe ’scape the King !
Lurk , lurk .
He exits .
Scene 7
Enter Cornwall , Regan , Goneril , Edmund , the Bastard ,
and Servants .
and Servants .
CORNWALL
, to Goneril
Post speedily to my lord your
husband . Show him this letter . He gives her a
paper . The army of France is landed . — Seek out
the traitor Gloucester .
husband . Show him this letter . He gives her a
paper . The army of France is landed . — Seek out
the traitor Gloucester .
Some Servants exit .
[159]ACT 3. SC. 7
REGAN
Hang him instantly .
GONERIL
Pluck out his eyes .
CORNWALL
Leave him to my displeasure . — Edmund ,
keep you our sister company . The revenges we are
bound to take upon your traitorous father are not
fit for your beholding . Advise the Duke , where you
are going , to a most festinate preparation ; we are
bound to the like . Our posts shall be swift and
intelligent betwixt us . — Farewell , dear sister . —
Farewell , my lord of Gloucester .
How now ? Where’s the King ?
keep you our sister company . The revenges we are
bound to take upon your traitorous father are not
fit for your beholding . Advise the Duke , where you
are going , to a most festinate preparation ; we are
bound to the like . Our posts shall be swift and
intelligent betwixt us . — Farewell , dear sister . —
Farewell , my lord of Gloucester .
Enter Oswald , the Steward .
How now ? Where’s the King ?
OSWALD
My lord of Gloucester hath conveyed him hence .
Some five- or six-and-thirty of his knights ,
Hot questrists after him , met him at gate ,
Who , with some other of the lord’s dependents ,
Are gone with him toward Dover , where they boast
To have well-armèd friends .
Some five- or six-and-thirty of his knights ,
Hot questrists after him , met him at gate ,
Who , with some other of the lord’s dependents ,
Are gone with him toward Dover , where they boast
To have well-armèd friends .
CORNWALL
Get horses for your mistress .
Oswald exits .
GONERIL
Farewell , sweet lord , and sister .
CORNWALL
Edmund , farewell .
Go seek the traitor Gloucester .
Pinion him like a thief ; bring him before us .
Though well we may not pass upon his life
Without the form of justice , yet our power
Shall do a court’sy to our wrath , which men
May blame but not control .
Who’s there ? The
traitor ?
Goneril and Edmund exit .
Go seek the traitor Gloucester .
Pinion him like a thief ; bring him before us .
Some Servants exit .
Though well we may not pass upon his life
Without the form of justice , yet our power
Shall do a court’sy to our wrath , which men
May blame but not control .
Enter Gloucester and Servants .
Who’s there ? The
traitor ?
[161]ACT 3. SC. 7
REGAN
Ingrateful fox ! ’Tis he .
CORNWALL
Bind fast his corky arms .
GLOUCESTER
What means your Graces ? Good my friends ,
consider
You are my guests ; do me no foul play , friends .
consider
You are my guests ; do me no foul play , friends .
CORNWALL
Bind him , I say .
REGAN
Hard , hard . O filthy traitor !
GLOUCESTER
Unmerciful lady as you are , I’m none .
CORNWALL
To this chair bind him .
Villain , thou shalt find —
Servants bind Gloucester .
Villain , thou shalt find —
Regan plucks Gloucester’s beard .
GLOUCESTER
By the kind gods , ’tis most ignobly done
To pluck me by the beard .
To pluck me by the beard .
REGAN
So white , and such a traitor ?
GLOUCESTER
Naughty lady ,
These hairs which thou dost ravish from my chin
Will quicken and accuse thee . I am your host ;
With robber’s hands my hospitable favors
You should not ruffle thus . What will you do ?
These hairs which thou dost ravish from my chin
Will quicken and accuse thee . I am your host ;
With robber’s hands my hospitable favors
You should not ruffle thus . What will you do ?
CORNWALL
Come , sir , what letters had you late from France ?
REGAN
Be simple-answered , for we know the truth .
CORNWALL
And what confederacy have you with the traitors
Late footed in the kingdom ?
Late footed in the kingdom ?
REGAN
To whose hands
You have sent the lunatic king . Speak .
You have sent the lunatic king . Speak .
GLOUCESTER
I have a letter guessingly set down
[163] ACT 3. SC. 7 Which came from one that’s of a neutral heart ,
And not from one opposed .
[163] ACT 3. SC. 7 Which came from one that’s of a neutral heart ,
And not from one opposed .
CORNWALL
Cunning .
REGAN
And false .
CORNWALL
Where hast thou sent the King ?
GLOUCESTER
To Dover .
REGAN
Wherefore to Dover ? Wast thou not charged at
peril —
peril —
CORNWALL
Wherefore to Dover ? Let him answer that .
GLOUCESTER
I am tied to th’ stake , and I must stand the course .
REGAN
Wherefore to Dover ?
GLOUCESTER
Because I would not see thy cruel nails
Pluck out his poor old eyes , nor thy fierce sister
In his anointed flesh stick boarish fangs .
The sea , with such a storm as his bare head
In hell-black night endured , would have buoyed up
And quenched the stellèd fires ;
Yet , poor old heart , he holp the heavens to rain .
If wolves had at thy gate howled that stern time ,
Thou shouldst have said ‘Good porter , turn the
key .’
All cruels else subscribe . But I shall see
The wingèd vengeance overtake such children .
Pluck out his poor old eyes , nor thy fierce sister
In his anointed flesh stick boarish fangs .
The sea , with such a storm as his bare head
In hell-black night endured , would have buoyed up
And quenched the stellèd fires ;
Yet , poor old heart , he holp the heavens to rain .
If wolves had at thy gate howled that stern time ,
Thou shouldst have said ‘Good porter , turn the
key .’
All cruels else subscribe . But I shall see
The wingèd vengeance overtake such children .
CORNWALL
See ’t shalt thou never . — Fellows , hold the chair . —
Upon these eyes of thine I’ll set my foot .
Upon these eyes of thine I’ll set my foot .
GLOUCESTER
He that will think to live till he be old ,
Give me some help !
O cruel ! O you gods !
Give me some help !
As Servants hold the chair , Cornwall forces out
one of Gloucester’s eyes .
one of Gloucester’s eyes .
O cruel ! O you gods !
[165]ACT 3. SC. 7
REGAN
One side will mock another . Th’ other too .
CORNWALL
If you see vengeance —
FIRST SERVANT
Hold your hand ,
my lord .
I have served you ever since I was a child ,
But better service have I never done you
Than now to bid you hold .
my lord .
I have served you ever since I was a child ,
But better service have I never done you
Than now to bid you hold .
REGAN
How now , you dog ?
FIRST SERVANT
If you did wear a beard upon your chin ,
I’d shake it on this quarrel . What do you mean ?
I’d shake it on this quarrel . What do you mean ?
CORNWALL
My villain ?
Draw and fight .
FIRST SERVANT
Nay , then , come on , and take the chance of anger .
REGAN
, to an Attendant
Give me thy sword . A peasant stand up thus ?
She takes a sword and runs
at him behind ; kills him .
at him behind ; kills him .
FIRST SERVANT
O , I am slain ! My lord , you have one eye left
To see some mischief on him . O !
To see some mischief on him . O !
He dies .
CORNWALL
Lest it see more , prevent it . Out , vile jelly !
Where is thy luster now ?
Forcing out Gloucester’s other eye .
Where is thy luster now ?
GLOUCESTER
All dark and comfortless ! Where’s my son
Edmund ? —
Edmund , enkindle all the sparks of nature
To quit this horrid act .
Edmund ? —
Edmund , enkindle all the sparks of nature
To quit this horrid act .
REGAN
Out , treacherous villain !
Thou call’st on him that hates thee . It was he
That made the overture of thy treasons to us ,
Who is too good to pity thee .
Thou call’st on him that hates thee . It was he
That made the overture of thy treasons to us ,
Who is too good to pity thee .
[167]ACT 3. SC. 7
GLOUCESTER
O my follies ! Then Edgar was abused .
Kind gods , forgive me that , and prosper him .
Kind gods , forgive me that , and prosper him .
REGAN
Go thrust him out at gates , and let him smell
His way to Dover .
How is ’t , my lord ? How look you ?
His way to Dover .
Some Servants exit with Gloucester .
How is ’t , my lord ? How look you ?
CORNWALL
I have received a hurt . Follow me , lady . —
Turn out that eyeless villain . Throw this slave
Upon the dunghill . — Regan , I bleed apace .
Untimely comes this hurt . Give me your arm .
Turn out that eyeless villain . Throw this slave
Upon the dunghill . — Regan , I bleed apace .
Untimely comes this hurt . Give me your arm .
Cornwall and Regan exit .
SECOND SERVANT
I’ll never care what wickedness I do
If this man come to good .
If this man come to good .
THIRD SERVANT
If she live long
And in the end meet the old course of death ,
Women will all turn monsters .
And in the end meet the old course of death ,
Women will all turn monsters .
SECOND SERVANT
Let’s follow the old earl and get the Bedlam
To lead him where he would . His roguish madness
Allows itself to anything .
To lead him where he would . His roguish madness
Allows itself to anything .
THIRD SERVANT
Go thou . I’ll fetch some flax and whites of eggs
To apply to his bleeding face . Now heaven help him !
To apply to his bleeding face . Now heaven help him !
They exit .
[171]
ACT 4
Scene 1
Enter Edgar in disguise .
EDGAR
Yet better thus , and known to be contemned ,
Than still contemned and flattered . To be worst ,
The lowest and most dejected thing of Fortune ,
Stands still in esperance , lives not in fear .
The lamentable change is from the best ;
The worst returns to laughter . Welcome , then ,
Thou unsubstantial air that I embrace .
The wretch that thou hast blown unto the worst
Owes nothing to thy blasts . But who comes here ?
My father , poorly led ? World , world , O world ,
But that thy strange mutations make us hate thee ,
Life would not yield to age .
Than still contemned and flattered . To be worst ,
The lowest and most dejected thing of Fortune ,
Stands still in esperance , lives not in fear .
The lamentable change is from the best ;
The worst returns to laughter . Welcome , then ,
Thou unsubstantial air that I embrace .
The wretch that thou hast blown unto the worst
Owes nothing to thy blasts . But who comes here ?
Enter Gloucester and an old man .
My father , poorly led ? World , world , O world ,
But that thy strange mutations make us hate thee ,
Life would not yield to age .
OLD MAN
O my good lord , I have been your tenant
And your father’s tenant these fourscore years .
And your father’s tenant these fourscore years .
GLOUCESTER
Away , get thee away . Good friend , begone .
Thy comforts can do me no good at all ;
Thee they may hurt .
Thy comforts can do me no good at all ;
Thee they may hurt .
OLD MAN
You cannot see your way .
[173]ACT 4. SC. 1
GLOUCESTER
I have no way and therefore want no eyes .
I stumbled when I saw . Full oft ’tis seen
Our means secure us , and our mere defects
Prove our commodities . O dear son Edgar ,
The food of thy abusèd father’s wrath ,
Might I but live to see thee in my touch ,
I’d say I had eyes again .
I stumbled when I saw . Full oft ’tis seen
Our means secure us , and our mere defects
Prove our commodities . O dear son Edgar ,
The food of thy abusèd father’s wrath ,
Might I but live to see thee in my touch ,
I’d say I had eyes again .
OLD MAN
How now ? Who’s there ?
EDGAR
, aside
O gods , who is ’t can say ‘I am at the worst’ ?
I am worse than e’er I was .
I am worse than e’er I was .
OLD MAN
’Tis poor mad Tom .
EDGAR
, aside
And worse I may be yet . The worst is not
So long as we can say ‘This is the worst .’
So long as we can say ‘This is the worst .’
OLD MAN
Fellow , where goest ?
GLOUCESTER
Is it a beggar-man ?
OLD MAN
Madman and beggar too .
GLOUCESTER
He has some reason , else he could not beg .
I’ th’ last night’s storm , I such a fellow saw ,
Which made me think a man a worm . My son
Came then into my mind , and yet my mind
Was then scarce friends with him . I have heard
more since .
As flies to wanton boys are we to th’ gods ;
They kill us for their sport .
I’ th’ last night’s storm , I such a fellow saw ,
Which made me think a man a worm . My son
Came then into my mind , and yet my mind
Was then scarce friends with him . I have heard
more since .
As flies to wanton boys are we to th’ gods ;
They kill us for their sport .
EDGAR
, aside
How should this be ?
Bad is the trade that must play fool to sorrow ,
Ang’ring itself and others . — Bless thee , master .
Bad is the trade that must play fool to sorrow ,
Ang’ring itself and others . — Bless thee , master .
GLOUCESTER
Is that the naked fellow ?
OLD MAN
Ay , my lord .
GLOUCESTER
Then , prithee , get thee away . If for my sake
[175] ACT 4. SC. 1 Thou wilt o’ertake us hence a mile or twain
I’ th’ way toward Dover , do it for ancient love ,
And bring some covering for this naked soul ,
Which I’ll entreat to lead me .
[175] ACT 4. SC. 1 Thou wilt o’ertake us hence a mile or twain
I’ th’ way toward Dover , do it for ancient love ,
And bring some covering for this naked soul ,
Which I’ll entreat to lead me .
OLD MAN
Alack , sir , he is mad .
GLOUCESTER
’Tis the time’s plague when madmen lead the blind .
Do as I bid thee , or rather do thy pleasure .
Above the rest , begone .
Do as I bid thee , or rather do thy pleasure .
Above the rest , begone .
OLD MAN
I’ll bring him the best ’parel that I have ,
Come on ’t what will .
Come on ’t what will .
He exits .
GLOUCESTER
Sirrah , naked fellow —
EDGAR
Poor Tom’s a-cold .
Aside .
I cannot daub it further .GLOUCESTER
Come hither , fellow .
EDGAR
, aside
And yet I must . — Bless thy sweet eyes , they bleed .
GLOUCESTER
Know’st thou the way to Dover ?
EDGAR
Both stile and gate , horseway and footpath .
Poor Tom hath been scared out of his good wits .
Bless thee , good man’s son , from the foul fiend .
Five fiends have been in Poor Tom at once : of lust ,
as Obidicut ; Hobbididance , prince of dumbness ;
Mahu , of stealing ; Modo , of murder ; Flibbertigibbet ,
of mopping and mowing , who since possesses
chambermaids and waiting women . So , bless
thee , master .
Poor Tom hath been scared out of his good wits .
Bless thee , good man’s son , from the foul fiend .
Five fiends have been in Poor Tom at once : of lust ,
as Obidicut ; Hobbididance , prince of dumbness ;
Mahu , of stealing ; Modo , of murder ; Flibbertigibbet ,
of mopping and mowing , who since possesses
chambermaids and waiting women . So , bless
thee , master .
GLOUCESTER
, giving him money
Here , take this purse , thou whom the heavens’
plagues
Have humbled to all strokes . That I am wretched
Makes thee the happier . Heavens , deal so still :
Let the superfluous and lust-dieted man ,
That slaves your ordinance , that will not see
Because he does not feel , feel your power quickly .
[177] ACT 4. SC. 2 So distribution should undo excess
And each man have enough . Dost thou know Dover ?
plagues
Have humbled to all strokes . That I am wretched
Makes thee the happier . Heavens , deal so still :
Let the superfluous and lust-dieted man ,
That slaves your ordinance , that will not see
Because he does not feel , feel your power quickly .
[177] ACT 4. SC. 2 So distribution should undo excess
And each man have enough . Dost thou know Dover ?
EDGAR
Ay , master .
GLOUCESTER
There is a cliff , whose high and bending head
Looks fearfully in the confinèd deep .
Bring me but to the very brim of it ,
And I’ll repair the misery thou dost bear
With something rich about me . From that place
I shall no leading need .
Looks fearfully in the confinèd deep .
Bring me but to the very brim of it ,
And I’ll repair the misery thou dost bear
With something rich about me . From that place
I shall no leading need .
EDGAR
Give me thy arm .
Poor Tom shall lead thee .
Poor Tom shall lead thee .
They exit .
Scene 2
Enter Goneril and Edmund , the Bastard .
GONERIL
Welcome , my lord . I marvel our mild husband
Not met us on the way .
Now , where’s your master ?
Not met us on the way .
Enter Oswald , the Steward .
Now , where’s your master ?
OSWALD
Madam , within , but never man so changed .
I told him of the army that was landed ;
He smiled at it . I told him you were coming ;
His answer was ‘The worse .’ Of Gloucester’s
treachery
And of the loyal service of his son
When I informed him , then he called me ‘sot’
And told me I had turned the wrong side out .
What most he should dislike seems pleasant to him ;
What like , offensive .
I told him of the army that was landed ;
He smiled at it . I told him you were coming ;
His answer was ‘The worse .’ Of Gloucester’s
treachery
And of the loyal service of his son
When I informed him , then he called me ‘sot’
And told me I had turned the wrong side out .
What most he should dislike seems pleasant to him ;
What like , offensive .
GONERIL
, to Edmund
Then shall you go no further .
[179] ACT 4. SC. 2 It is the cowish terror of his spirit ,
That dares not undertake . He’ll not feel wrongs
Which tie him to an answer . Our wishes on the way
May prove effects . Back , Edmund , to my brother .
Hasten his musters and conduct his powers .
I must change names at home and give the distaff
Into my husband’s hands . This trusty servant
Shall pass between us . Ere long you are like to
hear —
If you dare venture in your own behalf —
A mistress’s command . Wear this ; spare speech .
Decline your head . She kisses him . This kiss , if it
durst speak ,
Would stretch thy spirits up into the air .
Conceive , and fare thee well .
[179] ACT 4. SC. 2 It is the cowish terror of his spirit ,
That dares not undertake . He’ll not feel wrongs
Which tie him to an answer . Our wishes on the way
May prove effects . Back , Edmund , to my brother .
Hasten his musters and conduct his powers .
I must change names at home and give the distaff
Into my husband’s hands . This trusty servant
Shall pass between us . Ere long you are like to
hear —
If you dare venture in your own behalf —
A mistress’s command . Wear this ; spare speech .
She gives him a favor .
Decline your head . She kisses him . This kiss , if it
durst speak ,
Would stretch thy spirits up into the air .
Conceive , and fare thee well .
EDMUND
Yours in the ranks of death .
He exits .
GONERIL
My most dear
Gloucester !
O , the difference of man and man !
To thee a woman’s services are due ;
My fool usurps my body .
Gloucester !
O , the difference of man and man !
To thee a woman’s services are due ;
My fool usurps my body .
OSWALD
Madam , here comes my lord .
He exits .
Enter Albany .
GONERIL
I have been worth the whistle .
ALBANY
O Goneril ,
You are not worth the dust which the rude wind
Blows in your face . I fear your disposition .
That nature which contemns its origin
Cannot be bordered certain in itself .
She that herself will sliver and disbranch
From her material sap perforce must wither
And come to deadly use .
You are not worth the dust which the rude wind
Blows in your face . I fear your disposition .
That nature which contemns its origin
Cannot be bordered certain in itself .
She that herself will sliver and disbranch
From her material sap perforce must wither
And come to deadly use .
GONERIL
No more . The text is foolish .
[181]ACT 4. SC. 2
ALBANY
Wisdom and goodness to the vile seem vile .
Filths savor but themselves . What have you done ?
Tigers , not daughters , what have you performed ?
A father , and a gracious agèd man ,
Whose reverence even the head-lugged bear would
lick ,
Most barbarous , most degenerate , have you
madded .
Could my good brother suffer you to do it ?
A man , a prince , by him so benefited !
If that the heavens do not their visible spirits
Send quickly down to tame these vile offenses ,
It will come :
Humanity must perforce prey on itself ,
Like monsters of the deep .
Filths savor but themselves . What have you done ?
Tigers , not daughters , what have you performed ?
A father , and a gracious agèd man ,
Whose reverence even the head-lugged bear would
lick ,
Most barbarous , most degenerate , have you
madded .
Could my good brother suffer you to do it ?
A man , a prince , by him so benefited !
If that the heavens do not their visible spirits
Send quickly down to tame these vile offenses ,
It will come :
Humanity must perforce prey on itself ,
Like monsters of the deep .
GONERIL
Milk-livered man ,
That bear’st a cheek for blows , a head for wrongs ;
Who hast not in thy brows an eye discerning
Thine honor from thy suffering ; that not know’st
Fools do those villains pity who are punished
Ere they have done their mischief . Where’s thy
drum ?
France spreads his banners in our noiseless land ,
With plumèd helm thy state begins to threat ,
Whilst thou , a moral fool , sits still and cries
‘Alack , why does he so ?’
That bear’st a cheek for blows , a head for wrongs ;
Who hast not in thy brows an eye discerning
Thine honor from thy suffering ; that not know’st
Fools do those villains pity who are punished
Ere they have done their mischief . Where’s thy
drum ?
France spreads his banners in our noiseless land ,
With plumèd helm thy state begins to threat ,
Whilst thou , a moral fool , sits still and cries
‘Alack , why does he so ?’
ALBANY
See thyself , devil !
Proper deformity shows not in the fiend
So horrid as in woman .
Proper deformity shows not in the fiend
So horrid as in woman .
GONERIL
O vain fool !
ALBANY
Thou changèd and self-covered thing , for shame
Bemonster not thy feature . Were ’t my fitness
To let these hands obey my blood ,
They are apt enough to dislocate and tear
[183] ACT 4. SC. 2 Thy flesh and bones . Howe’er thou art a fiend ,
A woman’s shape doth shield thee .
Bemonster not thy feature . Were ’t my fitness
To let these hands obey my blood ,
They are apt enough to dislocate and tear
[183] ACT 4. SC. 2 Thy flesh and bones . Howe’er thou art a fiend ,
A woman’s shape doth shield thee .
GONERIL
Marry , your manhood , mew —
Enter a Messenger .
ALBANY
What news ?
MESSENGER
O , my good lord , the Duke of Cornwall’s dead ,
Slain by his servant , going to put out
The other eye of Gloucester .
Slain by his servant , going to put out
The other eye of Gloucester .
ALBANY
Gloucester’s eyes ?
MESSENGER
A servant that he bred , thrilled with remorse ,
Opposed against the act , bending his sword
To his great master , who , thereat enraged ,
Flew on him and amongst them felled him dead ,
But not without that harmful stroke which since
Hath plucked him after .
Opposed against the act , bending his sword
To his great master , who , thereat enraged ,
Flew on him and amongst them felled him dead ,
But not without that harmful stroke which since
Hath plucked him after .
ALBANY
This shows you are above ,
You justicers , that these our nether crimes
So speedily can venge . But , O poor Gloucester ,
Lost he his other eye ?
You justicers , that these our nether crimes
So speedily can venge . But , O poor Gloucester ,
Lost he his other eye ?
MESSENGER
Both , both , my lord . —
This letter , madam , craves a speedy answer .
’Tis from your sister .
This letter , madam , craves a speedy answer .
Giving her a paper .
’Tis from your sister .
GONERIL
, aside
One way I like this well .
But being widow and my Gloucester with her
May all the building in my fancy pluck
Upon my hateful life . Another way
The news is not so tart . — I’ll read , and answer .
But being widow and my Gloucester with her
May all the building in my fancy pluck
Upon my hateful life . Another way
The news is not so tart . — I’ll read , and answer .
She exits .
ALBANY
Where was his son when they did take his eyes ?
MESSENGER
Come with my lady hither .
[185]ACT 4. SC. 3
ALBANY
He is not here .
MESSENGER
No , my good lord . I met him back again .
ALBANY
Knows he the wickedness ?
MESSENGER
Ay , my good lord . ’Twas he informed against him
And quit the house on purpose , that their punishment
Might have the freer course .
And quit the house on purpose , that their punishment
Might have the freer course .
ALBANY
Gloucester , I live
To thank thee for the love thou show’d’st the King ,
And to revenge thine eyes . — Come hither , friend .
Tell me what more thou know’st .
To thank thee for the love thou show’d’st the King ,
And to revenge thine eyes . — Come hither , friend .
Tell me what more thou know’st .
They exit .
Scene 3
Enter Kent in disguise and a Gentleman .
KENT
Why the King of France is so suddenly gone
back know you no reason ?
back know you no reason ?
GENTLEMAN
Something he left imperfect in the state ,
which since his coming forth is thought of , which
imports to the kingdom so much fear and danger
that his personal return was most required and
necessary .
which since his coming forth is thought of , which
imports to the kingdom so much fear and danger
that his personal return was most required and
necessary .
KENT
Who hath he left behind him general ?
GENTLEMAN
The Marshal of France , Monsieur La Far .
KENT
Did your letters pierce the Queen to any demonstration
of grief ?
of grief ?
GENTLEMAN
Ay , sir , she took them , read them in my
presence ,
And now and then an ample tear trilled down
Her delicate cheek . It seemed she was a queen
Over her passion , who , most rebel-like ,
Fought to be king o’er her .
presence ,
And now and then an ample tear trilled down
Her delicate cheek . It seemed she was a queen
Over her passion , who , most rebel-like ,
Fought to be king o’er her .
KENT
O , then it moved her .
[187]ACT 4. SC. 3
GENTLEMAN
Not to a rage . Patience and sorrow strove
Who should express her goodliest . You have seen
Sunshine and rain at once ; her smiles and tears
Were like a better way . Those happy smilets
That played on her ripe lip seemed not to know
What guests were in her eyes , which parted thence
As pearls from diamonds dropped . In brief ,
Sorrow would be a rarity most beloved
If all could so become it .
Who should express her goodliest . You have seen
Sunshine and rain at once ; her smiles and tears
Were like a better way . Those happy smilets
That played on her ripe lip seemed not to know
What guests were in her eyes , which parted thence
As pearls from diamonds dropped . In brief ,
Sorrow would be a rarity most beloved
If all could so become it .
KENT
Made she no verbal question ?
GENTLEMAN
Faith , once or twice she heaved the name of
‘father’
Pantingly forth , as if it pressed her heart ;
Cried ‘Sisters , sisters , shame of ladies , sisters !
Kent , father , sisters ! What , i’ th’ storm , i’ th’ night ?
Let pity not be believed !’ There she shook
The holy water from her heavenly eyes ,
And clamor moistened . Then away she started ,
To deal with grief alone .
‘father’
Pantingly forth , as if it pressed her heart ;
Cried ‘Sisters , sisters , shame of ladies , sisters !
Kent , father , sisters ! What , i’ th’ storm , i’ th’ night ?
Let pity not be believed !’ There she shook
The holy water from her heavenly eyes ,
And clamor moistened . Then away she started ,
To deal with grief alone .
KENT
It is the stars .
The stars above us govern our conditions ,
Else one self mate and make could not beget
Such different issues . You spoke not with her
since ?
The stars above us govern our conditions ,
Else one self mate and make could not beget
Such different issues . You spoke not with her
since ?
GENTLEMAN
No .
KENT
Was this before the King returned ?
GENTLEMAN
No , since .
KENT
Well , sir , the poor distressèd Lear’s i’ th’ town ,
Who sometime in his better tune remembers
What we are come about , and by no means
Will yield to see his daughter .
Who sometime in his better tune remembers
What we are come about , and by no means
Will yield to see his daughter .
GENTLEMAN
Why , good sir ?
[189]ACT 4. SC. 4
KENT
A sovereign shame so elbows him — his own
unkindness ,
That stripped her from his benediction , turned her
To foreign casualties , gave her dear rights
To his dog-hearted daughters — these things sting
His mind so venomously that burning shame
Detains him from Cordelia .
unkindness ,
That stripped her from his benediction , turned her
To foreign casualties , gave her dear rights
To his dog-hearted daughters — these things sting
His mind so venomously that burning shame
Detains him from Cordelia .
GENTLEMAN
Alack , poor gentleman !
KENT
Of Albany’s and Cornwall’s powers you heard not ?
GENTLEMAN
’Tis so . They are afoot .
KENT
Well , sir , I’ll bring you to our master Lear
And leave you to attend him . Some dear cause
Will in concealment wrap me up awhile .
When I am known aright , you shall not grieve
Lending me this acquaintance . I pray you , go
Along with me .
And leave you to attend him . Some dear cause
Will in concealment wrap me up awhile .
When I am known aright , you shall not grieve
Lending me this acquaintance . I pray you , go
Along with me .
They exit .
Scene 4
Enter with Drum and Colors , Cordelia , Doctor ,
Gentlemen , and Soldiers .
Gentlemen , and Soldiers .
CORDELIA
Alack , ’tis he ! Why , he was met even now
As mad as the vexed sea , singing aloud ,
Crowned with rank fumiter and furrow-weeds ,
With hardocks , hemlock , nettles , cuckooflowers ,
Darnel , and all the idle weeds that grow
In our sustaining corn . A century send forth .
Search every acre in the high-grown field
And bring him to our eye .
What can man’s wisdom
[191] ACT 4. SC. 5 In the restoring his bereavèd sense ?
He that helps him take all my outward worth .
As mad as the vexed sea , singing aloud ,
Crowned with rank fumiter and furrow-weeds ,
With hardocks , hemlock , nettles , cuckooflowers ,
Darnel , and all the idle weeds that grow
In our sustaining corn . A century send forth .
Search every acre in the high-grown field
And bring him to our eye .
Soldiers exit .
What can man’s wisdom
[191] ACT 4. SC. 5 In the restoring his bereavèd sense ?
He that helps him take all my outward worth .
DOCTOR
There is means , madam .
Our foster nurse of nature is repose ,
The which he lacks . That to provoke in him
Are many simples operative , whose power
Will close the eye of anguish .
Our foster nurse of nature is repose ,
The which he lacks . That to provoke in him
Are many simples operative , whose power
Will close the eye of anguish .
CORDELIA
All blest secrets ,
All you unpublished virtues of the earth ,
Spring with my tears . Be aidant and remediate
In the good man’s distress . Seek , seek for him ,
Lest his ungoverned rage dissolve the life
That wants the means to lead it .
All you unpublished virtues of the earth ,
Spring with my tears . Be aidant and remediate
In the good man’s distress . Seek , seek for him ,
Lest his ungoverned rage dissolve the life
That wants the means to lead it .
Enter Messenger .
MESSENGER
News , madam .
The British powers are marching hitherward .
The British powers are marching hitherward .
CORDELIA
’Tis known before . Our preparation stands
In expectation of them . — O dear father ,
It is thy business that I go about .
Therefore great France
My mourning and importuned tears hath pitied .
No blown ambition doth our arms incite ,
But love , dear love , and our aged father’s right .
Soon may I hear and see him .
In expectation of them . — O dear father ,
It is thy business that I go about .
Therefore great France
My mourning and importuned tears hath pitied .
No blown ambition doth our arms incite ,
But love , dear love , and our aged father’s right .
Soon may I hear and see him .
They exit .
Scene 5
Enter Regan and Oswald , the Steward .
REGAN
But are my brother’s powers set forth ?
OSWALD
Ay , madam .
REGAN
Himself in person there ?
[193]ACT 4. SC. 5
OSWALD
Madam , with much ado .
Your sister is the better soldier .
Your sister is the better soldier .
REGAN
Lord Edmund spake not with your lord at home ?
OSWALD
No , madam .
REGAN
What might import my sister’s letter to him ?
OSWALD
I know not , lady .
REGAN
Faith , he is posted hence on serious matter .
It was great ignorance , Gloucester’s eyes being out ,
To let him live . Where he arrives he moves
All hearts against us . Edmund , I think , is gone ,
In pity of his misery , to dispatch
His nighted life ; moreover to descry
The strength o’ th’ enemy .
It was great ignorance , Gloucester’s eyes being out ,
To let him live . Where he arrives he moves
All hearts against us . Edmund , I think , is gone ,
In pity of his misery , to dispatch
His nighted life ; moreover to descry
The strength o’ th’ enemy .
OSWALD
I must needs after him , madam , with my letter .
REGAN
Our troops set forth tomorrow . Stay with us .
The ways are dangerous .
The ways are dangerous .
OSWALD
I may not , madam .
My lady charged my duty in this business .
My lady charged my duty in this business .
REGAN
Why should she write to Edmund ? Might not you
Transport her purposes by word ? Belike ,
Some things — I know not what . I’ll love thee much —
Let me unseal the letter .
Transport her purposes by word ? Belike ,
Some things — I know not what . I’ll love thee much —
Let me unseal the letter .
OSWALD
Madam , I had rather —
REGAN
I know your lady does not love her husband ;
I am sure of that ; and at her late being here ,
She gave strange eliads and most speaking looks
To noble Edmund . I know you are of her bosom .
I am sure of that ; and at her late being here ,
She gave strange eliads and most speaking looks
To noble Edmund . I know you are of her bosom .
OSWALD
I , madam ?
REGAN
I speak in understanding . Y’ are ; I know ’t .
[195] ACT 4. SC. 6 Therefore I do advise you take this note :
My lord is dead ; Edmund and I have talked ,
And more convenient is he for my hand
Than for your lady’s . You may gather more .
If you do find him , pray you , give him this ,
And when your mistress hears thus much from you ,
I pray , desire her call her wisdom to her .
So , fare you well .
If you do chance to hear of that blind traitor ,
Preferment falls on him that cuts him off .
[195] ACT 4. SC. 6 Therefore I do advise you take this note :
My lord is dead ; Edmund and I have talked ,
And more convenient is he for my hand
Than for your lady’s . You may gather more .
If you do find him , pray you , give him this ,
And when your mistress hears thus much from you ,
I pray , desire her call her wisdom to her .
So , fare you well .
If you do chance to hear of that blind traitor ,
Preferment falls on him that cuts him off .
OSWALD
Would I could meet him , madam . I should show
What party I do follow .
What party I do follow .
REGAN
Fare thee well .
They exit .
Scene 6
Enter Gloucester and Edgar dressed as a peasant .
GLOUCESTER
When shall I come to th’ top of that same hill ?
EDGAR
You do climb up it now . Look how we labor .
GLOUCESTER
Methinks the ground is even .
EDGAR
Horrible steep .
Hark , do you hear the sea ?
Hark , do you hear the sea ?
GLOUCESTER
No , truly .
EDGAR
Why then , your other senses grow imperfect
By your eyes’ anguish .
By your eyes’ anguish .
GLOUCESTER
So may it be indeed .
Methinks thy voice is altered and thou speak’st
In better phrase and matter than thou didst .
Methinks thy voice is altered and thou speak’st
In better phrase and matter than thou didst .
[197]ACT 4. SC. 6
EDGAR
You’re much deceived ; in nothing am I changed
But in my garments .
But in my garments .
GLOUCESTER
Methinks you’re better spoken .
EDGAR
Come on , sir . Here’s the place . Stand still . How
fearful
And dizzy ’tis to cast one’s eyes so low !
The crows and choughs that wing the midway air
Show scarce so gross as beetles . Halfway down
Hangs one that gathers samphire — dreadful trade ;
Methinks he seems no bigger than his head .
The fishermen that walk upon the beach
Appear like mice , and yond tall anchoring bark
Diminished to her cock , her cock a buoy
Almost too small for sight . The murmuring surge
That on th’ unnumbered idle pebble chafes
Cannot be heard so high . I’ll look no more
Lest my brain turn and the deficient sight
Topple down headlong .
fearful
And dizzy ’tis to cast one’s eyes so low !
The crows and choughs that wing the midway air
Show scarce so gross as beetles . Halfway down
Hangs one that gathers samphire — dreadful trade ;
Methinks he seems no bigger than his head .
The fishermen that walk upon the beach
Appear like mice , and yond tall anchoring bark
Diminished to her cock , her cock a buoy
Almost too small for sight . The murmuring surge
That on th’ unnumbered idle pebble chafes
Cannot be heard so high . I’ll look no more
Lest my brain turn and the deficient sight
Topple down headlong .
GLOUCESTER
Set me where you stand .
EDGAR
Give me your hand . You are now within a foot
Of th’ extreme verge . For all beneath the moon
Would I not leap upright .
Of th’ extreme verge . For all beneath the moon
Would I not leap upright .
GLOUCESTER
Let go my hand .
Here , friend , ’s another purse ; in it a jewel
Well worth a poor man’s taking . Fairies and gods
Prosper it with thee .
Go thou further off .
Bid me farewell , and let me hear thee going .
Here , friend , ’s another purse ; in it a jewel
Well worth a poor man’s taking . Fairies and gods
Prosper it with thee .
He gives Edgar a purse .
Go thou further off .
Bid me farewell , and let me hear thee going .
EDGAR
, walking away
Now fare you well , good sir .
GLOUCESTER
With all my heart .
EDGAR
, aside
Why I do trifle thus with his despair
Is done to cure it .
Is done to cure it .
[199]ACT 4. SC. 6
GLOUCESTER
O you mighty gods !
This world I do renounce , and in your sights
Shake patiently my great affliction off .
If I could bear it longer , and not fall
To quarrel with your great opposeless wills ,
My snuff and loathèd part of nature should
Burn itself out . If Edgar live , O , bless him ! —
Now , fellow , fare thee well .
He kneels .
This world I do renounce , and in your sights
Shake patiently my great affliction off .
If I could bear it longer , and not fall
To quarrel with your great opposeless wills ,
My snuff and loathèd part of nature should
Burn itself out . If Edgar live , O , bless him ! —
Now , fellow , fare thee well .
He falls .
EDGAR
Gone , sir . Farewell . —
And yet I know not how conceit may rob
The treasury of life , when life itself
Yields to the theft . Had he been where he thought ,
By this had thought been past . Alive or dead ? —
Ho you , sir ! Friend , hear you . Sir , speak . —
Thus might he pass indeed . Yet he revives . —
What are you , sir ?
And yet I know not how conceit may rob
The treasury of life , when life itself
Yields to the theft . Had he been where he thought ,
By this had thought been past . Alive or dead ? —
Ho you , sir ! Friend , hear you . Sir , speak . —
Thus might he pass indeed . Yet he revives . —
What are you , sir ?
GLOUCESTER
Away , and let me die .
EDGAR
Hadst thou been aught but gossamer , feathers , air ,
So many fathom down precipitating ,
Thou ’dst shivered like an egg ; but thou dost
breathe ,
Hast heavy substance , bleed’st not , speak’st , art
sound .
Ten masts at each make not the altitude
Which thou hast perpendicularly fell .
Thy life’s a miracle . Speak yet again .
So many fathom down precipitating ,
Thou ’dst shivered like an egg ; but thou dost
breathe ,
Hast heavy substance , bleed’st not , speak’st , art
sound .
Ten masts at each make not the altitude
Which thou hast perpendicularly fell .
Thy life’s a miracle . Speak yet again .
GLOUCESTER
But have I fall’n or no ?
EDGAR
From the dread summit of this chalky bourn .
Look up a-height . The shrill-gorged lark so far
Cannot be seen or heard . Do but look up .
Look up a-height . The shrill-gorged lark so far
Cannot be seen or heard . Do but look up .
GLOUCESTER
Alack , I have no eyes .
Is wretchedness deprived that benefit
To end itself by death ? ’Twas yet some comfort
When misery could beguile the tyrant’s rage
And frustrate his proud will .
Is wretchedness deprived that benefit
To end itself by death ? ’Twas yet some comfort
When misery could beguile the tyrant’s rage
And frustrate his proud will .
[201]ACT 4. SC. 6
EDGAR
Give me your arm .
Up . So , how is ’t ? Feel you your legs ? You stand .
He raises Gloucester .
Up . So , how is ’t ? Feel you your legs ? You stand .
GLOUCESTER
Too well , too well .
EDGAR
This is above all strangeness .
Upon the crown o’ th’ cliff , what thing was that
Which parted from you ?
Upon the crown o’ th’ cliff , what thing was that
Which parted from you ?
GLOUCESTER
A poor unfortunate beggar .
EDGAR
As I stood here below , methought his eyes
Were two full moons ; he had a thousand noses ,
Horns whelked and waved like the enragèd sea .
It was some fiend . Therefore , thou happy father ,
Think that the clearest gods , who make them
honors
Of men’s impossibilities , have preserved thee .
Were two full moons ; he had a thousand noses ,
Horns whelked and waved like the enragèd sea .
It was some fiend . Therefore , thou happy father ,
Think that the clearest gods , who make them
honors
Of men’s impossibilities , have preserved thee .
GLOUCESTER
I do remember now . Henceforth I’ll bear
Affliction till it do cry out itself
‘Enough , enough !’ and die . That thing you speak of ,
I took it for a man . Often ’twould say
‘The fiend , the fiend !’ He led me to that place .
Affliction till it do cry out itself
‘Enough , enough !’ and die . That thing you speak of ,
I took it for a man . Often ’twould say
‘The fiend , the fiend !’ He led me to that place .
EDGAR
Bear free and patient thoughts .
But who comes here ?
The safer sense will ne’er accommodate
His master thus .
Enter Lear .
But who comes here ?
The safer sense will ne’er accommodate
His master thus .
LEAR
No , they cannot touch me for coining . I am the
King himself .
King himself .
EDGAR
O , thou side-piercing sight !
LEAR
Nature’s above art in that respect . There’s your
press-money . That fellow handles his bow like a
crowkeeper . Draw me a clothier’s yard . Look , look ,
[203] ACT 4. SC. 6 a mouse ! Peace , peace ! This piece of toasted cheese
will do ’t . There’s my gauntlet ; I’ll prove it on a
giant . Bring up the brown bills . O , well flown , bird !
I’ th’ clout , i’ th’ clout ! Hewgh ! Give the word .
press-money . That fellow handles his bow like a
crowkeeper . Draw me a clothier’s yard . Look , look ,
[203] ACT 4. SC. 6 a mouse ! Peace , peace ! This piece of toasted cheese
will do ’t . There’s my gauntlet ; I’ll prove it on a
giant . Bring up the brown bills . O , well flown , bird !
I’ th’ clout , i’ th’ clout ! Hewgh ! Give the word .
EDGAR
Sweet marjoram .
LEAR
Pass .
GLOUCESTER
I know that voice .
LEAR
Ha ! Goneril with a white beard ? They flattered
me like a dog and told me I had the white hairs in
my beard ere the black ones were there . To say ‘ay’
and ‘no’ to everything that I said ‘ay’ and ‘no’ to
was no good divinity . When the rain came to wet me
once and the wind to make me chatter , when the
thunder would not peace at my bidding , there I
found ’em , there I smelt ’em out . Go to . They are
not men o’ their words ; they told me I was everything .
’Tis a lie . I am not ague-proof .
me like a dog and told me I had the white hairs in
my beard ere the black ones were there . To say ‘ay’
and ‘no’ to everything that I said ‘ay’ and ‘no’ to
was no good divinity . When the rain came to wet me
once and the wind to make me chatter , when the
thunder would not peace at my bidding , there I
found ’em , there I smelt ’em out . Go to . They are
not men o’ their words ; they told me I was everything .
’Tis a lie . I am not ague-proof .
GLOUCESTER
The trick of that voice I do well remember .
Is ’t not the King ?
Is ’t not the King ?
LEAR
Ay , every inch a king .
When I do stare , see how the subject quakes .
I pardon that man’s life . What was thy cause ?
Adultery ? Thou shalt not die . Die for adultery ? No .
The wren goes to ’t , and the small gilded fly does
lecher in my sight . Let copulation thrive , for
Gloucester’s bastard son was kinder to his father
than my daughters got ’tween the lawful sheets . To
’t , luxury , pell-mell , for I lack soldiers . Behold yond
simp’ring dame , whose face between her forks
presages snow , that minces virtue and does shake
the head to hear of pleasure’s name . The fitchew
nor the soiled horse goes to ’t with a more riotous
appetite . Down from the waist they are centaurs ,
though women all above . But to the girdle do the
gods inherit ; beneath is all the fiend’s . There’s hell ,
[205] ACT 4. SC. 6 there’s darkness , there is the sulphurous pit ; burning ,
scalding , stench , consumption ! Fie , fie , fie , pah ,
pah ! Give me an ounce of civet , good apothecary ;
sweeten my imagination . There’s money for thee .
When I do stare , see how the subject quakes .
I pardon that man’s life . What was thy cause ?
Adultery ? Thou shalt not die . Die for adultery ? No .
The wren goes to ’t , and the small gilded fly does
lecher in my sight . Let copulation thrive , for
Gloucester’s bastard son was kinder to his father
than my daughters got ’tween the lawful sheets . To
’t , luxury , pell-mell , for I lack soldiers . Behold yond
simp’ring dame , whose face between her forks
presages snow , that minces virtue and does shake
the head to hear of pleasure’s name . The fitchew
nor the soiled horse goes to ’t with a more riotous
appetite . Down from the waist they are centaurs ,
though women all above . But to the girdle do the
gods inherit ; beneath is all the fiend’s . There’s hell ,
[205] ACT 4. SC. 6 there’s darkness , there is the sulphurous pit ; burning ,
scalding , stench , consumption ! Fie , fie , fie , pah ,
pah ! Give me an ounce of civet , good apothecary ;
sweeten my imagination . There’s money for thee .
GLOUCESTER
O , let me kiss that hand !
LEAR
Let me wipe it first ; it smells of mortality .
GLOUCESTER
O ruined piece of nature ! This great world
Shall so wear out to naught . Dost thou know me ?
Shall so wear out to naught . Dost thou know me ?
LEAR
I remember thine eyes well enough . Dost thou
squinny at me ? No , do thy worst , blind Cupid , I’ll
not love . Read thou this challenge . Mark but the
penning of it .
squinny at me ? No , do thy worst , blind Cupid , I’ll
not love . Read thou this challenge . Mark but the
penning of it .
GLOUCESTER
Were all thy letters suns , I could not see .
EDGAR
, aside
I would not take this from report . It is ,
And my heart breaks at it .
And my heart breaks at it .
LEAR
Read .
GLOUCESTER
What , with the case of eyes ?
LEAR
O ho , are you there with me ? No eyes in your
head , nor no money in your purse ? Your eyes are in
a heavy case , your purse in a light , yet you see how
this world goes .
head , nor no money in your purse ? Your eyes are in
a heavy case , your purse in a light , yet you see how
this world goes .
GLOUCESTER
I see it feelingly .
LEAR
What , art mad ? A man may see how this world
goes with no eyes . Look with thine ears . See how
yond justice rails upon yond simple thief . Hark in
thine ear . Change places and , handy-dandy , which
is the justice , which is the thief ? Thou hast seen a
farmer’s dog bark at a beggar ?
goes with no eyes . Look with thine ears . See how
yond justice rails upon yond simple thief . Hark in
thine ear . Change places and , handy-dandy , which
is the justice , which is the thief ? Thou hast seen a
farmer’s dog bark at a beggar ?
GLOUCESTER
Ay , sir .
LEAR
And the creature run from the cur ? There thou
might’st behold the great image of authority : a
dog’s obeyed in office .
[207] ACT 4. SC. 6 Thou rascal beadle , hold thy bloody hand !
Why dost thou lash that whore ? Strip thy own back .
Thou hotly lusts to use her in that kind
For which thou whipp’st her . The usurer hangs the
cozener .
Through tattered clothes small vices do appear .
Robes and furred gowns hide all . Plate sin with
gold ,
And the strong lance of justice hurtless breaks .
Arm it in rags , a pygmy’s straw does pierce it .
None does offend , none , I say , none ; I’ll able ’em .
Take that of me , my friend , who have the power
To seal th’ accuser’s lips . Get thee glass eyes ,
And like a scurvy politician
Seem to see the things thou dost not . Now , now ,
now , now .
Pull off my boots . Harder , harder . So .
might’st behold the great image of authority : a
dog’s obeyed in office .
[207] ACT 4. SC. 6 Thou rascal beadle , hold thy bloody hand !
Why dost thou lash that whore ? Strip thy own back .
Thou hotly lusts to use her in that kind
For which thou whipp’st her . The usurer hangs the
cozener .
Through tattered clothes small vices do appear .
Robes and furred gowns hide all . Plate sin with
gold ,
And the strong lance of justice hurtless breaks .
Arm it in rags , a pygmy’s straw does pierce it .
None does offend , none , I say , none ; I’ll able ’em .
Take that of me , my friend , who have the power
To seal th’ accuser’s lips . Get thee glass eyes ,
And like a scurvy politician
Seem to see the things thou dost not . Now , now ,
now , now .
Pull off my boots . Harder , harder . So .
EDGAR
, aside
O , matter and impertinency mixed ,
Reason in madness !
Reason in madness !
LEAR
If thou wilt weep my fortunes , take my eyes .
I know thee well enough ; thy name is Gloucester .
Thou must be patient . We came crying hither ;
Thou know’st the first time that we smell the air
We wawl and cry . I will preach to thee . Mark .
I know thee well enough ; thy name is Gloucester .
Thou must be patient . We came crying hither ;
Thou know’st the first time that we smell the air
We wawl and cry . I will preach to thee . Mark .
GLOUCESTER
Alack , alack the day !
LEAR
When we are born , we cry that we are come
To this great stage of fools . — This’ a good block .
It were a delicate stratagem to shoe
A troop of horse with felt . I’ll put ’t in proof ,
And when I have stol’n upon these son-in-laws ,
Then kill , kill , kill , kill , kill , kill !
To this great stage of fools . — This’ a good block .
It were a delicate stratagem to shoe
A troop of horse with felt . I’ll put ’t in proof ,
And when I have stol’n upon these son-in-laws ,
Then kill , kill , kill , kill , kill , kill !
Enter a Gentleman and Attendants .
[209]ACT 4. SC. 6
GENTLEMAN
, noticing Lear
O , here he is .
him . — Sir ,
Your most dear daughter —
To an Attendant .
Lay hand upon him . — Sir ,
Your most dear daughter —
LEAR
No rescue ? What , a prisoner ? I am even
The natural fool of Fortune . Use me well .
You shall have ransom . Let me have surgeons ;
I am cut to th’ brains .
The natural fool of Fortune . Use me well .
You shall have ransom . Let me have surgeons ;
I am cut to th’ brains .
GENTLEMAN
You shall have anything .
LEAR
No seconds ? All myself ?
Why , this would make a man a man of salt ,
To use his eyes for garden waterpots ,
Ay , and laying autumn’s dust .
I will die bravely like a smug bridegroom . What ?
I will be jovial . Come , come , I am a king ,
Masters , know you that ?
Why , this would make a man a man of salt ,
To use his eyes for garden waterpots ,
Ay , and laying autumn’s dust .
I will die bravely like a smug bridegroom . What ?
I will be jovial . Come , come , I am a king ,
Masters , know you that ?
GENTLEMAN
You are a royal one , and we obey you .
LEAR
Then there’s life in ’t . Come , an you get it , you
shall get it by running . Sa , sa , sa , sa .
shall get it by running . Sa , sa , sa , sa .
The King exits running pursued by Attendants .
GENTLEMAN
A sight most pitiful in the meanest wretch ,
Past speaking of in a king . Thou hast a daughter
Who redeems nature from the general curse
Which twain have brought her to .
Past speaking of in a king . Thou hast a daughter
Who redeems nature from the general curse
Which twain have brought her to .
EDGAR
Hail , gentle sir .
GENTLEMAN
Sir , speed you . What’s your will ?
EDGAR
Do you hear aught , sir , of a battle toward ?
GENTLEMAN
Most sure and vulgar . Everyone hears that ,
Which can distinguish sound .
Which can distinguish sound .
EDGAR
But , by your favor ,
How near’s the other army ?
How near’s the other army ?
[211]ACT 4. SC. 6
GENTLEMAN
Near and on speedy foot . The main descry
Stands on the hourly thought .
Stands on the hourly thought .
EDGAR
I thank you , sir . That’s all .
GENTLEMAN
Though that the Queen on special cause is here ,
Her army is moved on .
Her army is moved on .
EDGAR
I thank you , sir .
Gentleman exits .
GLOUCESTER
You ever-gentle gods , take my breath from me ;
Let not my worser spirit tempt me again
To die before you please .
Let not my worser spirit tempt me again
To die before you please .
EDGAR
Well pray you , father .
GLOUCESTER
Now , good sir , what are you ?
EDGAR
A most poor man , made tame to Fortune’s blows ,
Who , by the art of known and feeling sorrows ,
Am pregnant to good pity . Give me your hand ;
I’ll lead you to some biding .
Who , by the art of known and feeling sorrows ,
Am pregnant to good pity . Give me your hand ;
I’ll lead you to some biding .
He takes Gloucester’s hand .
GLOUCESTER
Hearty thanks .
The bounty and the benison of heaven
To boot , and boot .
The bounty and the benison of heaven
To boot , and boot .
Enter Oswald , the Steward .
OSWALD
, drawing his sword
A proclaimed prize ! Most happy !
That eyeless head of thine was first framed flesh
To raise my fortunes . Thou old unhappy traitor ,
Briefly thyself remember ; the sword is out
That must destroy thee .
That eyeless head of thine was first framed flesh
To raise my fortunes . Thou old unhappy traitor ,
Briefly thyself remember ; the sword is out
That must destroy thee .
GLOUCESTER
Now let thy friendly hand
Put strength enough to ’t .
Put strength enough to ’t .
Edgar steps between Gloucester and Oswald .
OSWALD
Wherefore , bold peasant ,
[213] ACT 4. SC. 6 Dar’st thou support a published traitor ? Hence ,
Lest that th’ infection of his fortune take
Like hold on thee . Let go his arm .
[213] ACT 4. SC. 6 Dar’st thou support a published traitor ? Hence ,
Lest that th’ infection of his fortune take
Like hold on thee . Let go his arm .
EDGAR
Chill not let go , zir , without vurther ’casion .
OSWALD
Let go , slave , or thou diest !
EDGAR
Good gentleman , go your gait , and let poor
volk pass . An ’chud ha’ bin zwaggered out of my
life , ’twould not ha’ bin zo long as ’tis by a vortnight .
Nay , come not near th’ old man . Keep out ,
che vor’ ye , or Ise try whether your costard or my
ballow be the harder . Chill be plain with you .
volk pass . An ’chud ha’ bin zwaggered out of my
life , ’twould not ha’ bin zo long as ’tis by a vortnight .
Nay , come not near th’ old man . Keep out ,
che vor’ ye , or Ise try whether your costard or my
ballow be the harder . Chill be plain with you .
OSWALD
Out , dunghill .
EDGAR
Chill pick your teeth , zir . Come , no matter vor
your foins .
your foins .
They fight .
OSWALD
, falling
Slave , thou hast slain me . Villain , take my purse .
If ever thou wilt thrive , bury my body ,
And give the letters which thou find’st about me
To Edmund , Earl of Gloucester . Seek him out
Upon the English party . O , untimely death ! Death !
If ever thou wilt thrive , bury my body ,
And give the letters which thou find’st about me
To Edmund , Earl of Gloucester . Seek him out
Upon the English party . O , untimely death ! Death !
He dies .
EDGAR
I know thee well , a serviceable villain ,
As duteous to the vices of thy mistress
As badness would desire .
As duteous to the vices of thy mistress
As badness would desire .
GLOUCESTER
What , is he dead ?
EDGAR
Sit you down , father ; rest you .
Let’s see these pockets . The letters that he speaks of
May be my friends . He’s dead ; I am only sorry
He had no other deathsman . Let us see .
Leave , gentle wax , and , manners , blame us not .
To know our enemies’ minds , we rip their hearts .
Their papers is more lawful .
Let our reciprocal vows be remembered . You have
many opportunities to cut him off . If your will want
not , time and place will be fruitfully offered . There is
[215] ACT 4. SC. 7 nothing done if he return the conqueror . Then am I
the prisoner , and his bed my jail , from the loathed
warmth whereof deliver me and supply the place for
your labor .
Your ( wife , so I would say ) affectionate servant ,
and , for you , her own for venture , Goneril .
O indistinguished space of woman’s will !
A plot upon her virtuous husband’s life ,
And the exchange my brother . — Here , in the sands
Thee I’ll rake up , the post unsanctified
Of murderous lechers ; and in the mature time
With this ungracious paper strike the sight
Of the death-practiced duke . For him ’tis well
That of thy death and business I can tell .
Let’s see these pockets . The letters that he speaks of
May be my friends . He’s dead ; I am only sorry
He had no other deathsman . Let us see .
He opens a letter .
Leave , gentle wax , and , manners , blame us not .
To know our enemies’ minds , we rip their hearts .
Their papers is more lawful .
Reads the letter .
Let our reciprocal vows be remembered . You have
many opportunities to cut him off . If your will want
not , time and place will be fruitfully offered . There is
[215] ACT 4. SC. 7 nothing done if he return the conqueror . Then am I
the prisoner , and his bed my jail , from the loathed
warmth whereof deliver me and supply the place for
your labor .
Your ( wife , so I would say ) affectionate servant ,
and , for you , her own for venture , Goneril .
O indistinguished space of woman’s will !
A plot upon her virtuous husband’s life ,
And the exchange my brother . — Here , in the sands
Thee I’ll rake up , the post unsanctified
Of murderous lechers ; and in the mature time
With this ungracious paper strike the sight
Of the death-practiced duke . For him ’tis well
That of thy death and business I can tell .
GLOUCESTER
The King is mad . How stiff is my vile sense
That I stand up and have ingenious feeling
Of my huge sorrows ! Better I were distract .
So should my thoughts be severed from my griefs ,
And woes , by wrong imaginations , lose
The knowledge of themselves .
That I stand up and have ingenious feeling
Of my huge sorrows ! Better I were distract .
So should my thoughts be severed from my griefs ,
And woes , by wrong imaginations , lose
The knowledge of themselves .
Drum afar off .
EDGAR
Give me your hand .
Far off methinks I hear the beaten drum .
Come , father , I’ll bestow you with a friend .
Far off methinks I hear the beaten drum .
Come , father , I’ll bestow you with a friend .
They exit .
Scene 7
Enter Cordelia , Kent in disguise , Doctor , and
Gentleman .
Gentleman .
CORDELIA
O , thou good Kent , how shall I live and work
To match thy goodness ? My life will be too short ,
And every measure fail me .
To match thy goodness ? My life will be too short ,
And every measure fail me .
KENT
To be acknowledged , madam , is o’erpaid .
[217] ACT 4. SC. 7 All my reports go with the modest truth ,
Nor more , nor clipped , but so .
[217] ACT 4. SC. 7 All my reports go with the modest truth ,
Nor more , nor clipped , but so .
CORDELIA
Be better suited .
These weeds are memories of those worser hours .
I prithee put them off .
These weeds are memories of those worser hours .
I prithee put them off .
KENT
Pardon , dear madam .
Yet to be known shortens my made intent .
My boon I make it that you know me not
Till time and I think meet .
Yet to be known shortens my made intent .
My boon I make it that you know me not
Till time and I think meet .
CORDELIA
Then be ’t so , my good lord . — How does the King ?
DOCTOR
Madam , sleeps still .
CORDELIA
O , you kind gods ,
Cure this great breach in his abusèd nature !
Th’ untuned and jarring senses , O , wind up ,
Of this child-changèd father !
Cure this great breach in his abusèd nature !
Th’ untuned and jarring senses , O , wind up ,
Of this child-changèd father !
DOCTOR
So please your Majesty
That we may wake the King ? He hath slept
long .
That we may wake the King ? He hath slept
long .
CORDELIA
Be governed by your knowledge , and proceed
I’ th’ sway of your own will . Is he arrayed ?
I’ th’ sway of your own will . Is he arrayed ?
Enter Lear in a chair carried by Servants .
GENTLEMAN
Ay , madam . In the heaviness of sleep ,
We put fresh garments on him .
We put fresh garments on him .
DOCTOR
Be by , good madam , when we do awake him .
I doubt not of his temperance .
I doubt not of his temperance .
CORDELIA
Very well .
Music .
DOCTOR
Please you , draw near . — Louder the music there .
CORDELIA
, kissing Lear
O , my dear father , restoration hang
[219] ACT 4. SC. 7 Thy medicine on my lips , and let this kiss
Repair those violent harms that my two sisters
Have in thy reverence made .
[219] ACT 4. SC. 7 Thy medicine on my lips , and let this kiss
Repair those violent harms that my two sisters
Have in thy reverence made .
KENT
Kind and dear princess .
CORDELIA
Had you not been their father , these white flakes
Did challenge pity of them . Was this a face
To be opposed against the jarring winds ?
To stand against the deep dread-bolted thunder ,
In the most terrible and nimble stroke
Of quick cross-lightning ? To watch , poor perdu ,
With this thin helm ? Mine enemy’s dog ,
Though he had bit me , should have stood that night
Against my fire . And wast thou fain , poor father ,
To hovel thee with swine and rogues forlorn
In short and musty straw ? Alack , alack ,
’Tis wonder that thy life and wits at once
Had not concluded all . — He wakes . Speak to him .
Did challenge pity of them . Was this a face
To be opposed against the jarring winds ?
To stand against the deep dread-bolted thunder ,
In the most terrible and nimble stroke
Of quick cross-lightning ? To watch , poor perdu ,
With this thin helm ? Mine enemy’s dog ,
Though he had bit me , should have stood that night
Against my fire . And wast thou fain , poor father ,
To hovel thee with swine and rogues forlorn
In short and musty straw ? Alack , alack ,
’Tis wonder that thy life and wits at once
Had not concluded all . — He wakes . Speak to him .
DOCTOR
Madam , do you ; ’tis fittest .
CORDELIA
How does my royal lord ? How fares your Majesty ?
LEAR
You do me wrong to take me out o’ th’ grave .
Thou art a soul in bliss , but I am bound
Upon a wheel of fire , that mine own tears
Do scald like molten lead .
Thou art a soul in bliss , but I am bound
Upon a wheel of fire , that mine own tears
Do scald like molten lead .
CORDELIA
Sir , do you know me ?
LEAR
You are a spirit , I know . Where did you die ?
CORDELIA
Still , still , far wide .
DOCTOR
He’s scarce awake . Let him alone awhile .
LEAR
Where have I been ? Where am I ? Fair daylight ?
I am mightily abused ; I should e’en die with pity
[221] ACT 4. SC. 7 To see another thus . I know not what to say .
I will not swear these are my hands . Let’s see .
I feel this pinprick . Would I were assured
Of my condition !
I am mightily abused ; I should e’en die with pity
[221] ACT 4. SC. 7 To see another thus . I know not what to say .
I will not swear these are my hands . Let’s see .
I feel this pinprick . Would I were assured
Of my condition !
CORDELIA
O , look upon me , sir ,
And hold your hand in benediction o’er me .
No , sir , you must not kneel .
And hold your hand in benediction o’er me .
No , sir , you must not kneel .
LEAR
Pray do not mock :
I am a very foolish fond old man ,
Fourscore and upward , not an hour more nor less ,
And to deal plainly ,
I fear I am not in my perfect mind .
Methinks I should know you and know this man ,
Yet I am doubtful , for I am mainly ignorant
What place this is , and all the skill I have
Remembers not these garments ; nor I know not
Where I did lodge last night . Do not laugh at me ,
For , as I am a man , I think this lady
To be my child Cordelia .
I am a very foolish fond old man ,
Fourscore and upward , not an hour more nor less ,
And to deal plainly ,
I fear I am not in my perfect mind .
Methinks I should know you and know this man ,
Yet I am doubtful , for I am mainly ignorant
What place this is , and all the skill I have
Remembers not these garments ; nor I know not
Where I did lodge last night . Do not laugh at me ,
For , as I am a man , I think this lady
To be my child Cordelia .
CORDELIA
, weeping
And so I am ; I am .
LEAR
Be your tears wet ? Yes , faith . I pray , weep not .
If you have poison for me , I will drink it .
I know you do not love me , for your sisters
Have , as I do remember , done me wrong .
You have some cause ; they have not .
If you have poison for me , I will drink it .
I know you do not love me , for your sisters
Have , as I do remember , done me wrong .
You have some cause ; they have not .
CORDELIA
No cause , no
cause .
cause .
LEAR
Am I in France ?
KENT
In your own kingdom , sir .
LEAR
Do not abuse me .
DOCTOR
Be comforted , good madam . The great rage ,
You see , is killed in him , and yet it is danger
To make him even o’er the time he has lost .
[223] ACT 4. SC. 7 Desire him to go in . Trouble him no more
Till further settling .
You see , is killed in him , and yet it is danger
To make him even o’er the time he has lost .
[223] ACT 4. SC. 7 Desire him to go in . Trouble him no more
Till further settling .
CORDELIA
Will ’t please your Highness walk ?
LEAR
You must bear with me .
Pray you now , forget , and forgive . I am old and
foolish .
Pray you now , forget , and forgive . I am old and
foolish .
They exit . Kent and Gentleman remain .
GENTLEMAN
Holds it true , sir , that the Duke of Cornwall
was so slain ?
was so slain ?
KENT
Most certain , sir .
GENTLEMAN
Who is conductor of his people ?
KENT
As ’tis said , the bastard son of Gloucester .
GENTLEMAN
They say Edgar , his banished son , is with
the Earl of Kent in Germany .
the Earl of Kent in Germany .
KENT
Report is changeable . ’Tis time to look about .
The powers of the kingdom approach apace .
The powers of the kingdom approach apace .
GENTLEMAN
The arbitrament is like to be bloody . Fare
you well , sir .
you well , sir .
He exits .
KENT
My point and period will be throughly wrought ,
Or well , or ill , as this day’s battle’s fought .
Or well , or ill , as this day’s battle’s fought .
He exits .
[227]
ACT 5
Scene 1
Enter , with Drum and Colors , Edmund , Regan ,
Gentlemen , and Soldiers .
Gentlemen , and Soldiers .
EDMUND
, to a Gentleman
Know of the Duke if his last purpose hold ,
Or whether since he is advised by aught
To change the course . He’s full of alteration
And self-reproving . Bring his constant pleasure .
Or whether since he is advised by aught
To change the course . He’s full of alteration
And self-reproving . Bring his constant pleasure .
A Gentleman exits .
REGAN
Our sister’s man is certainly miscarried .
EDMUND
’Tis to be doubted , madam .
REGAN
Now , sweet lord ,
You know the goodness I intend upon you ;
Tell me but truly , but then speak the truth ,
Do you not love my sister ?
You know the goodness I intend upon you ;
Tell me but truly , but then speak the truth ,
Do you not love my sister ?
EDMUND
In honored love .
REGAN
But have you never found my brother’s way
To the forfended place ?
To the forfended place ?
EDMUND
That thought abuses you .
REGAN
I am doubtful that you have been conjunct
And bosomed with her as far as we call hers .
And bosomed with her as far as we call hers .
EDMUND
No , by mine honor , madam .
[229]ACT 5. SC. 1
REGAN
I never shall endure her . Dear my lord ,
Be not familiar with her .
Be not familiar with her .
EDMUND
Fear me not . She and the Duke , her husband .
Enter , with Drum and Colors , Albany , Goneril , Soldiers .
GONERIL
, aside
I had rather lose the battle than that sister
Should loosen him and me .
Should loosen him and me .
ALBANY
Our very loving sister , well bemet . —
Sir , this I heard : the King is come to his daughter ,
With others whom the rigor of our state
Forced to cry out . Where I could not be honest ,
I never yet was valiant . For this business ,
It touches us as France invades our land ,
Not bolds the King , with others whom , I fear ,
Most just and heavy causes make oppose .
Sir , this I heard : the King is come to his daughter ,
With others whom the rigor of our state
Forced to cry out . Where I could not be honest ,
I never yet was valiant . For this business ,
It touches us as France invades our land ,
Not bolds the King , with others whom , I fear ,
Most just and heavy causes make oppose .
EDMUND
Sir , you speak nobly .
REGAN
Why is this reasoned ?
GONERIL
Combine together ’gainst the enemy ,
For these domestic and particular broils
Are not the question here .
For these domestic and particular broils
Are not the question here .
ALBANY
Let’s then determine
With th’ ancient of war on our proceeding .
With th’ ancient of war on our proceeding .
EDMUND
I shall attend you presently at your tent .
REGAN
Sister , you’ll go with us ?
GONERIL
No .
REGAN
’Tis most convenient . Pray , go with us .
GONERIL
, aside
Oho , I know the riddle . — I will go .
They begin to exit .
[231]ACT 5. SC. 1
Enter Edgar dressed as a peasant .
EDGAR
, to Albany
If e’er your Grace had speech with man so poor ,
Hear me one word .
Hear me one word .
ALBANY
, to those exiting
I’ll overtake you . — Speak .
Both the armies exit .
EDGAR
, giving him a paper
Before you fight the battle , ope this letter .
If you have victory , let the trumpet sound
For him that brought it . Wretched though I seem ,
I can produce a champion that will prove
What is avouchèd there . If you miscarry ,
Your business of the world hath so an end ,
And machination ceases . Fortune love you .
If you have victory , let the trumpet sound
For him that brought it . Wretched though I seem ,
I can produce a champion that will prove
What is avouchèd there . If you miscarry ,
Your business of the world hath so an end ,
And machination ceases . Fortune love you .
ALBANY
Stay till I have read the letter .
EDGAR
I was forbid it .
When time shall serve , let but the herald cry
And I’ll appear again .
When time shall serve , let but the herald cry
And I’ll appear again .
He exits .
ALBANY
Why , fare thee well . I will o’erlook thy paper .
Enter Edmund .
EDMUND
The enemy’s in view . Draw up your powers .
Here is the guess of their true strength and forces
By diligent discovery . But your haste
Is now urged on you .
Giving him a paper .
Here is the guess of their true strength and forces
By diligent discovery . But your haste
Is now urged on you .
ALBANY
We will greet the time .
He exits .
EDMUND
To both these sisters have I sworn my love ,
Each jealous of the other as the stung
Are of the adder . Which of them shall I take ?
[233] ACT 5. SC. 2 Both ? One ? Or neither ? Neither can be enjoyed
If both remain alive . To take the widow
Exasperates , makes mad her sister Goneril ,
And hardly shall I carry out my side ,
Her husband being alive . Now , then , we’ll use
His countenance for the battle , which , being done ,
Let her who would be rid of him devise
His speedy taking off . As for the mercy
Which he intends to Lear and to Cordelia ,
The battle done and they within our power ,
Shall never see his pardon , for my state
Stands on me to defend , not to debate .
Each jealous of the other as the stung
Are of the adder . Which of them shall I take ?
[233] ACT 5. SC. 2 Both ? One ? Or neither ? Neither can be enjoyed
If both remain alive . To take the widow
Exasperates , makes mad her sister Goneril ,
And hardly shall I carry out my side ,
Her husband being alive . Now , then , we’ll use
His countenance for the battle , which , being done ,
Let her who would be rid of him devise
His speedy taking off . As for the mercy
Which he intends to Lear and to Cordelia ,
The battle done and they within our power ,
Shall never see his pardon , for my state
Stands on me to defend , not to debate .
He exits .
Scene 2
Alarum within . Enter , with Drum and Colors , Lear ,
Cordelia , and Soldiers , over the stage , and exit .
Cordelia , and Soldiers , over the stage , and exit .
Enter Edgar and Gloucester .
EDGAR
Here , father , take the shadow of this tree
For your good host . Pray that the right may thrive .
If ever I return to you again ,
I’ll bring you comfort .
For your good host . Pray that the right may thrive .
If ever I return to you again ,
I’ll bring you comfort .
GLOUCESTER
Grace go with you , sir .
Edgar exits .
Alarum and Retreat within .
Enter Edgar .
EDGAR
Away , old man . Give me thy hand . Away .
King Lear hath lost , he and his daughter ta’en .
Give me thy hand . Come on .
King Lear hath lost , he and his daughter ta’en .
Give me thy hand . Come on .
GLOUCESTER
No further , sir . A man may rot even here .
[235]ACT 5. SC. 3
EDGAR
What , in ill thoughts again ? Men must endure
Their going hence even as their coming hither .
Ripeness is all . Come on .
Their going hence even as their coming hither .
Ripeness is all . Come on .
GLOUCESTER
And that’s true too .
They exit .
Scene 3
Enter in conquest , with Drum and Colors , Edmund ;
Lear and Cordelia as prisoners ; Soldiers , Captain .
Lear and Cordelia as prisoners ; Soldiers , Captain .
EDMUND
Some officers take them away . Good guard
Until their greater pleasures first be known
That are to censure them .
Until their greater pleasures first be known
That are to censure them .
CORDELIA
, to Lear
We are not the first
Who with best meaning have incurred the worst .
For thee , oppressèd king , I am cast down .
Myself could else outfrown false Fortune’s frown .
Shall we not see these daughters and these sisters ?
Who with best meaning have incurred the worst .
For thee , oppressèd king , I am cast down .
Myself could else outfrown false Fortune’s frown .
Shall we not see these daughters and these sisters ?
LEAR
No , no , no , no . Come , let’s away to prison .
We two alone will sing like birds i’ th’ cage .
When thou dost ask me blessing , I’ll kneel down
And ask of thee forgiveness . So we’ll live ,
And pray , and sing , and tell old tales , and laugh
At gilded butterflies , and hear poor rogues
Talk of court news , and we’ll talk with them too —
Who loses and who wins ; who’s in , who’s out —
And take upon ’s the mystery of things ,
As if we were God’s spies . And we’ll wear out ,
In a walled prison , packs and sects of great ones
That ebb and flow by th’ moon .
We two alone will sing like birds i’ th’ cage .
When thou dost ask me blessing , I’ll kneel down
And ask of thee forgiveness . So we’ll live ,
And pray , and sing , and tell old tales , and laugh
At gilded butterflies , and hear poor rogues
Talk of court news , and we’ll talk with them too —
Who loses and who wins ; who’s in , who’s out —
And take upon ’s the mystery of things ,
As if we were God’s spies . And we’ll wear out ,
In a walled prison , packs and sects of great ones
That ebb and flow by th’ moon .
EDMUND
Take them away .
LEAR
Upon such sacrifices , my Cordelia ,
[237] ACT 5. SC. 3 The gods themselves throw incense . Have I caught
thee ?
He that parts us shall bring a brand from heaven
And fire us hence like foxes . Wipe thine eyes .
The good years shall devour them , flesh and fell ,
Ere they shall make us weep . We’ll see ’em starved
first .
Come .
[237] ACT 5. SC. 3 The gods themselves throw incense . Have I caught
thee ?
He that parts us shall bring a brand from heaven
And fire us hence like foxes . Wipe thine eyes .
The good years shall devour them , flesh and fell ,
Ere they shall make us weep . We’ll see ’em starved
first .
Come .
Lear and Cordelia exit , with Soldiers .
EDMUND
Come hither , captain . Hark .
Take thou this note . Go follow them to prison .
One step I have advanced thee . If thou dost
As this instructs thee , thou dost make thy way
To noble fortunes . Know thou this : that men
Are as the time is ; to be tender-minded
Does not become a sword . Thy great employment
Will not bear question . Either say thou ’lt do ’t ,
Or thrive by other means .
Handing him a paper .
Take thou this note . Go follow them to prison .
One step I have advanced thee . If thou dost
As this instructs thee , thou dost make thy way
To noble fortunes . Know thou this : that men
Are as the time is ; to be tender-minded
Does not become a sword . Thy great employment
Will not bear question . Either say thou ’lt do ’t ,
Or thrive by other means .
CAPTAIN
I’ll do ’t , my lord .
EDMUND
About it , and write ‘happy’ when th’ hast done .
Mark , I say , instantly , and carry it so
As I have set it down .
Mark , I say , instantly , and carry it so
As I have set it down .
CAPTAIN
I cannot draw a cart , nor eat dried oats .
If it be man’s work , I’ll do ’t .
If it be man’s work , I’ll do ’t .
Captain exits .
Flourish . Enter Albany , Goneril , Regan , Soldiers and a
Captain .
Captain .
ALBANY
, to Edmund
Sir , you have showed today your valiant strain ,
And Fortune led you well . You have the captives
Who were the opposites of this day’s strife .
I do require them of you , so to use them
As we shall find their merits and our safety
May equally determine .
And Fortune led you well . You have the captives
Who were the opposites of this day’s strife .
I do require them of you , so to use them
As we shall find their merits and our safety
May equally determine .
[239]ACT 5. SC. 3
EDMUND
Sir , I thought it fit
To send the old and miserable king
To some retention and appointed guard ,
Whose age had charms in it , whose title more ,
To pluck the common bosom on his side
And turn our impressed lances in our eyes ,
Which do command them . With him I sent the
Queen ,
My reason all the same , and they are ready
Tomorrow , or at further space , t’ appear
Where you shall hold your session . At this time
We sweat and bleed . The friend hath lost his friend ,
And the best quarrels in the heat are cursed
By those that feel their sharpness .
The question of Cordelia and her father
Requires a fitter place .
To send the old and miserable king
To some retention and appointed guard ,
Whose age had charms in it , whose title more ,
To pluck the common bosom on his side
And turn our impressed lances in our eyes ,
Which do command them . With him I sent the
Queen ,
My reason all the same , and they are ready
Tomorrow , or at further space , t’ appear
Where you shall hold your session . At this time
We sweat and bleed . The friend hath lost his friend ,
And the best quarrels in the heat are cursed
By those that feel their sharpness .
The question of Cordelia and her father
Requires a fitter place .
ALBANY
Sir , by your patience ,
I hold you but a subject of this war ,
Not as a brother .
I hold you but a subject of this war ,
Not as a brother .
REGAN
That’s as we list to grace him .
Methinks our pleasure might have been demanded
Ere you had spoke so far . He led our powers ,
Bore the commission of my place and person ,
The which immediacy may well stand up
And call itself your brother .
Methinks our pleasure might have been demanded
Ere you had spoke so far . He led our powers ,
Bore the commission of my place and person ,
The which immediacy may well stand up
And call itself your brother .
GONERIL
Not so hot .
In his own grace he doth exalt himself
More than in your addition .
In his own grace he doth exalt himself
More than in your addition .
REGAN
In my rights ,
By me invested , he compeers the best .
By me invested , he compeers the best .
GONERIL
That were the most if he should husband you .
REGAN
Jesters do oft prove prophets .
GONERIL
Holla , holla !
That eye that told you so looked but asquint .
That eye that told you so looked but asquint .
[241]ACT 5. SC. 3
REGAN
Lady , I am not well , else I should answer
From a full-flowing stomach .
General ,
Take thou my soldiers , prisoners , patrimony .
Dispose of them , of me ; the walls is thine .
Witness the world that I create thee here
My lord and master .
From a full-flowing stomach .
To Edmund .
General ,
Take thou my soldiers , prisoners , patrimony .
Dispose of them , of me ; the walls is thine .
Witness the world that I create thee here
My lord and master .
GONERIL
Mean you to enjoy him ?
ALBANY
The let-alone lies not in your goodwill .
EDMUND
Nor in thine , lord .
ALBANY
Half-blooded fellow , yes .
REGAN
, to Edmund
Let the drum strike , and prove my title thine .
ALBANY
Stay yet , hear reason . — Edmund , I arrest thee
On capital treason ; and , in thine attaint ,
This gilded serpent . — For your claim , fair
sister ,
I bar it in the interest of my wife .
’Tis she is subcontracted to this lord ,
And I , her husband , contradict your banns .
If you will marry , make your loves to me .
My lady is bespoke .
On capital treason ; and , in thine attaint ,
This gilded serpent . — For your claim , fair
sister ,
I bar it in the interest of my wife .
’Tis she is subcontracted to this lord ,
And I , her husband , contradict your banns .
If you will marry , make your loves to me .
My lady is bespoke .
GONERIL
An interlude !
ALBANY
Thou art armed , Gloucester . Let the trumpet sound .
If none appear to prove upon thy person
Thy heinous , manifest , and many treasons ,
There is my pledge .
I’ll make it on thy heart ,
Ere I taste bread , thou art in nothing less
Than I have here proclaimed thee .
If none appear to prove upon thy person
Thy heinous , manifest , and many treasons ,
There is my pledge .
He throws down a glove .
I’ll make it on thy heart ,
Ere I taste bread , thou art in nothing less
Than I have here proclaimed thee .
[243]ACT 5. SC. 3
REGAN
Sick , O , sick !
GONERIL
, aside
If not , I’ll ne’er trust medicine .
EDMUND
There’s my exchange .
What in the world he is
That names me traitor , villain-like he lies .
Call by the trumpet . He that dares approach ,
On him , on you , who not , I will maintain
My truth and honor firmly .
He throws down a glove .
What in the world he is
That names me traitor , villain-like he lies .
Call by the trumpet . He that dares approach ,
On him , on you , who not , I will maintain
My truth and honor firmly .
ALBANY
A herald , ho !
EDMUND
A herald , ho , a herald !
ALBANY
Trust to thy single virtue , for thy soldiers ,
All levied in my name , have in my name
Took their discharge .
All levied in my name , have in my name
Took their discharge .
REGAN
My sickness grows upon me .
ALBANY
She is not well . Convey her to my tent .
Come hither , herald . Let the trumpet sound ,
And read out this .
Regan is helped to exit .
Enter a Herald .
Come hither , herald . Let the trumpet sound ,
And read out this .
He hands the Herald a paper .
CAPTAIN
Sound , trumpet !
A trumpet sounds .
HERALD
reads .
If any man of quality or degree , within the lists of the
army , will maintain upon Edmund , supposed Earl of
Gloucester , that he is a manifold traitor , let him
appear by the third sound of the trumpet . He is bold in
his defense .
First trumpet sounds .
HERALD
Again !
Second trumpet sounds .
HERALD
Again !
Third trumpet sounds .
Trumpet answers within .
Enter Edgar armed .
[245]ACT 5. SC. 3
ALBANY
, to Herald
Ask him his purposes , why he appears
Upon this call o’ th’ trumpet .
Upon this call o’ th’ trumpet .
HERALD
What are you ?
Your name , your quality , and why you answer
This present summons ?
Your name , your quality , and why you answer
This present summons ?
EDGAR
Know my name is lost ,
By treason’s tooth bare-gnawn and canker-bit .
Yet am I noble as the adversary
I come to cope .
By treason’s tooth bare-gnawn and canker-bit .
Yet am I noble as the adversary
I come to cope .
ALBANY
Which is that adversary ?
EDGAR
What’s he that speaks for Edmund , Earl of
Gloucester ?
Gloucester ?
EDMUND
Himself . What sayest thou to him ?
EDGAR
Draw thy sword ,
That if my speech offend a noble heart ,
Thy arm may do thee justice . Here is mine .
Behold , it is my privilege , the privilege of mine
honors ,
My oath , and my profession . I protest ,
Maugre thy strength , place , youth , and eminence ,
Despite thy victor-sword and fire-new fortune ,
Thy valor , and thy heart , thou art a traitor ,
False to thy gods , thy brother , and thy father ,
Conspirant ’gainst this high illustrious prince ,
And from th’ extremest upward of thy head
To the descent and dust below thy foot ,
A most toad-spotted traitor . Say thou ‘no ,’
This sword , this arm , and my best spirits are bent
To prove upon thy heart , whereto I speak ,
Thou liest .
That if my speech offend a noble heart ,
Thy arm may do thee justice . Here is mine .
He draws his sword .
Behold , it is my privilege , the privilege of mine
honors ,
My oath , and my profession . I protest ,
Maugre thy strength , place , youth , and eminence ,
Despite thy victor-sword and fire-new fortune ,
Thy valor , and thy heart , thou art a traitor ,
False to thy gods , thy brother , and thy father ,
Conspirant ’gainst this high illustrious prince ,
And from th’ extremest upward of thy head
To the descent and dust below thy foot ,
A most toad-spotted traitor . Say thou ‘no ,’
This sword , this arm , and my best spirits are bent
To prove upon thy heart , whereto I speak ,
Thou liest .
EDMUND
In wisdom I should ask thy name ,
But since thy outside looks so fair and warlike ,
[247] ACT 5. SC. 3 And that thy tongue some say of breeding breathes ,
What safe and nicely I might well delay
By rule of knighthood , I disdain and spurn .
Back do I toss these treasons to thy head ,
With the hell-hated lie o’erwhelm thy heart ,
Which , for they yet glance by and scarcely bruise ,
This sword of mine shall give them instant way ,
Where they shall rest forever . Trumpets , speak !
But since thy outside looks so fair and warlike ,
[247] ACT 5. SC. 3 And that thy tongue some say of breeding breathes ,
What safe and nicely I might well delay
By rule of knighthood , I disdain and spurn .
Back do I toss these treasons to thy head ,
With the hell-hated lie o’erwhelm thy heart ,
Which , for they yet glance by and scarcely bruise ,
This sword of mine shall give them instant way ,
Where they shall rest forever . Trumpets , speak !
He draws his sword . Alarums . Fights .
Edmund falls , wounded .
ALBANY
, to Edgar
Save him , save him !
GONERIL
This is practice , Gloucester .
By th’ law of war , thou wast not bound to answer
An unknown opposite . Thou art not vanquished ,
But cozened and beguiled .
By th’ law of war , thou wast not bound to answer
An unknown opposite . Thou art not vanquished ,
But cozened and beguiled .
ALBANY
Shut your mouth , dame ,
Or with this paper shall I stopple it . — Hold , sir . —
Thou worse than any name , read thine own evil .
No tearing , lady . I perceive you know it .
Or with this paper shall I stopple it . — Hold , sir . —
Thou worse than any name , read thine own evil .
No tearing , lady . I perceive you know it .
GONERIL
Say if I do ; the laws are mine , not thine .
Who can arraign me for ’t ?
Who can arraign me for ’t ?
ALBANY
Most monstrous ! O !
Know’st thou this paper ?
Know’st thou this paper ?
GONERIL
Ask me not what I know .
She exits .
ALBANY
Go after her , she’s desperate . Govern her .
A Soldier exits .
EDMUND
, to Edgar
What you have charged me with , that have I done ,
And more , much more . The time will bring it out .
’Tis past , and so am I . But what art thou
That hast this fortune on me ? If thou ’rt noble ,
I do forgive thee .
And more , much more . The time will bring it out .
’Tis past , and so am I . But what art thou
That hast this fortune on me ? If thou ’rt noble ,
I do forgive thee .
[249]ACT 5. SC. 3
EDGAR
Let’s exchange charity .
I am no less in blood than thou art , Edmund ;
If more , the more th’ hast wronged me .
My name is Edgar and thy father’s son .
The gods are just , and of our pleasant vices
Make instruments to plague us .
The dark and vicious place where thee he got
Cost him his eyes .
I am no less in blood than thou art , Edmund ;
If more , the more th’ hast wronged me .
My name is Edgar and thy father’s son .
The gods are just , and of our pleasant vices
Make instruments to plague us .
The dark and vicious place where thee he got
Cost him his eyes .
EDMUND
Th’ hast spoken right . ’Tis true .
The wheel is come full circle ; I am here .
The wheel is come full circle ; I am here .
ALBANY
, to Edgar
Methought thy very gait did prophesy
A royal nobleness . I must embrace thee .
Let sorrow split my heart if ever I
Did hate thee or thy father !
A royal nobleness . I must embrace thee .
Let sorrow split my heart if ever I
Did hate thee or thy father !
EDGAR
Worthy prince , I know ’t .
ALBANY
Where have you hid yourself ?
How have you known the miseries of your father ?
How have you known the miseries of your father ?
EDGAR
By nursing them , my lord . List a brief tale ,
And when ’tis told , O , that my heart would burst !
The bloody proclamation to escape
That followed me so near — O , our lives’ sweetness ,
That we the pain of death would hourly die
Rather than die at once ! — taught me to shift
Into a madman’s rags , t’ assume a semblance
That very dogs disdained , and in this habit
Met I my father with his bleeding rings ,
Their precious stones new lost ; became his guide ,
Led him , begged for him , saved him from despair .
Never — O fault ! — revealed myself unto him
Until some half hour past , when I was armed .
Not sure , though hoping of this good success ,
I asked his blessing , and from first to last
Told him our pilgrimage . But his flawed heart
( Alack , too weak the conflict to support )
[251] ACT 5. SC. 3 ’Twixt two extremes of passion , joy and grief ,
Burst smilingly .
And when ’tis told , O , that my heart would burst !
The bloody proclamation to escape
That followed me so near — O , our lives’ sweetness ,
That we the pain of death would hourly die
Rather than die at once ! — taught me to shift
Into a madman’s rags , t’ assume a semblance
That very dogs disdained , and in this habit
Met I my father with his bleeding rings ,
Their precious stones new lost ; became his guide ,
Led him , begged for him , saved him from despair .
Never — O fault ! — revealed myself unto him
Until some half hour past , when I was armed .
Not sure , though hoping of this good success ,
I asked his blessing , and from first to last
Told him our pilgrimage . But his flawed heart
( Alack , too weak the conflict to support )
[251] ACT 5. SC. 3 ’Twixt two extremes of passion , joy and grief ,
Burst smilingly .
EDMUND
This speech of yours hath moved me ,
And shall perchance do good . But speak you on .
You look as you had something more to say .
And shall perchance do good . But speak you on .
You look as you had something more to say .
ALBANY
If there be more , more woeful , hold it in ,
For I am almost ready to dissolve ,
Hearing of this .
For I am almost ready to dissolve ,
Hearing of this .
EDGAR
This would have seemed a period
To such as love not sorrow ; but another ,
To amplify too much , would make much more
And top extremity . Whilst I
Was big in clamor , came there in a man
Who , having seen me in my worst estate ,
Shunned my abhorred society ; but then , finding
Who ’twas that so endured , with his strong arms
He fastened on my neck and bellowed out
As he’d burst heaven , threw him on my father ,
Told the most piteous tale of Lear and him
That ever ear received , which , in recounting ,
His grief grew puissant , and the strings of life
Began to crack . Twice then the trumpets sounded ,
And there I left him tranced .
To such as love not sorrow ; but another ,
To amplify too much , would make much more
And top extremity . Whilst I
Was big in clamor , came there in a man
Who , having seen me in my worst estate ,
Shunned my abhorred society ; but then , finding
Who ’twas that so endured , with his strong arms
He fastened on my neck and bellowed out
As he’d burst heaven , threw him on my father ,
Told the most piteous tale of Lear and him
That ever ear received , which , in recounting ,
His grief grew puissant , and the strings of life
Began to crack . Twice then the trumpets sounded ,
And there I left him tranced .
ALBANY
But who was this ?
EDGAR
Kent , sir , the banished Kent , who in disguise
Followed his enemy king and did him service
Improper for a slave .
Followed his enemy king and did him service
Improper for a slave .
Enter a Gentleman with a bloody knife .
GENTLEMAN
Help , help , O , help !
EDGAR
What kind of help ?
ALBANY
, to Gentleman
Speak , man !
EDGAR
What means this bloody knife ?
[253]ACT 5. SC. 3
GENTLEMAN
’Tis hot , it smokes ! It came even from the heart
Of — O , she’s dead !
Of — O , she’s dead !
ALBANY
Who dead ? Speak , man .
GENTLEMAN
Your lady , sir , your lady . And her sister
By her is poisoned . She confesses it .
By her is poisoned . She confesses it .
EDMUND
I was contracted to them both . All three
Now marry in an instant .
Now marry in an instant .
EDGAR
Here comes Kent .
Enter Kent .
ALBANY
, to the Gentleman
Produce the bodies , be they alive or dead .
This judgment of the heavens , that makes us
tremble ,
Touches us not with pity . O , is this he ?
Which very manners urges .
Gentleman exits .
This judgment of the heavens , that makes us
tremble ,
Touches us not with pity . O , is this he ?
To Kent .
The time will not allow the compliment Which very manners urges .
KENT
I am come
To bid my king and master aye goodnight .
Is he not here ?
To bid my king and master aye goodnight .
Is he not here ?
ALBANY
Great thing of us forgot !
Speak , Edmund , where’s the King ? And where’s
Cordelia ?
Seest thou this object , Kent ?
Speak , Edmund , where’s the King ? And where’s
Cordelia ?
Goneril and Regan’s bodies brought out .
Seest thou this object , Kent ?
KENT
Alack , why thus ?
EDMUND
Yet Edmund was beloved .
The one the other poisoned for my sake ,
And after slew herself .
The one the other poisoned for my sake ,
And after slew herself .
ALBANY
Even so . — Cover their faces .
EDMUND
I pant for life . Some good I mean to do
[255] ACT 5. SC. 3 Despite of mine own nature . Quickly send —
Be brief in it — to th’ castle , for my writ
Is on the life of Lear , and on Cordelia .
Nay , send in time .
[255] ACT 5. SC. 3 Despite of mine own nature . Quickly send —
Be brief in it — to th’ castle , for my writ
Is on the life of Lear , and on Cordelia .
Nay , send in time .
ALBANY
Run , run , O , run !
EDGAR
To who , my lord ?
Send
Thy token of reprieve .
To Edmund .
Who has the office ? Send
Thy token of reprieve .
EDMUND
Well thought on . Take my sword . Give it the
Captain .
Captain .
EDGAR
, to a Soldier
Haste thee for thy life .
The Soldier exits with Edmund’s sword .
EDMUND
, to Albany
He hath commission from thy wife and me
To hang Cordelia in the prison , and
To lay the blame upon her own despair ,
That she fordid herself .
To hang Cordelia in the prison , and
To lay the blame upon her own despair ,
That she fordid herself .
ALBANY
The gods defend her ! — Bear him hence awhile .
Edmund is carried off .
Enter Lear with Cordelia in his arms ,
followed by a Gentleman .
followed by a Gentleman .
LEAR
Howl , howl , howl ! O , you are men of stones !
Had I your tongues and eyes , I’d use them so
That heaven’s vault should crack . She’s gone
forever .
I know when one is dead and when one lives .
She’s dead as earth . — Lend me a looking glass .
If that her breath will mist or stain the stone ,
Why , then she lives .
Had I your tongues and eyes , I’d use them so
That heaven’s vault should crack . She’s gone
forever .
I know when one is dead and when one lives .
She’s dead as earth . — Lend me a looking glass .
If that her breath will mist or stain the stone ,
Why , then she lives .
KENT
Is this the promised end ?
EDGAR
Or image of that horror ?
[257]ACT 5. SC. 3
ALBANY
Fall and cease .
LEAR
This feather stirs . She lives . If it be so ,
It is a chance which does redeem all sorrows
That ever I have felt .
It is a chance which does redeem all sorrows
That ever I have felt .
KENT
O , my good master —
LEAR
Prithee , away .
EDGAR
’Tis noble Kent , your friend .
LEAR
A plague upon you , murderers , traitors all !
I might have saved her . Now she’s gone forever . —
Cordelia , Cordelia , stay a little . Ha !
What is ’t thou sayst ? — Her voice was ever soft ,
Gentle , and low , an excellent thing in woman .
I killed the slave that was a-hanging thee .
I might have saved her . Now she’s gone forever . —
Cordelia , Cordelia , stay a little . Ha !
What is ’t thou sayst ? — Her voice was ever soft ,
Gentle , and low , an excellent thing in woman .
I killed the slave that was a-hanging thee .
GENTLEMAN
’Tis true , my lords , he did .
LEAR
Did I not , fellow ?
I have seen the day , with my good biting falchion
I would have made him skip . I am old now ,
And these same crosses spoil me .
are you ?
Mine eyes are not o’ th’ best . I’ll tell you straight .
I have seen the day , with my good biting falchion
I would have made him skip . I am old now ,
And these same crosses spoil me .
To Kent .
Who are you ?
Mine eyes are not o’ th’ best . I’ll tell you straight .
KENT
If Fortune brag of two she loved and hated ,
One of them we behold .
One of them we behold .
LEAR
This is a dull sight . Are you not Kent ?
KENT
The same ,
Your servant Kent . Where is your servant Caius ?
Your servant Kent . Where is your servant Caius ?
LEAR
He’s a good fellow , I can tell you that .
He’ll strike and quickly too . He’s dead and rotten .
He’ll strike and quickly too . He’s dead and rotten .
KENT
No , my good lord , I am the very man —
[259]ACT 5. SC. 3
LEAR
I’ll see that straight .
KENT
That from your first of difference and decay
Have followed your sad steps .
Have followed your sad steps .
LEAR
You are welcome
hither .
hither .
KENT
Nor no man else . All’s cheerless , dark , and deadly .
Your eldest daughters have fordone themselves ,
And desperately are dead .
Your eldest daughters have fordone themselves ,
And desperately are dead .
LEAR
Ay , so I think .
ALBANY
He knows not what he says , and vain is it
That we present us to him .
That we present us to him .
EDGAR
Very bootless .
Enter a Messenger .
MESSENGER
Edmund is dead , my lord .
ALBANY
That’s but a trifle here . —
You lords and noble friends , know our intent :
What comfort to this great decay may come
Shall be applied . For us , we will resign ,
During the life of this old Majesty ,
To him our absolute power ; you to your rights ,
With boot and such addition as your Honors
Have more than merited . All friends shall taste
The wages of their virtue , and all foes
The cup of their deservings . O , see , see !
You lords and noble friends , know our intent :
What comfort to this great decay may come
Shall be applied . For us , we will resign ,
During the life of this old Majesty ,
To him our absolute power ; you to your rights ,
With boot and such addition as your Honors
Have more than merited . All friends shall taste
The wages of their virtue , and all foes
The cup of their deservings . O , see , see !
LEAR
And my poor fool is hanged . No , no , no life ?
Why should a dog , a horse , a rat have life ,
And thou no breath at all ? Thou ’lt come no more ,
Never , never , never , never , never . —
Pray you undo this button . Thank you , sir .
Do you see this ? Look on her , look , her lips ,
Look there , look there !
Why should a dog , a horse , a rat have life ,
And thou no breath at all ? Thou ’lt come no more ,
Never , never , never , never , never . —
Pray you undo this button . Thank you , sir .
Do you see this ? Look on her , look , her lips ,
Look there , look there !
He dies .
[261]ACT 5. SC. 3
EDGAR
He faints .
my lord !
To Lear .
My lord , my lord !
KENT
Break , heart , I prithee , break !
EDGAR
Look up , my lord .
KENT
Vex not his ghost . O , let him pass ! He hates him
That would upon the rack of this tough world
Stretch him out longer .
That would upon the rack of this tough world
Stretch him out longer .
EDGAR
He is gone indeed .
KENT
The wonder is he hath endured so long .
He but usurped his life .
He but usurped his life .
ALBANY
Bear them from hence . Our present business
Is general woe .
soul , you twain
Rule in this realm , and the gored state sustain .
Is general woe .
To Edgar and Kent .
Friends of my soul , you twain
Rule in this realm , and the gored state sustain .
KENT
I have a journey , sir , shortly to go ;
My master calls me . I must not say no .
My master calls me . I must not say no .
EDGAR
The weight of this sad time we must obey ,
Speak what we feel , not what we ought to say .
The oldest hath borne most ; we that are young
Shall never see so much nor live so long .
Speak what we feel , not what we ought to say .
The oldest hath borne most ; we that are young
Shall never see so much nor live so long .
They exit with a dead march .
Appendix A
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w0144010.48tx6.0#null.48tx6.0#c0144020.48tx6.0#null.48tx6.0#w0144030.48tx6.0#null.48tx6.0#p0144040.48tx6.0]] [[undefined w0144160.48tx6.0#null.48tx6.0#c0144170.48tx6.0#null.48tx6.0#w0144180.48tx6.0]] [[undefined w0148950.48tx6.0#null.48tx6.0#c0148960.48tx6.0#null.48tx6.0#w0148970.48tx6.0#null.48tx6.0#p0148980.48tx6.0]] [[undefined w0150910.48tx6.0#null.48tx6.0#c0150920.48tx6.0#null.48tx6.0#w0150930.48tx6.0#null.48tx6.0#p0150940.48tx6.0]] [[undefined w0151770.48tx6.0#null.48tx6.0#p0151780.48tx6.0#null.48tx6.0#c0151790.48tx6.0#null.48tx6.0#w0151800.48tx6.0]] [[undefined w0157030.48tx6.0#null.48tx6.0#c0157040.48tx6.0#null.48tx6.0#w0157050.48tx6.0#null.48tx6.0#p0157060.48tx6.0]] [[undefined w0157270.48tx6.0#null.48tx6.0#c0157280.48tx6.0#null.48tx6.0#w0157290.48tx6.0#null.48tx6.0#c0157300.48tx6.0#null.48tx6.0#w0157310.48tx6.0#null.48tx6.0#p0157320.48tx6.0]] [[undefined w0158000.48tx6.0#null.48tx6.0#c0158010.48tx6.0#null.48tx6.0#w0158020.48tx6.0#null.48tx6.0#c0158030.48tx6.0#null.48tx6.0#w0158040.48tx6.0#null.48tx6.0#c0158050.48tx6.0#null.48tx6.0#w0158060.48tx6.0#null.48tx6.0#p0158070.48tx6.0]] [[undefined w0159590.48tx6.0#null.48tx6.0#c0159600.48tx6.0#null.48tx6.0#w0159610.48tx6.0#null.48tx6.0#p0159620.48tx6.0]] [[undefined w0174440.48tx6.0#null.48tx6.0#c0174450.48tx6.0#null.48tx6.0#w0174460.48tx6.0]] [[undefined w0174500.48tx6.0#null.48tx6.0#p0174510.48tx6.0#null.48tx6.0#c0174520.48tx6.0#null.48tx6.0#w0174530.48tx6.0]] [[undefined w0178870.48tx6.0#null.48tx6.0#c0178880.48tx6.0#null.48tx6.0#w0178890.48tx6.0#null.48tx6.0#w0178900.48tx6.0#null.48tx6.0#c0178910.48tx6.0#null.48tx6.0#w0178920.48tx6.0#null.48tx6.0#p0178930.48tx6.0]] [[undefined w0180860.48tx6.0#null.48tx6.0#c0180870.48tx6.0#null.48tx6.0#w0180880.48tx6.0#null.48tx6.0#c0180890.48tx6.0#null.48tx6.0#w0180900.48tx6.0#null.48tx6.0#p0180910.48tx6.0]] Smile flick’ring [[undefined w0192510.48tx6.0#null.48tx6.0#c0192520.48tx6.0#null.48tx6.0#w0192530.48tx6.0]] contemned’st [[undefined w0198820.48tx6.0#null.48tx6.0#c0198830.48tx6.0#null.48tx6.0#w0198840.48tx6.0#null.48tx6.0#c0198850.48tx6.0#null.48tx6.0#w0198860.48tx6.0#null.48tx6.0#c0198870.48tx6.0#null.48tx6.0#w0198880.48tx6.0#null.48tx6.0#c0198890.48tx6.0#null.48tx6.0#w0198900.48tx6.0#null.48tx6.0#c0198910.48tx6.0#null.48tx6.0#w0198920.48tx6.0#null.48tx6.0#p0198930.48tx6.0]] [[undefined w0199070.48tx6.0#null.48tx6.0#c0199080.48tx6.0#null.48tx6.0#w0199090.48tx6.0#null.48tx6.0#c0199100.48tx6.0#null.48tx6.0#w0199110.48tx6.0#null.48tx6.0#c0199120.48tx6.0#null.48tx6.0#w0199130.48tx6.0#null.48tx6.0#c0199140.48tx6.0#null.48tx6.0#w0199150.48tx6.0]] [[undefined w0201090.48tx6.0#null.48tx6.0#c0201100.48tx6.0#null.48tx6.0#w0201110.48tx6.0#null.48tx6.0#c0201120.48tx6.0#null.48tx6.0#w0201130.48tx6.0#null.48tx6.0#c0201140.48tx6.0#null.48tx6.0#w0201150.48tx6.0#null.48tx6.0#c0201160.48tx6.0#null.48tx6.0#w0201170.48tx6.0#null.48tx6.0#p0201180.48tx6.0]] waking Hysterica [[undefined w0214330.48tx6.0#null.48tx6.0#c0214340.48tx6.0#null.48tx6.0#w0214350.48tx6.0#null.48tx6.0#c0214360.48tx6.0#null.48tx6.0#w0214370.48tx6.0#null.48tx6.0#c0214380.48tx6.0#null.48tx6.0#w0214390.48tx6.0]] [[undefined w0222640.48tx6.0#null.48tx6.0#c0222650.48tx6.0#null.48tx6.0#w0222660.48tx6.0#null.48tx6.0#c0222670.48tx6.0#null.48tx6.0#w0222680.48tx6.0#null.48tx6.0#p0222690.48tx6.0]] [[undefined w0226590.48tx6.0#null.48tx6.0#c0226600.48tx6.0#null.48tx6.0#w0226610.48tx6.0#null.48tx6.0#p0226620.48tx6.0]] [[undefined w0230220.48tx6.0#null.48tx6.0#c0230230.48tx6.0#null.48tx6.0#w0230240.48tx6.0#null.48tx6.0#p0230250.48tx6.0]] rising [[undefined w0235570.48tx6.0#null.48tx6.0#p0235580.48tx6.0#null.48tx6.0#c0235590.48tx6.0#null.48tx6.0#w0235600.48tx6.0]] [[undefined w0237290.48tx6.0#null.48tx6.0#c0237300.48tx6.0#null.48tx6.0#w0237310.48tx6.0#null.48tx6.0#p0237320.48tx6.0]] [[undefined w0237490.48tx6.0#null.48tx6.0#c0237500.48tx6.0#null.48tx6.0#w0237510.48tx6.0#null.48tx6.0#c0237520.48tx6.0#null.48tx6.0#w0237530.48tx6.0#null.48tx6.0#c0237540.48tx6.0#null.48tx6.0#w0237550.48tx6.0#null.48tx6.0#p0237560.48tx6.0]] [[undefined w0241570.48tx6.0#null.48tx6.0#c0241580.48tx6.0#null.48tx6.0#w0241590.48tx6.0#null.48tx6.0#c0241600.48tx6.0#null.48tx6.0#w0241610.48tx6.0#null.48tx6.0#p0241620.48tx6.0]] [[undefined w0249100.48tx6.0#null.48tx6.0#c0249110.48tx6.0#null.48tx6.0#w0249120.48tx6.0#null.48tx6.0#p0249130.48tx6.0]] [[undefined w0254230.48tx6.0#null.48tx6.0#c0254240.48tx6.0#null.48tx6.0#w0254250.48tx6.0#null.48tx6.0#c0254260.48tx6.0#null.48tx6.0#w0254270.48tx6.0#null.48tx6.0#c0254280.48tx6.0#null.48tx6.0#w0254290.48tx6.0#null.48tx6.0#c0254300.48tx6.0#null.48tx6.0#w0254310.48tx6.0#null.48tx6.0#p0254320.48tx6.0]] [[undefined w0256430.48tx6.0#null.48tx6.0#c0256440.48tx6.0#null.48tx6.0#w0256450.48tx6.0]] [[undefined w0258560.48tx6.0#null.48tx6.0#c0258570.48tx6.0#null.48tx6.0#w0258580.48tx6.0#null.48tx6.0#p0258590.48tx6.0]] [[undefined w0265830.48tx6.0#null.48tx6.0#c0265840.48tx6.0#null.48tx6.0#w0265850.48tx6.0#null.48tx6.0#c0265860.48tx6.0#null.48tx6.0#w0265870.48tx6.0#null.48tx6.0#c0265880.48tx6.0#null.48tx6.0#w0265890.48tx6.0#null.48tx6.0#c0265900.48tx6.0#null.48tx6.0#w0265910.48tx6.0#null.48tx6.0#c0265920.48tx6.0#null.48tx6.0#w0265930.48tx6.0#null.48tx6.0#c0265940.48tx6.0#null.48tx6.0#w0265950.48tx6.0#null.48tx6.0#c0265960.48tx6.0#null.48tx6.0#w0265970.48tx6.0#null.48tx6.0#p0265980.48tx6.0]] [[undefined w0267750.48tx6.0#null.48tx6.0#p0267760.48tx6.0]] [[undefined w0273440.48tx6.0#null.48tx6.0#c0273450.48tx6.0#null.48tx6.0#w0273460.48tx6.0#null.48tx6.0#p0273470.48tx6.0]] sings [[undefined w0280020.48tx6.0#null.48tx6.0#c0280030.48tx6.0#null.48tx6.0#w0280040.48tx6.0#null.48tx6.0#c0280050.48tx6.0#null.48tx6.0#w0280060.48tx6.0]] [[undefined w0287450.48tx6.0#null.48tx6.0#c0287460.48tx6.0#null.48tx6.0#w0287470.48tx6.0#null.48tx6.0#p0287480.48tx6.0]] Fool within [[undefined w0295240.48tx6.0#null.48tx6.0#c0295250.48tx6.0#null.48tx6.0#w0295260.48tx6.0#null.48tx6.0#p0295270.48tx6.0]] [[undefined w0306380.48tx6.0#null.48tx6.0#c0306390.48tx6.0#null.48tx6.0#w0306400.48tx6.0#null.48tx6.0#c0306410.48tx6.0#null.48tx6.0#w0306420.48tx6.0#null.48tx6.0#c0306430.48tx6.0#null.48tx6.0#w0306440.48tx6.0#null.48tx6.0#p0306450.48tx6.0]] [[undefined w0311485.48tx6.0#null.48tx6.0#c0311487.48tx6.0#null.48tx6.0#w0311489.48tx6.0]] [[undefined w0311905.48tx6.0#null.48tx6.0#c0311907.48tx6.0#null.48tx6.0#w0311909.48tx6.0]] [[undefined w0312335.48tx6.0#null.48tx6.0#c0312337.48tx6.0#null.48tx6.0#w0312339.48tx6.0]] [[undefined w0313510.48tx6.0#null.48tx6.0#c0313520.48tx6.0#null.48tx6.0#w0313530.48tx6.0#null.48tx6.0#p0313540.48tx6.0]] [[undefined w0314550.48tx6.0#null.48tx6.0#c0314560.48tx6.0#null.48tx6.0#w0314570.48tx6.0#null.48tx6.0#c0314580.48tx6.0#null.48tx6.0#w0314590.48tx6.0#null.48tx6.0#p0314600.48tx6.0]] [[undefined w0314640.48tx6.0#null.48tx6.0#c0314650.48tx6.0#null.48tx6.0#w0314660.48tx6.0]] [[undefined w0316870.48tx6.0#null.48tx6.0#c0316880.48tx6.0#null.48tx6.0#w0316890.48tx6.0#null.48tx6.0#p0316900.48tx6.0]] [[undefined w0317090.48tx6.0#null.48tx6.0#c0317100.48tx6.0#null.48tx6.0#w0317110.48tx6.0]] [[undefined w0317560.48tx6.0#null.48tx6.0#c0317570.48tx6.0#null.48tx6.0#w0317580.48tx6.0]] [[undefined w0317800.48tx6.0#null.48tx6.0#c0317810.48tx6.0#null.48tx6.0#w0317820.48tx6.0]] [[undefined 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w0327750.48tx6.0#null.48tx6.0#p0327760.48tx6.0]] sings [[undefined w0328900.48tx6.0#null.48tx6.0#c0328910.48tx6.0#null.48tx6.0#w0328920.48tx6.0]] [[undefined w0329510.48tx6.0#null.48tx6.0#c0329520.48tx6.0#null.48tx6.0#w0329530.48tx6.0#null.48tx6.0#p0329540.48tx6.0]] [[undefined w0329720.48tx6.0#null.48tx6.0#c0329730.48tx6.0#null.48tx6.0#w0329740.48tx6.0#null.48tx6.0#p0329750.48tx6.0]] [[undefined w0329990.48tx6.0#null.48tx6.0#c0330000.48tx6.0#null.48tx6.0#w0330010.48tx6.0#null.48tx6.0#p0330020.48tx6.0]] [[undefined w0330290.48tx6.0#null.48tx6.0#p0330300.48tx6.0]] [[undefined w0332680.48tx6.0#null.48tx6.0#c0332690.48tx6.0#null.48tx6.0#w0332700.48tx6.0]] aside [[undefined w0334360.48tx6.0#null.48tx6.0#p0334370.48tx6.0]] [[undefined w0335820.48tx6.0#null.48tx6.0#c0335830.48tx6.0#null.48tx6.0#w0335840.48tx6.0#null.48tx6.0#p0335850.48tx6.0]] [[undefined w0336730.48tx6.0#null.48tx6.0#c0336740.48tx6.0#null.48tx6.0#w0336750.48tx6.0]] [[undefined w0337370.48tx6.0#null.48tx6.0#c0337380.48tx6.0#null.48tx6.0#w0337390.48tx6.0]] [[undefined w0340030.48tx6.0#null.48tx6.0#c0340040.48tx6.0#null.48tx6.0#w0340050.48tx6.0#null.48tx6.0#c0340060.48tx6.0#null.48tx6.0#w0340070.48tx6.0#null.48tx6.0#p0340080.48tx6.0]] [[undefined w0340400.48tx6.0#null.48tx6.0#c0340410.48tx6.0#null.48tx6.0#w0340420.48tx6.0#null.48tx6.0#c0340430.48tx6.0#null.48tx6.0#w0340440.48tx6.0]] [[undefined w0340490.48tx6.0#null.48tx6.0#c0340500.48tx6.0#null.48tx6.0#w0340510.48tx6.0#null.48tx6.0#p0340520.48tx6.0]] [[undefined w0342630.48tx6.0#null.48tx6.0#c0342640.48tx6.0#null.48tx6.0#w0342650.48tx6.0#null.48tx6.0#p0342660.48tx6.0]] [[undefined w0342810.48tx6.0#null.48tx6.0#p0342820.48tx6.0#null.48tx6.0#c0342830.48tx6.0#null.48tx6.0#w0342840.48tx6.0]] [[undefined w0342950.48tx6.0#null.48tx6.0#c0342960.48tx6.0#null.48tx6.0#w0342970.48tx6.0]] [[undefined w0343210.48tx6.0#null.48tx6.0#c0343220.48tx6.0#null.48tx6.0#w0343230.48tx6.0#null.48tx6.0#c0343240.48tx6.0#null.48tx6.0#w0343250.48tx6.0#null.48tx6.0#c0343260.48tx6.0#null.48tx6.0#w0343270.48tx6.0#null.48tx6.0#w0343280.48tx6.0#null.48tx6.0#p0343290.48tx6.0]] [[undefined w0343530.48tx6.0#null.48tx6.0#c0343540.48tx6.0#null.48tx6.0#w0343550.48tx6.0#null.48tx6.0#c0343560.48tx6.0#null.48tx6.0#w0343570.48tx6.0#null.48tx6.0#p0343580.48tx6.0]] [[undefined w0345100.48tx6.0#null.48tx6.0#p0345110.48tx6.0#null.48tx6.0#c0345120.48tx6.0#null.48tx6.0#w0345130.48tx6.0]] [[undefined w0346300.48tx6.0#null.48tx6.0#c0346310.48tx6.0#null.48tx6.0#w0346320.48tx6.0#null.48tx6.0#p0346330.48tx6.0]] [[undefined w0346530.48tx6.0#null.48tx6.0#c0346540.48tx6.0#null.48tx6.0#w0346550.48tx6.0#null.48tx6.0#c0346560.48tx6.0#null.48tx6.0#w0346570.48tx6.0]] [[undefined w0346900.48tx6.0#null.48tx6.0#c0346910.48tx6.0#null.48tx6.0#w0346920.48tx6.0#null.48tx6.0#c0346930.48tx6.0#null.48tx6.0#w0346940.48tx6.0#null.48tx6.0#p0346950.48tx6.0]] [[undefined w0348830.48tx6.0#null.48tx6.0#c0348840.48tx6.0#null.48tx6.0#w0348850.48tx6.0#null.48tx6.0#c0348860.48tx6.0#null.48tx6.0#w0348870.48tx6.0#null.48tx6.0#p0348880.48tx6.0]] [[undefined w0348980.48tx6.0#null.48tx6.0#c0348990.48tx6.0#null.48tx6.0#w0349000.48tx6.0#null.48tx6.0#c0349010.48tx6.0#null.48tx6.0#w0349020.48tx6.0#null.48tx6.0#c0349030.48tx6.0#null.48tx6.0#w0349040.48tx6.0#null.48tx6.0#p0349050.48tx6.0]] [[undefined 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w0357950.48tx6.0#null.48tx6.0#c0357960.48tx6.0#null.48tx6.0#w0357970.48tx6.0#null.48tx6.0#p0357980.48tx6.0]] [[undefined w0358210.48tx6.0#null.48tx6.0#c0358220.48tx6.0#null.48tx6.0#w0358230.48tx6.0#null.48tx6.0#c0358240.48tx6.0#null.48tx6.0#w0358250.48tx6.0#null.48tx6.0#c0358260.48tx6.0#null.48tx6.0#w0358270.48tx6.0#null.48tx6.0#c0358280.48tx6.0#null.48tx6.0#w0358290.48tx6.0#null.48tx6.0#p0358300.48tx6.0]] [[undefined w0360060.48tx6.0#null.48tx6.0#c0360070.48tx6.0#null.48tx6.0#w0360080.48tx6.0]] [[undefined w0361030.48tx6.0#null.48tx6.0#c0361040.48tx6.0#null.48tx6.0#w0361050.48tx6.0#null.48tx6.0#c0361060.48tx6.0#null.48tx6.0#w0361070.48tx6.0]] SECOND THIRD SECOND THIRD They [[undefined w0362830.48tx6.0#null.48tx6.0#c0362840.48tx6.0#null.48tx6.0#w0362850.48tx6.0#null.48tx6.0#p0362860.48tx6.0]] aside aside aside [[undefined w0372450.48tx6.0#null.48tx6.0#p0372460.48tx6.0]] aside [[undefined w0374140.48tx6.0#null.48tx6.0#p0374150.48tx6.0]] mopping [[undefined w0374220.48tx6.0#null.48tx6.0#p0374230.48tx6.0]] [[undefined w0374510.48tx6.0#null.48tx6.0#c0374520.48tx6.0#null.48tx6.0#w0374530.48tx6.0#null.48tx6.0#c0374540.48tx6.0#null.48tx6.0#w0374550.48tx6.0]] [[undefined w0377130.48tx6.0#null.48tx6.0#p0377140.48tx6.0#null.48tx6.0#c0377150.48tx6.0#null.48tx6.0#w0377160.48tx6.0]] [[undefined w0377520.48tx6.0#null.48tx6.0#p0377530.48tx6.0#null.48tx6.0#c0377540.48tx6.0#null.48tx6.0#w0377550.48tx6.0]] [[undefined w0379200.48tx6.0#null.48tx6.0#c0379210.48tx6.0#null.48tx6.0#w0379220.48tx6.0]] [[undefined w0381090.48tx6.0#null.48tx6.0#c0381100.48tx6.0#null.48tx6.0#w0381110.48tx6.0#null.48tx6.0#c0381120.48tx6.0#null.48tx6.0#w0381130.48tx6.0#null.48tx6.0#c0381140.48tx6.0#null.48tx6.0#w0381150.48tx6.0#null.48tx6.0#c0381160.48tx6.0#null.48tx6.0#w0381170.48tx6.0#null.48tx6.0#p0381180.48tx6.0]] [[undefined w0381260.48tx6.0#null.48tx6.0#c0381270.48tx6.0#null.48tx6.0#w0381280.48tx6.0#null.48tx6.0#c0381290.48tx6.0#null.48tx6.0#w0381300.48tx6.0#null.48tx6.0#p0381310.48tx6.0]] these [[undefined w0386950.48tx6.0#null.48tx6.0#c0386960.48tx6.0#null.48tx6.0#w0386970.48tx6.0#null.48tx6.0#p0386975.48tx6.0]] [[undefined w0391010.48tx6.0#null.48tx6.0#c0391020.48tx6.0#null.48tx6.0#w0391030.48tx6.0#null.48tx6.0#c0391040.48tx6.0#null.48tx6.0#w0391050.48tx6.0#null.48tx6.0#c0391060.48tx6.0#null.48tx6.0#w0391070.48tx6.0#null.48tx6.0#p0391080.48tx6.0]] aside [[undefined w0393810.48tx6.0#null.48tx6.0#c0393820.48tx6.0#null.48tx6.0#w0393830.48tx6.0]] [[undefined w0393880.48tx6.0#null.48tx6.0#c0393890.48tx6.0#null.48tx6.0#w0393900.48tx6.0]] [[undefined w0395500.48tx6.0#null.48tx6.0#p0395510.48tx6.0]] strove seemed They 4 [[undefined w0404460.48tx6.0#null.48tx6.0#c0404470.48tx6.0#null.48tx6.0#w0404480.48tx6.0#null.48tx6.0#p0404490.48tx6.0]] 5 [[undefined w0407830.48tx6.0#null.48tx6.0#p0407840.48tx6.0#null.48tx6.0#c0407850.48tx6.0#null.48tx6.0#w0407860.48tx6.0]] 6 [[undefined w0414780.48tx6.0#null.48tx6.0#c0414790.48tx6.0#null.48tx6.0#w0414800.48tx6.0#null.48tx6.0#c0414810.48tx6.0#null.48tx6.0#w0414820.48tx6.0#null.48tx6.0#c0414830.48tx6.0#null.48tx6.0#w0414840.48tx6.0#null.48tx6.0#p0414850.48tx6.0]] [[undefined w0419970.48tx6.0#null.48tx6.0#c0419980.48tx6.0#null.48tx6.0#w0419990.48tx6.0#null.48tx6.0#c0420000.48tx6.0#null.48tx6.0#w0420010.48tx6.0#null.48tx6.0#c0420020.48tx6.0#null.48tx6.0#w0420030.48tx6.0#null.48tx6.0#c0420040.48tx6.0#null.48tx6.0#w0420050.48tx6.0#null.48tx6.0#p0420060.48tx6.0]] [[undefined w0420370.48tx6.0#null.48tx6.0#c0420380.48tx6.0#null.48tx6.0#w0420390.48tx6.0]] aside [[undefined w0426050.48tx6.0#null.48tx6.0#c0426060.48tx6.0#null.48tx6.0#w0426070.48tx6.0#null.48tx6.0#c0426080.48tx6.0#null.48tx6.0#w0426090.48tx6.0#null.48tx6.0#p0426100.48tx6.0]] aside [[undefined w0442740.48tx6.0#null.48tx6.0#c0442750.48tx6.0#null.48tx6.0#w0442760.48tx6.0]] aside [[undefined w0446820.48tx6.0#null.48tx6.0#c0446830.48tx6.0#null.48tx6.0#w0446840.48tx6.0#null.48tx6.0#p0446850.48tx6.0]] [[undefined w0446890.48tx6.0#null.48tx6.0#c0446900.48tx6.0#null.48tx6.0#w0446910.48tx6.0]] [[undefined w0447020.48tx6.0#null.48tx6.0#c0447030.48tx6.0#null.48tx6.0#w0447040.48tx6.0#null.48tx6.0#c0447050.48tx6.0#null.48tx6.0#w0447060.48tx6.0#null.48tx6.0#p0447070.48tx6.0]] [[undefined w0449830.48tx6.0#null.48tx6.0#c0449840.48tx6.0#null.48tx6.0#w0449850.48tx6.0#null.48tx6.0#c0449860.48tx6.0#null.48tx6.0#w0449870.48tx6.0#null.48tx6.0#p0449880.48tx6.0]] Gentleman [[undefined w0453620.48tx6.0#null.48tx6.0#c0453630.48tx6.0#null.48tx6.0#w0453640.48tx6.0#null.48tx6.0#c0453650.48tx6.0#null.48tx6.0#w0453660.48tx6.0#null.48tx6.0#c0453670.48tx6.0#null.48tx6.0#w0453680.48tx6.0#null.48tx6.0#p0453690.48tx6.0]] [[undefined 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[[undefined w0469070.48tx6.0#null.48tx6.0#p0469080.48tx6.0]] [[undefined w0469310.48tx6.0#null.48tx6.0#c0469320.48tx6.0#null.48tx6.0#w0469330.48tx6.0]] weeping [[undefined w0481770.48tx6.0#null.48tx6.0#c0481780.48tx6.0#null.48tx6.0#w0481790.48tx6.0#null.48tx6.0#p0481800.48tx6.0]] [[undefined w0482550.48tx6.0#null.48tx6.0#c0482560.48tx6.0#null.48tx6.0#w0482570.48tx6.0#null.48tx6.0#c0482580.48tx6.0#null.48tx6.0#w0482590.48tx6.0]] [[undefined w0483220.48tx6.0#null.48tx6.0#c0483230.48tx6.0#null.48tx6.0#w0483240.48tx6.0#null.48tx6.0#c0483250.48tx6.0#null.48tx6.0#w0483260.48tx6.0#null.48tx6.0#p0483270.48tx6.0]] aside aside [[undefined w0488830.48tx6.0#null.48tx6.0#c0488840.48tx6.0#null.48tx6.0#w0488850.48tx6.0#null.48tx6.0#c0488860.48tx6.0#null.48tx6.0#w0488870.48tx6.0#null.48tx6.0#c0488880.48tx6.0#null.48tx6.0#w0488890.48tx6.0#null.48tx6.0#p0488900.48tx6.0]] [[undefined 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w0498490.48tx6.0#null.48tx6.0#c0498500.48tx6.0#null.48tx6.0#w0498510.48tx6.0]] [[undefined w0502720.48tx6.0#null.48tx6.0#c0502730.48tx6.0#null.48tx6.0#w0502740.48tx6.0#null.48tx6.0#c0502750.48tx6.0#null.48tx6.0#w0502760.48tx6.0]] [[undefined w0502810.48tx6.0#null.48tx6.0#c0502820.48tx6.0#null.48tx6.0#w0502830.48tx6.0#null.48tx6.0#p0502840.48tx6.0]] [[undefined w0502960.48tx6.0#null.48tx6.0#c0502970.48tx6.0#null.48tx6.0#w0502980.48tx6.0#null.48tx6.0#c0502990.48tx6.0#null.48tx6.0#w0503000.48tx6.0#null.48tx6.0#c0503010.48tx6.0#null.48tx6.0#w0503020.48tx6.0#null.48tx6.0#p0503030.48tx6.0]] [[undefined w0505580.48tx6.0#null.48tx6.0#c0505590.48tx6.0#null.48tx6.0#w0505600.48tx6.0#null.48tx6.0#w0505610.48tx6.0#null.48tx6.0#p0505620.48tx6.0]] [[undefined w0505660.48tx6.0#null.48tx6.0#c0505670.48tx6.0#null.48tx6.0#w0505680.48tx6.0]] [[undefined w0511510.48tx6.0#null.48tx6.0#c0511520.48tx6.0#null.48tx6.0#w0511530.48tx6.0#null.48tx6.0#p0511540.48tx6.0]] [[undefined w0512610.48tx6.0#null.48tx6.0#c0512620.48tx6.0#null.48tx6.0#w0512630.48tx6.0]] [[undefined w0514710.48tx6.0#null.48tx6.0#c0514720.48tx6.0#null.48tx6.0#w0514730.48tx6.0#null.48tx6.0#c0514740.48tx6.0#null.48tx6.0#w0514750.48tx6.0#null.48tx6.0#c0514760.48tx6.0#null.48tx6.0#w0514770.48tx6.0#null.48tx6.0#c0514780.48tx6.0#null.48tx6.0#w0514790.48tx6.0#null.48tx6.0#p0514800.48tx6.0]] aside [[undefined w0515560.48tx6.0#null.48tx6.0#c0515570.48tx6.0#null.48tx6.0#w0515580.48tx6.0#null.48tx6.0#c0515590.48tx6.0#null.48tx6.0#w0515600.48tx6.0#null.48tx6.0#c0515610.48tx6.0#null.48tx6.0#w0515620.48tx6.0#null.48tx6.0#c0515630.48tx6.0#null.48tx6.0#w0515640.48tx6.0#null.48tx6.0#p0515650.48tx6.0]] [[undefined w0517330.48tx6.0#null.48tx6.0#c0517340.48tx6.0#null.48tx6.0#w0517350.48tx6.0#null.48tx6.0#c0517360.48tx6.0#null.48tx6.0#w0517370.48tx6.0#null.48tx6.0#c0517380.48tx6.0#null.48tx6.0#w0517390.48tx6.0#null.48tx6.0#c0517400.48tx6.0#null.48tx6.0#w0517410.48tx6.0#null.48tx6.0#p0517420.48tx6.0]] [[undefined 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w0539630.48tx6.0#null.48tx6.0#c0539640.48tx6.0#null.48tx6.0#w0539650.48tx6.0#null.48tx6.0#c0539660.48tx6.0#null.48tx6.0#w0539670.48tx6.0]] [[undefined w0539850.48tx6.0#null.48tx6.0#c0539860.48tx6.0#null.48tx6.0#w0539870.48tx6.0#null.48tx6.0#p0539880.48tx6.0]] [[undefined w0540270.48tx6.0#null.48tx6.0#c0540280.48tx6.0#null.48tx6.0#w0540290.48tx6.0#null.48tx6.0#p0540300.48tx6.0]] [[undefined w0542950.48tx6.0#null.48tx6.0#c0542960.48tx6.0#null.48tx6.0#w0542970.48tx6.0#null.48tx6.0#p0542980.48tx6.0]] [[undefined w0543420.48tx6.0#null.48tx6.0#c0543430.48tx6.0#null.48tx6.0#w0543440.48tx6.0#null.48tx6.0#c0543450.48tx6.0#null.48tx6.0#w0543460.48tx6.0]] [[undefined 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[[undefined w0074630.48tx6.0#null.48tx6.0#p0074640.48tx6.0]] Edgar and [[undefined 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[[undefined 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[[undefined w0087220.48tx6.0#null.48tx6.0#c0087230.48tx6.0#null.48tx6.0#w0087240.48tx6.0#null.48tx6.0#c0087250.48tx6.0#null.48tx6.0#w0087260.48tx6.0#null.48tx6.0#c0087270.48tx6.0#null.48tx6.0#w0087280.48tx6.0#null.48tx6.0#c0087290.48tx6.0#null.48tx6.0#w0087300.48tx6.0#null.48tx6.0#c0087310.48tx6.0#null.48tx6.0#w0087320.48tx6.0#null.48tx6.0#p0087330.48tx6.0#null.48tx6.0#c0087340.48tx6.0#null.48tx6.0#w0087350.48tx6.0#null.48tx6.0#c0087360.48tx6.0#null.48tx6.0#w0087370.48tx6.0#null.48tx6.0#c0087380.48tx6.0#null.48tx6.0#w0087390.48tx6.0#null.48tx6.0#p0087400.48tx6.0#null.48tx6.0#w0087410.48tx6.0#null.48tx6.0#c0087420.48tx6.0#null.48tx6.0#w0087430.48tx6.0#null.48tx6.0#c0087440.48tx6.0#null.48tx6.0#w0087450.48tx6.0#null.48tx6.0#c0087460.48tx6.0#null.48tx6.0#w0087470.48tx6.0#null.48tx6.0#p0087480.48tx6.0]] very well daughter [[undefined 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crown fools Methinks nor [[undefined 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[[undefined w0128360.48tx6.0#null.48tx6.0#p0128370.48tx6.0#null.48tx6.0#c0128380.48tx6.0#null.48tx6.0#w0128390.48tx6.0#null.48tx6.0#p0128400.48tx6.0#null.48tx6.0#c0128410.48tx6.0#null.48tx6.0#w0128420.48tx6.0#null.48tx6.0#c0128430.48tx6.0#null.48tx6.0#w0128440.48tx6.0#null.48tx6.0#w0128450.48tx6.0#null.48tx6.0#p0128460.48tx6.0]] [[undefined w0136550.48tx6.0#null.48tx6.0#p0136560.48tx6.0#null.48tx6.0#c0136570.48tx6.0#null.48tx6.0#w0136580.48tx6.0#null.48tx6.0#c0136590.48tx6.0#null.48tx6.0#w0136600.48tx6.0#null.48tx6.0#c0136610.48tx6.0#null.48tx6.0#w0136620.48tx6.0#null.48tx6.0#c0136630.48tx6.0#null.48tx6.0#w0136640.48tx6.0#null.48tx6.0#c0136650.48tx6.0#null.48tx6.0#w0136660.48tx6.0#null.48tx6.0#p0136670.48tx6.0]] [[undefined w0152020.48tx6.0#null.48tx6.0#p0152030.48tx6.0]] lanced [[undefined w0163850.48tx6.0#null.48tx6.0#c0163860.48tx6.0#null.48tx6.0#w0163870.48tx6.0]] spurs [[undefined w0165160.48tx6.0#null.48tx6.0#c0165170.48tx6.0#null.48tx6.0#w0165180.48tx6.0#null.48tx6.0#c0165190.48tx6.0#null.48tx6.0#w0165200.48tx6.0#null.48tx6.0#c0165210.48tx6.0#null.48tx6.0#w0165220.48tx6.0#null.48tx6.0#p0165230.48tx6.0]] why [[undefined w0167050.48tx6.0#null.48tx6.0#p0167060.48tx6.0]] [[undefined w0172890.48tx6.0#null.48tx6.0#p0172900.48tx6.0]] thought clamorous ago [[undefined w0181080.48tx6.0#null.48tx6.0#p0181090.48tx6.0#null.48tx6.0#c0181100.48tx6.0#null.48tx6.0#w0181110.48tx6.0#null.48tx6.0#c0181120.48tx6.0#null.48tx6.0#w0181130.48tx6.0#null.48tx6.0#c0181140.48tx6.0#null.48tx6.0#w0181150.48tx6.0#null.48tx6.0#c0181160.48tx6.0#null.48tx6.0#w0181170.48tx6.0#null.48tx6.0#p0181180.48tx6.0]] too [[undefined w0186640.48tx6.0#null.48tx6.0#p0186650.48tx6.0]] gale dread [[undefined w0195260.48tx6.0#null.48tx6.0#p0195270.48tx6.0]] [[undefined 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[[undefined 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drowned [[undefined w0279820.48tx6.0#null.48tx6.0#c0279830.48tx6.0#null.48tx6.0#w0279840.48tx6.0]] thy This [[undefined w0295500.48tx6.0#null.48tx6.0#c0295510.48tx6.0#null.48tx6.0#w0295520.48tx6.0#null.48tx6.0#c0295530.48tx6.0#null.48tx6.0#w0295540.48tx6.0#null.48tx6.0#c0295550.48tx6.0#null.48tx6.0#w0295560.48tx6.0#null.48tx6.0#p0295570.48tx6.0]] cold through ford [[undefined w0302690.48tx6.0#null.48tx6.0#p0302700.48tx6.0]] fiend [[undefined w0307690.48tx6.0#null.48tx6.0#c0307700.48tx6.0#null.48tx6.0#w0307710.48tx6.0]] had dearer [[undefined 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spirits] print, adobe
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And] print, adobe
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- License
-
CC BY 4.0
Link to license
- Citation Suggestion for this Edition
- TextGrid Repository (2025). Shakespeare, William. King Lear. The Folger Digital Texts in TextGrid. https://hdl.handle.net/21.11113/0000-0016-8441-9